This paper reveals the concept of ma'rifa developed by Ibn al-'Arabi (d.1260), , especially in his magnum opus, Fuṣūṣ al-Ḥikam, the late work considered to the synthesis of his doctrine of metaphysics represented through the wisdom of each prophet; their uniqueness of divinely inspired and their epitome of spiritual perception, concerning the knowledge of God. It shows the transformative role of the prophet’s messages involving in the deeper creative process of divine-human dialogue, calling and response, that is repeatedly mentioned in (...) the Qur’an. Ibn ‘Arabi emphasized the importance of perceiving the direct relationship between all of creation and the divine Names and Attributes (al-asmā’ wa-l-sifāt al-ilāhiyyah), between creation as outward manifestation and as inward spiritual awareness (rūh). Everything that exists and is experienced in reality is the manifestation (tajallī) of different divine Names. (shrink)

The wisdom of the prophets in Ibn ‘Arabi’s Fuṣūṣ al-Hikam is deeply concerned with discovering how the prophets who are taken up in each chapter exemplify different facets of the deeper spiritual process of the divine-human relation. This article examines two particular fass and wisdom of Hūd and Muhammad. The wisdom of Hud represents knowledge through the feet” (ilm al-rijl), the knowledge that can only come through actually traveling through all the tests and lessons of the earthly human existence or (...) sulūk, while the wisdom of Muhammad defines the role of love and its multiple layers. Both are seen to be a spiritual intelligence of the prophets. Spiritual Intelligence empowers people to deal with and resolve life-world issues while demonstrating virtuous behavior such as humility, compassion, gratitude, and wisdom. For Ibn ‘Arabī, spiritual intelligence is about discovering intrinsic distinctions between truth and illusion, and spiritual discernment is all about. Finally, through his particular work, Ibn ‘Arabī highlights and assumes a recurrent progression from habitual conditioning that humans usually encounter to a greater depth and breadth of consciousness. (shrink)

Even within religion, the creativity of imagination offers an invaluable defense against the tendencies towards dogma and absolutism. It also provides spaces living and experiencing life in diverse ways. This paper discusses the different facets of creative imagination in religious art and literature forms by comparing Isaac Bashevis Singer’s In My Father’s Court with Wayang shadow theater in Indonesia. I will show that they possess similar features demonstrating a reflection on religious law, creativity and everyday life. In Singer’s work, the (...) synagogue is a theater, and Singer’s father functions in the same way the puppet master, or Dalang. operates in Wayang theater. This allows for the negotiations between religious law and the living community. (shrink)