In her groundbreaking volume Anaesthetics of Existence: Essays on Experience at the Edge, Cressida Heyes provokes readers with the question, “How might experience not only motivate politics but also itself act as a medium of political change?” This essay builds on Heyes’s provocation by exploring self-making and self-advocacy within carceral political economies. Engaging Heyes’s discussion of “normative temporality,” I consider unstable subjectivities and a black feminist formation of “revelatory agency” to contend that the carceral consumption of human life-time expands, complicates, (...) or radically shifts the scope of the political. (shrink)

Two weeks after reports came to light that singer Chris Brown had physically assaulted and abandoned his girlfriend, famous Barbadian pop star Rihanna, the celebrity blog TMZ released a close-up photo of Rihanna’s face taken by the Los Angeles Police Department the night she was beaten. The news and the photo sparked fierce online debates about domestic violence and culpability. The locus of accountability in many of these debates seemed to circle back to Rihanna, rather than land squarely on Chris (...) Brown. The question repeatedly raised was, as a survivor of domestic violence, what did Rihanna owe to others? This paper explores several of these online debates, engages the question of survivor accountability, and discusses how Internet-based discourse can act as a temperature read for our unspoken, but very present expectations of survivors of domestic violence. (shrink)