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  1. Film Art: An Introduction.David Bordwell & Kristin Thompson - 2009 - McGraw-Hill Humanities/Social Sciences/Languages.
    Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text (...)
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  • The Language of Displayed Art.Michael O'toole - 1996 - Journal of Aesthetics and Art Criticism 54 (3):304-306.
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  • The multidimensional language of the cartoon: A study in aesthetics, popular culture, and symbolic interaction.Lewis J. Sr Davies - 1995 - Semiotica 104 (1-2):165-211.
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  • Beyond speech balloons and thought bubbles: The integration of text and image.Neil Cohn - 2013 - Semiotica 2013 (197):35-63.
    Name der Zeitschrift: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Jahrgang: 2013 Heft: 197 Seiten: 35-63.
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  • From language to multimodality: new developments in the study of ideational meaning.Carys Jones & Eija Ventola (eds.) - 2008 - Oakville, CT: Equinox.
    This book shares the recent debates by systemic functional linguistics and other linguistic forums. Its principal focus is on how we use language to make meaning of the world, on how the systems and structures of the ideational function of language represent the realisation of our experiences of the world around us. The volume captures the endeavours of scholars working in different contexts, disciplines and languages around the world. Their contributions explore what underlies experiential and logical meaning-making through specific analyses (...)
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