This paper explores the mutual implication of critical realism and semiosis (or the intersubjective production of meaning). It argues that critical realism must integrate semiosis into its account of social relations and social structuration. This goes well beyond the question of whether reasons can be causes to include more basic issues of the performativity of semiosis and the relationship between interpretation (verstehen) and causal explanation (erklären). The paper then demonstrates how critical realism can integrate semiosis into its accounts of dialectic (...) of structure and agency through an evolutionary approach to structuration. It also demonstrates how critical semiotic analysis (including critical discourse analysis) can benefit from critical realism. In the latter respect we consider the emergence of semiotic effects and extra-semiotic effects from textual practices and give two brief illustrations of how this works from specific texts. The paper concludes with more general recommendations about the articulation of the discursive and extra-discursive aspects of social relations and its implications for critical realism. (shrink)

The usual way of discussing normativity and naturalism is by running through a standard range of issues: the relations of fact and value, objectivity, reason and emotion, is and ought, and the so-called ‘naturalistic fallacy’. This is a naturalism that is virtually silent on nature. I outline an alternative approach that relates normativity to our nature as living beings, for whom specific things are good or bad for us. Our nature as evaluative beings is shown to be rooted in and (...) emergent from this biological normativity. There is also significant downward causation, such that our brain-bodies are continually modified by our experience and thoughts. Cultures, as emergent from the affordances of our brain-bodies, create further extensive, irreducible sources of normativity, albeit ones which do not wholly escape biological normativity and can impact back on it. (shrink)

Editor’s NoteThanks to the initiative of Alan Norrie, we are pleased to present here a symposium on Nick Wilson’s book The Space that Separates: A Realist Theory of Art. Several authors have contri...