But the modelling of the Confucian gentleman or junzi type of human being under the music simile and the rules of propriety (li) 禮 needs to be brought within the perspective of the Confucian use of language and the ultimately harmonising role of this philosophy. Such considerations lead us back to a concept that Pound was always keen to produce in his expositions, and refers directly to the importance of precise language usage. Pound's first concern for 'le mot juste' and (...) later for zheng ming 正名 is consistent throughout his career. (shrink)

Review of "A.D. Hope: Questions of Poetic Strength" (1993).

Review of "Earth Against Heaven: A Tiananmen Square Anthology" (1990).