Con il presente lavoro l'A. si propone di dimostrare che l'introduzione nel lessico tecnico latino di materia, come traduzione di hyle, è antecedente al De inventione ciceroniano e al De rerum natura di Lucrezio, i primi testi a presentare questa innovazione nei campi rispettivamente della retorica e della filosofia. Dall'esame dei passi più significativi delle due opere, tra quelli in cui compare materia, e da considerazioni esterne ai testi stessi, si ricava, a giudizio dell'A., che il termine venne utilizzato come (...) parte integrante de/lessico tecnico preesistente, poiché mancano quegli elementi che accompagnano una neoformazione semantica alla sua prima comparsa certificandone, esplicitamente o implicitamente, la valenza traslata. (shrink)

The aim of the book is to encourage discussion among experts on De ira, a text of philosophical nature, by reading it page by page, from a philosophical, philological, and literary perspective (a multidisciplinary choice which is the conditio sine qua non of all judicious research on Seneca). Moreover, the way in which each of these close readings is conducted adds an additional value: they each deal with a section of the text, presenting all the data necessary for its understanding. (...) All together, they cover the whole work. Each of them is also an attempt at a global interpretation of the treatise, examined through the particular framing of the textual passage around which the “Lectures plurielles” are conceived. Around this “polyphonic” analysis of the text, we have built a structure that aims to offer the reader a complete reference work on all the issues of the De ira. Sources, manuscript tradition, images, political and philosophical concepts, posterity – in short, all the aspects that a traditional commentary of the text would not have allowed us to distinguish so clearly – find their place here. This book is therefore aimed at specialists as well as students or anyone interested in the thought of emotions in antiquity. (shrink)

« La tradition a longtemps considéré l’homme comme une exception au sein de la nature, lui concédant le pouvoir de la dominer et le droit de l’exploiter à son avantage. Aujourd’hui, à l’inverse, l’homme n’occupe plus tant le sommet de l’ordre de la création que l’épicentre d’une catastrophe en cours. Une nouvelle innocence semble requise pour habiter plus harmonieusement la nature. Seulement, nous rencontrons ici un paradoxe, car c’est aussi l’ingénuité technique qui est chargée de surmonter la crise écologique. Dans (...) le présent texte, nous tenterons de dénouer ce paradoxe par le biais des Deux leçons sur l’animal et l’homme de Gilbert Simondon, en revenant sur deux motifs qui s’opposent seulement en apparence : d’un côté, la vision démiurgique de l’homme comme grand artisan, ancrée dans le mythe platonicien du Timée, et de l’autre, la vision axiologique et éthique de l’homme, rendue emblématique par le sermon aux oiseaux de Saint François d’Assise. L’importance de la légende de Saint François d’Assise pour le canon apocalyptique du xiii ème siècle nous permettra de relier cette vision éthique au mythe platonicien, nous amenant, au final, à suggérer une alternative aux visions apocalyptiques de l’Anthropocène, appuyée sur l’originalité de la conception de la nature dans la pensée simondonienne. ». (shrink)

I may feel guilty for situations and events in which I seemed to play no causal role, which (it would seem) would have been exactly the same had I never existed. What is the reason for this guilt? The paper argues that it is to be found in a sense of universal connectedness: I take myself to always make a difference, no matter how distant I appear to be from anything that happens.

In recent years noise seems to have become an interdisciplinary concept par excellence, apt to capturing important dynamics at work whether in technological, scientific, social, or aesthetic domains. But when economists, biologists, psychologists, and musicians speak of noise, are they really all referring to the same thing? In An Epistemology of Noise Cecile Malaspina takes this dispersion of the notion of noise as a starting point, and moreover accepts that, when removed from its mathematical formulation in information theory and (...) spread into diverse disciplines, noise takes on a metaphorical ambiguity. Yet rather than aiming to eliminate this ambiguity, Malaspina sets out to account for it. The key problem in An Epistemology of Noise is not to identify the legitimate usage of the concept of noise, but rather to examine what happens when noise moves between disciplines, and what the ‘noisiness’ of this movement tells us about the conditions for interdisciplinary knowledge. Noise here is both an object (or many objects) of inquiry and a condition for that inquiry, and presents us with the problem of how knowledge can find its ground in these ‘shifting sands’ (9). (shrink)