Thomas Sankara was 33 years old when he seized power in a bloodless coup. During the four years of his governance, he organized adult literacy campaigns and mass vaccination of children, promoted women's rights and fought corruption as well as desertification caused by inappropriate agricultural practices introduced during the colonial period. Within two years, child mortality and illiteracy dropped significantly and vaccination coverage increased. Beyond these quantitative results, Sankara firmly believed that the decolonization of his country started from the formation (...) of the conscience of citizens, from learning to “rely on themselves” – materially and psychologically – and from the abandonment of a logic of technological and financial dependence that generated hunger and debt. To achieve his goals, he launched campaigns to “consume Burkinabè,” to plant trees and preserve rainwater in areas affected by desertification. (shrink)

This dispatch tells the story of Julian, a librarian who left his stationary library job for a much more dynamic pursuit: to bring libraries to people instead of the other way around. Julian’s “mobile library” vision was to get new books – and new ideas – to people living in the most remote areas of Colombia. Books on his back, Julian criss-crosses the veredas (rural villages) and the corregimientos (indigenous areas) by motorbike or on foot. He visits small villages of (...) just one or two thousand people, scattered across the mountains. Villages, where there are no libraries, and where there may be no books. Villages, where schools have only textbooks, nothing more, and where it takes long walks for children to go to school. Julian tours his mobile library through the mountains of Cauca, a region in southwest Colombia. The Nasa indigenous people live in this region, as do guerrillas, paramilitaries and drug traffickers. Julian spreads media through his books and storytelling. He gives people a much more personal recounting of life and the country’s social condition. Words and ideas which may shine light on the actual enemy for all readers: the structural and historical inequalities, and the propaganda fuelling the violence against the wrong target. Once we understand the extent of Julian’s offer, it is no longer about the mobile library’s books and storytelling workshops, it is about offering paper mirrors to exhausted warriors on all sides. (shrink)

The articles presents my journey with "Live Poetry" a participatory poetry methods created by Luis Enrique Amaya in Perù. This journey is marked by three encounters I had, that convinced me of the depth of the beauty and healing this journey can bring. The first occurs in Cali, Colombia, in a vast set of working-class neighbourhoods called Distrito de Agua Blanca. This area is dominated by drug trafficking and invisible borders between rival gangs. Teenagers experience a daily life of violence (...) and neglect. In this neighbourhood, I meet Luis Enrique Amaya, poet and social activist from Lima, Peru. Today, Luis will lead a poetry workshop with teenagers in the neighbourhood. It is based on a community poetry method he created years before with his collaborators. The workshop today will have two phases. In the first phase, the poet interviews a passer-by, a member of the community, and asks them to talk about someone important to her or him (a family member, a friend, a lover). In the second phase, the poet asks the interviewee to wait for few minutes. Then the poet sits alone for about ten minutes and composes a poem dedicated to the person chosen by the interviewee. When he has finished, the poet gives the poem to the interviewee as a gift saying: “After listening to you, I composed this poem and I give it to you as a gift. But beware: it is not for you. It is to invite you give it as a gift to the person you told me about”. (shrink)