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  1. (1 other version)Greek Metaphors of Light.Dorothy Tarrant - 1960 - Classical Quarterly 10 (3-4):181-.
    Sight, and its object light, appear to be universal metaphors in human language, both for intellectual apprehension or activity and its objects and also for the experience of aesthetic and moral values. The figure is applied equally to the course or end of a rational approach to knowledge, giving scarcely-felt imagery like ‘I see’, ‘look into’, etc., or to a pictorially described ‘illumination’ or ‘vision’ that lies beyond the range of reason. Some phrases are applicable in both senses; to ‘see (...)
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  • (1 other version)Greek Metaphors of Light.Dorothy Tarrant - 1960 - Classical Quarterly 10 (3-4):181-187.
    Sight, and its object light, appear to be universal metaphors in human language, both for intellectual apprehension or activity and its objects and also for the experience of aesthetic and moral values. The figure is applied equally to the course or end of a rational approach to knowledge, giving scarcely-felt imagery like ‘I see’, ‘look into’, etc., or to a pictorially described ‘illumination’ or ‘vision’ that lies beyond the range of reason. Some phrases are applicable in both senses; to ‘see (...)
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  • The Dochmiacs of Greek Drama.N. Conomis - 1964 - Hermes 92 (1):23-50.
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  • The Recognition Duo in Euripides' Helen.Robert Schmiel - 1972 - Hermes 100 (3):274-294.
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  • Νϒκτοσ Παιδεσ Απαιδεσ A. Eum. 1034 Und Das Sogenannte Oxymoron In Der Tragödie.Detlev Fehling - 1968 - Hermes 96 (2):142-155.
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