Order:
See also
Eliot Bates
The Graduate Center, CUNY
  1.  21
    Ron’s Right Arm: Tactility, Visualization, And The Synesthesia Of Audio Engineering.Eliot Bates - 2009 - Journal on the Art of Record Production 4 (1).
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  2.  21
    What Studios Do.Eliot Bates - 2012 - Journal on the Art of Record Production 7 (1).
    Studios resist reductive analyses. Although isolated, they have their own frontstages and backstages, and like the laboratories studied by Knorr-Cetina, function as more than simply “internal environments.” The placeness of studios leaves both audible traces (the early reflections of sounds) and visible ones, if we think of those studios that become shrines or pilgrimage sites, or photo or video documentation of studios that provide the outside world a brief glimpse into the interior isolation of recording studio life. It would seem (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3.  10
    Popular Music Studies and the Problems of Sound, Society and Method.Eliot Bates - 2013 - [email protected] 3 (2):15-32.
    Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three dominant Anglophone popular music studies journals (Popular Music and Society, Popular Music, and the Journal of Popular Music Studies): 1) what interdisciplinarity or multidisciplinarity means within popular music studies, with a particular focus on the sites of research and the place of ethnographic and/or anthropological approaches; 2) the extent to which popular music studies has developed canonic scholarship, and the citation tendencies present within scholarship on (...)
    Download  
     
    Export citation  
     
    Bookmark