Lack of information is hardly our problem. Information comes at us in waves, sloshing out of the magazine rack, lapping at our computer monitors. It repeats and repeats on all-day news shows. It comes neatly packaged as sound bites, or little nuggets ready for trivia games. We have plenty of information, but it is not often the information we need. Even if it is, we need to learn how to deal with it. It is not just the amount, but the (...) speed. Too much happens everywhere that may be important anywhere. Too much comes for us to think it over. (shrink)

How Heidegger criticizes and "locates" science, and some problems with what he is trying to do.

want to question this idea of a pure presuppositionless self-developing sequence of logical categories. This is part of a larger investigation of the inherence of Hegel's thought in historical language. Concerning the necessary self-development of thought, I have three objections to propose. The first concerns the difficulty of recognizing a uniquely correct sequence of categories, when the various versions all express positive insights. The second concerns the very idea of a unified sequence. The third concerns the goal of pure self-development.

Argues that Sellars' theories can be seen as an elaborate argument for scientific realism as an almost-transcendental condition for the meaningfulness of language.

A discussion of whether Habermas as a representative modernist and Lyotard as a representative postmodern echo the ancient dispute between Plato and the Sophists. My conclusion is that they do not quite do so. Each is more complex and ancient dichotomy should be revised.

"The first of the particular arts . . . is architecture." (A 13.116/1.83)1 For Hegel, architecture stands at several beginnings. It is the art closest to raw nature. It is the beginning art in a progressive spiritualization that will culminate in poetry and music. The drive for art is spirit's drive to become fully itself by encountering itself; art makes spirit's essential reality present as an outer sensible work of its own powers.2 (A 13.453/1.351) If Hegel's narrative of the arts (...) creates a hierarchy, architecture stands lowest, yet it nonetheless plays a unique and necessary role in spirit's development. In this essay I first describe Hegel's views on the nature of architecture and its three stages (symbolic, classical, romantic). Then I indicate some problems with Hegel's narrative. Finally I raise the question whether Hegel's theories might be adapted to our present architectural situation. (shrink)

Plato is mistaken on both sides of his distinction between Socrates and the Sophists. He imagines the Sophists to have a formless power that cannot be resisted. This exaltation of the power of persuasion needs to be seen as motivating excessive fears in various modern debates. Pragmatic approaches can lessen our fear.

A study timeshowing that the relation of time and timeless in greek philosophers was more nuanced and complex than is commonly thought.

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

In the popular press and the halls of politics, controversies over evolution are increasingly strident these days. Hegel is relevant in this connection, even though he rejected the theories of evolution he knew about, because he wanted rational understanding but without claims to intelligent design. He is reported to have said that nature has no history, but a closer examination will show that his ideaqs are more nuanced and that there is more room for darwinian ideas than one might expect, (...) though not enough to allow the full Darwinian contingency of form. (shrink)

A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.

Scholarly hypertexts involve argument and explicit selfquestioning, and can be distinguished from both informational and literary hypertexts. After making these distinctions the essay presents general principles about attention, some suggestions for self-representational multi-level structures that would enhance scholarly inquiry, and a wish list of software capabilities to support such structures. The essay concludes with a discussion of possible conflicts between scholarly inquiry and hypertext.

In the introduction to his Philosophy of Nature, Hegel speaks of metaphysics as “the entire range of the universal determinations of thought, as it were the diamond net into which everything is brought and thereby first made intelligible. Every educated consciousness has its metaphysics, an instinctive way of thinking”. Both Wittgenstein and Hegel see our many languages and forms of life as constituted by different diamond nets of categories/grammars. I argue that both Wittgenstein and Hegel take a non-reductive attitude toward (...) this plurality of local ontologies, but that they disagree about what that plurality implies for history and philosophy. Their disagreements come in part from their differing choice of examples, influenced by atomism and holism. Even more, their disagreements stem from divergent notions about the structure and mode of being of those diamond nets. During the discussion, I distinguish three uses of the word “ontology”, and I ask each thinker about what might improve the other’s philosophical project. (shrink)

A critique of Strawson's distinction between descriptive and revisionary metaphysics.

