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Bennett Gilbert
Portland State University
  1. Early Carthusian Script and Silence.Bennett Gilbert - 2014 - Cistercian Studies Quarterly 49 (3):367-397.
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  2. Freshest Advices on What To Do With the Historical Method in Philosophy When Using It to Study a Little Bit of Philosophy That Has Been Lost to History.Bennett Gilbert - 2012 - Essays in Philosophy 13 (1):pdf.
    The paper explores the question of the relationship between the practice of original philosophical inquiry and the study of the history of philosophy. It is written from my point of view as someone starting a research project in the history of philosophy that calls this issue into question, in order to review my starting positions. I argue: first, that any philosopher is sufficiently embedded in culture that her practice is necessarily historical; second, that original work is in fact in part (...)
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  3.  48
    Johannes Fontana’s Drawing for a Castellus Umbrarum, Udine or Padua, C. 1415–20.Bennett Gilbert - 2014 - Mediaevalia 35 (1):255-277.
    A finished sketch for a light-and-shadow projection device by the Paduan mechanical artisan Johannes de Fontana (c.1395–1455), in his manuscript book of drawings now known as Liber Bellicorum Instrumentorum, depicts a machine for communicating ideas or information through spectacle. The manuscript is fairly well known, and this sketch is just one of many interesting images worthy of study in its 70 leaves. A couple dozen manuscripts of the mechanical arts from this period survive, the best-studied of which fall into the (...)
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  4. Plato's Lost Lecture.Bennett Gilbert - 2012 - Dissertation, Reed College
    Plato is known to have given only one public lecture, called "On the Good." We have one highly reliable quotation from Plato himself, stating his doctrine that "the Good is one." The lecture was a set of ideas that existed as an historical event but is now lost--and it dealt with ideas of supreme importance, in brief form, by the greatest of philosophers. Any reading of the lecture is speculative. My approach is philosophical rather than historiographic. The liminal existence of (...)
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  5. Some Neglected Aspects of the Rococo. Berkeley, Vico, and Rococo Style.Bennett Gilbert - 2012 - Dissertation, Portland State University
    The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the (...)
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