In this paper I attempt two things. First, I argue that one can coherently imagine different communities using languages structurally similar to English, but in which the meanings of the quantifiers vary, so that the answers to ontological questions, such as ‘Under what circumstances do some things compose something?’, are different. Second, I argue that nevertheless, one can make sense of the idea that of the various possible assignments of meanings to the quantifiers, one is especially fundamental, so that there (...) is still room for genuine debate as regards the answers to ontological questions construed in the fundamental way. My attempt to explain what is distinctive about the fundamental senses of the quantifiers involves a generalisation of the idea that claims of existence are never analytic.<br>. (shrink)

Despite protestations to the contrary, philosophers have always been renowned for espousing theories that do violence to common-sense opinion. In the last twenty years or so there has been a growing number of philosophers keen to follow in this tradition. According to these philosophers, if a story of pure fic-tion tells us that an individual exists, then there really is such an individual. According to these realists about fictional characters, ‘Scarlett O’Hara,’ ‘Char-lie Brown,’ ‘Batman,’ ‘Superman,’ ‘Tweedledum’ and ‘Tweedledee’ are not (...) denotationless terms, but names that really refer. What is truly surprising about this situation is that almost no one has inveighed against this unfortunate real-ist tendency. My aim here will be to challenge this new orthodoxy, and to defend an anti-realist position against the arguments proffered by the realist. (shrink)

The modal fictionalist faces a problem due to the fact that her chosen story seems to be incomplete—certain things are neither fictionally true nor fictionally false. The significance of this problem is not localized to modal fictionalism, however, since many fictionalists will face it too. By examining how the fictionalist should analyze the notion of truth according to her story, and, in particular, the role that conditionals play for the fictionalist, I develop a novel and elegant solution to the incompleteness (...) problem. (shrink)

This chapter contains sections titled: 1 A Question about Composition 2 Some Answers 3 How Shall We Decide? 4 Common Sense and Unrestricted Composition 5 Common Sense and Compositional Nihilism 6 Compositional Nihilism and the Self 7 The Appeal to Science 8 Problem or Pseudoproblem? What To Do?