When I was first studying Hegel I encountered quite divergent readings of his views on religion. The teacher who first presented Hegel to me was a Jesuit, Quentin Lauer at Fordham University, who read Hegel as a Christian theologian providing a better metaphysical system for understanding the doctrines of the Trinity and Incarnation. When I studied at Yale, Kenley Dove read Hegel as the first thoroughly atheistic philosopher, who presented the conditions of thought without reference to any foundational absolute being. (...) Meanwhile, also at Yale, John Findlay read us a deeply Neo-Platonic Hegel who taught about absolute forms held in a cosmic mind. In giving my own reading I want to talk about the ways Hegel redefines both metaphysics and religion. I would like to approach these issues by way of the medieval controversy over double truth, which was a previous conflict between religion and science. (shrink)

Discussions of place and whom need to take more account of the multiplicity of centers in the modern city/suburban environment.

Hegel, Heidegger, Postmodernity reconsidered after 20 years.

A discussion of how diggers stance with regard to contemporary analytic and Continental philosophy, with special emphasis on Heidegger's later works. The essay argues that Heidegger has now become attacks that people can interpret in many ways, and so is entered into dialogues which go against his own self-image of what he was about.

A discussion of the logical role of particular concepts in Robert Pippin's reading Hegel as a theorist of modernity, with special reference to the question whether modernity can be surpassed or left behind.

Studying Plato's "unwritten doctrines" in the light of his discussion of limit and unlimited in his dialogue Philebus. The essay raises also the question whether there is too much "atomism" in the usual presentation of Plato's Forms as individual absolute entities, rather than as themselves derived from a more fundamental limit/unlimited ontology.

The relation between nature and spirit in Hegel is not as simple as slogans such as "nature has no history" or a simple interior/exterior dichotonmy would suggest.

A discussion of the problem of creating unified places in a pluralistic multicultural society.

What can it mean to criticize when you are inside the work itself? In a immersive electronic or digital environment critic is not distanced on a platform based on firm principles. Yet criticism self-awareness and commentary remain possible. This essay examines various techniques for dealing with immersive environments critically.

A critical examination of the different kinds of irony relevant to architecture, especially romantic and postmodern irony, and a suggestion for a less self-sure haughty kind of irony.

From Hegel's philosophy of nature, this essay develops a critique of economic models and market society, based on Hegel's notion of what it takes for a formally described system to be embodied and real.

Our task is the preservation of historic towns. In America as in Europe historic town centers are surrounded by recent additions and suburban sprawl. It is tempting to imagine the task of preservation as protecting our historical heritage from a featureless wave of mediocrity, as the worldwide commercial civilization overwhelms local cultures. This story is familiar from the writings of Kenneth Frampton and others: sprawl, homogenization, loss of distinctive local and regional form. I want to disagree with this story. From (...) what force are we trying to save the historic towns? Might not that force have its own new kinds of order? Might that new order be already at work inside the historic towns? Are its effects only negative? I want to question a presupposition common in many discussion of historic preservation. This is the presupposition that a spatially distinct historic center belongs to a single community that possesses a unified self-consciousness and a unified aesthetic self-image. Local communities less and less correspond to bounded spatial areas, and spatial areas contain less and less homogeneous communities. There is growing a new kind of discontinuous unity, which is the theme of this essay. (shrink)

I am a philosopher with Parkinson’s Disease. Over the past several years I’ve been trying to write about my situation. I wrote about how I was forced to face the disease. I described how the disease twists and distorts my world. Then I asked myself, as a philosophy writer and teacher, whether I could say anything that might help myself or others facing life with Parkinson’s? I found ideas in the ancient Stoics and expanded them with ideas about time, coming (...) up with suggestions for living as excellently as possible despite the disease. Looking at those suggestions, I realized how the special awareness, resolve, and attention I was suggesting would be eaten away by dementia, and I know that a majority of Parkinson’s patients face dementia if they survive long enough. What can philosophy say to me or any person whose self and philosophy are being erased? Writing about such issues has helped me deal with my situation, and maybe my essay might be useful for others dealing with decline. (shrink)

Arakawa and Gins have been fomenting revolution for a long time. In the last twenty years their attention has turned more and more towards architecture and urban planning as a way of reforming our bodily existence. Their proposals enter daily life rather than staying in the isolated sphere of the museum or gallery. These constructions are to be lived in, not contemplated. Will daily life then blunt or sharpen Arakawa and Gins's power to educate and revise our "architectural bodies"?

If we have no transparent access to our self, what kind of self-criticism is possible? Neither modernists nor postmodernists yet this pragmatic issue correct.

