Results for 'Alberti'

6 found
Order:
  1.  10
    Un Frammento Inedito di Leon Battista Alberti Sul Fuoco.Franco Bacchelli - 2020 - Noctua 7 (1):1-67.
    The author publishes the initial fragment of an unknown treatise by Leon Battista Alberti on the casting of statues written around 1455 and preserved in cod. Ottob. lat. 1870. The fragment contains a discussion on the nature of light and the element of fire.
    Download  
     
    Export citation  
     
    Bookmark  
  2. O Estatuto do Artífice no Tratado 'Da Pintura' de Leon Battista Alberti.Karen Mylena de Gouvea Osera - 2014 - Dissertation, Unifesp, Brazil
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. Da Pintura de Leon Battista Alberti : comentário e tradução do primeiro livro.Ricardo Zanchetta - 2014 - Dissertation, USP, Brazil
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  4. True Grid.Barry Smith - 2001 - In D. Montello (ed.), Spatial Information Theory: Foundations of Geographic Information Science. New York: Springer. pp. 14-27.
    The Renaissance architect, moral philosopher, cryptographer, mathematician, Papal adviser, painter, city planner and land surveyor Leon Battista Alberti provided the theoretical foundations of modern perspective geometry. Alberti’s work on perspective exerted a powerful influence on painters of the stature of Albrecht Dürer, Leonardo da Vinci and Piero della Francesca. But his Della pittura of 1435–36 contains also a hitherto unrecognized ontology of pictorial projection. We sketch this ontology, and show how it can be generalized to apply to representative (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  5. The Architect's Brain: Neuroscience, Creativity, and Architecture.Harry Francis Mallgrave - 2009 - Wiley-Blackwell.
    Introduction -- Historical essays -- The humanist brain : Alberti, Vitruvius, and Leonardo -- The enlightened brain : Perrault, Laugier, and Le Roy -- The sensational brain : Burke, Price, and Knight -- The transcendental brain : Kant and Schopenhauer -- The animate brain : Schinkel, Bötticher, and Semper -- The empathetic brain : Vischer, Wölfflin, and Göller -- The gestalt brain : the dynamics of the sensory field -- The neurological brain : Hayek, Hebb, and Neutra -- The (...)
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  6. Editoriale–Etichettare/descrivere/mostrare.Filippo Fimiani & Pietro Kobau - 2011 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 4 (2):2-7.
    “Art”—what is it? What sort of entities are artworks? “Art”—when is it? Normally, when we visit an art exhibition, when we listen to a concert or when we look at a performing art in a setting, we use to read the titles, the tags or something textual, a threshold not crafted by the author, about the exposed or executed artworks in order to grasp their subject, style, history, and author. But: how does a title, a non-fiction depiction or a pointing, (...)
    Download  
    Translate
     
     
    Export citation  
     
    Bookmark