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For Anselm, the attribute of omnipresence is not merely concerned with where God exists, but with where and when God exists. His account of this attribute thus precipitates a discourse on the nature of space and time: how they are related to God, to one another, and to the rest of the created order. In the course of this analysis Anselm articulates a number of positions which are generally thought to be the sole possession of modernity. In Part One of (...) |
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According to the tradition of western theism, God is said to enjoy the attribute of being everywhere present. But what is it, exactly, for God to manifest ubiquitous presence? Well, presumably, it is for God to bear a certain relation – the ‘being present at’ relation – to every place. This article focuses on the ‘being present at’ relation which figures so prominently in the divine attribute of omnipresence, on both fundamental and derivative readings of that relation, and on a (...) |
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The divine attributes of immensity and omnipresence have been integral to classical Christian confession regarding the nature of the triune God. Divine immensity and omnipresence are affirmed in doctrinal standards such as the Athanasian Creed (c. 500), the Fourth Lateran Council (1215), the Council of Basel (1431–49), the Second Helvetic Confession (1566), the Westminster Confession of Faith (1647), the Second London Baptist Confession (1689), and the First Vatican Council (1869–70). In the first section of this chapter, I offer a brief (...) |
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I first offer a broad taxonomy of models of divine omnipresence in the Christian tradition, both past and present. I then examine the recent model proposed by Hud Hudson (2009, 2014) and Alexander Pruss (2013)—ubiquitous entension—and flag a worry with their account that stems from predominant analyses of the concept of ‘material object’. I then attempt to show that ubiquitous entension has a rich Latin medieval precedent in the work of Augusine and Anselm. I argue that the model of omnipresence (...) |
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This chapter contains sections titled: Works cited. |
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This book investigates what it means, and whether it is coherent, to say that there is a God. |
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The claim that God is maximally present is characteristic of all three major monotheisms. In this paper, I explore this claim with regard to Christianity. First, God’s omnipresence is a matter of God’s relations to all space at all times at once, because omnipresence is an attribute of an eternal God. In addition, God is also present with and to a person. The assumption of a human nature ensures that God is never without the ability to be present with human (...) |
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Focusing on God's essential attributes of omnipotence, omniscience, being eternal and omnipresent, being a creator and sustainer, and being a person, I examine how far recent discussion has been able to provide for each of these divine attributes a consistent interpretation. I also consider briefly whether the attributes are compatible with each other. |
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) |
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_The Divine Attributes_is an engaging analysis of the God of Judaism, Christianity, and Islam from the perspective of rational theology. |
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Wandering in Darkness reconciles the existence of an omniscient, omnipotent, perfectly good God with suffering in the world. Eleanore Stump presents the moral psychology and value theory within which the theodicy of Thomas Aquinas is embedded. She explicates Aquinas's account of the good for human beings, including the nature of love and union among persons, and then argues that some philosophical problems are best considered in the context of narratives. In the context of famous biblical stories and against the backdrop (...) |
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