Habermas's criticizes Heidegger for insulating totalities of meaning from possible overturning by attempts to invalidate individual claims. I first state Habermas's criticism, then elaborate an example from Heideggerthat supports Habermas's attack. Then I defend Heidegger by distinguishing levels of meaning in Heidegger's "world" from Habermas's more propositional "lifeworld." I conclude by accepting Habermas's objection restated in terms of the contrast between transcendental and local conditions. If Heidegger is unwilling to pay the price of either Kantian generality or Hegelian unity, he (...) should give up the simple priority of his epochal understandings of being. (shrink)

First part of a discussion about what kind of guidelines we can find in our group or cultural identity for our place making and architectural planning.

A discussion of how Hegel manages his classification and ordering of specific religions, and a critique of his method.

Eugene Gendlin claims that he wants "to think with more than conceptual structures, forms, distinctions, with more than cut and presented things" (WCS 29).1 He wants situations in their concreteness to be something we can think with, not just analyze conceptually. He wants to show that "conceptual patterns are doubtful and always exceeded, but the excess seems unable to think itself. It seems to become patterns when we try to think it. This has been the problem of twentieth century philosophy" (...) (WCS 29). As a result he has "long been concerned with what is not formed although always in some form" (TAD 1). In this essay I would like to explore some of the issues surrounding the relation of the unformed and the formed. Gendlin says that "we get beyond the forms by thinking precisely in them" (TAD 1). The two emphasized words have to be considered separately as well as together. In many essays Gendlin's main concern is with the "precisely": can something that is not fully formed and definite still direct us as we carry forward language and action? My discussion begins with that issue; I suggest ways that Gendlin's proposal connects with and differs from some current ideas in epistemology and the philosophy of language. Then my discussion moves to the "in": what sense can we make of the formed being unformed? Finally I suggest that Gendlin's program runs into some difficulties in this connection. (shrink)

A discussion of the role of metaphor and reinterpretation in extending architectural vocabularies.

What does it take to settle an argument or debate, for the classical Greek philosophers, and how does this compare with our modern ideas about resolving disputes? Plato and Aristotle are not quite what they been reputed to be.

Despite what might seem to be the case, "Virtual" reality can be used to create fully "real" places with their own grammar and norms, where real events take place.

We need to give up single visions that are supposed to embrace social and place totalities. We live in overlapping nets rather than single places. We cannot plan unlimited geometrical vistas a la Versailles; but that was always an illusion, and today it would be an oppression. Can we still plan like Sixtus at Rome? Only if we also encourage other modes of organization at the same time. The whole may often end up more like Tokyo, with corners of design (...) and beauty that do not make an overall plan. (shrink)

What follows are the introductory remarks and a series of questions that were raised for a discussion about what Hegel is doing in the paragraphs 669-71 of the Phenomenology of Spirit, with reference back to paragraphs 444 and 650-5. Broadly speaking, the issues concern the place and the nature of that self-consciousness that Hegel describes as the universal and mediating element in which spirit comes to itself. I also ask about the applicability of his dialectic of forgiveness to a particular (...) situation today. (shrink)

Argument and myth, historical figure and archetype, Socrates dominates our image of inquiry. How did this come about and should it continue?

Centers have been out of intellectual and political fashion, because they have been often oppressive. We both celebrate and worry about postmodern fragmentation as we enact it in our technology, while fearing hidden centralization. But centering is important. I would like to mull over some issues concerning centers and criticism.

What are the ontological commitments in Hegel and Heidegger’s discussion of the self? In this essay I approach these continental thinkers with a question from analytic philosophy, to see how they might respond. In different ways Hegel and Heidegger try to locate the question within a prior discourse about the conditions of the possibility of any local ontological commitments. The priority they claim can be clarified by distinguishing conditions of possibility from conditions of actuality.

The second part on the discussion of communal self discernment in seeking goals and values for making places and architectural planning.

Does American individualism really exist as it is popularly conceived? Arguments from Hegel and Dewey suggest not. Includes a comparison with equally stereotyped images of Japanese culture.

A comparison of the ways in which Hegel and Heidegger critique modernity.

The goal or criterion of "authenticity" for judging a change in art or ethics or culture is notoriously vague and can be dangerous. This essay proposes a version of authenticity based on a quasi-Hegelian version of the process of development rather than on any specific patrimony to be preserved. Oddly enough, the proposed criterion has many similarities with one proposed by a staunch anti-Hegelian, Gilles Deleuze.

A study of how for Hegel the relation of architecture to building function has varied throughout history. Architecture strives to liberate itself, never completely, from domination by function.