Results for 'Farzaneh Zahedi'

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  1. Medieval Christian and Islamic Mysticism and the Problem of a 'Mystical Ethics'.Amber L. Griffioen & Mohammad Sadegh Zahedi - 2018 - In Thomas Williams (ed.), The Cambridge Companion to Medieval Ethics. New York: Cambridge University Press. pp. 280-305.
    In this chapter, we examine a few potential problems when inquiring into the ethics of medieval Christian and Islamic mystical traditions: First, there are terminological and methodological worries about defining mysticism and doing comparative philosophy in general. Second, assuming that the Divine represents the highest Good in such traditions, and given the apophaticism on the part of many mystics in both religions, there is a question of whether or not such traditions can provide a coherent theory of value. Finally, the (...)
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  2. A Bibliometric Analysis and Visualization of the Scientific Publications of Universities: A Study of Hamadan University of Medical Sciences during 1992-2018.Heidar Mokhtari, Seyedeh Zahra Mirezati, Mohammad Karim Saberi, Farzaneh Fazli & Mohammad Kharabati-Neshin - 2019 - Webology 16 (2):187-211.
    The evaluation of universities from different perspectives is important for their scientific development. Analyzing the scientific papers of a university under the bibliometric approach is one main evaluative approach. The aim of this study was to conduct a bibliometric analysis and visualization of papers published by Hamadan University of Medical Science (HUMS), Iran, during 1992-2018. This study used bibliometric and visualization techniques. Scopus database was used for data collection. 3753 papers were retrieved by applying Affiliation Search in Scopus advanced search (...)
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  3. Time in Cinema and Modern Art: Reflections Inspired by Farshad Zahedi and Francisco Jiménez Alcarria’s The Petrified Object And The Poetics Of Time In Cinema.Susana Viegas - 2022 - Journal of Science and Technology of the Arts 2 (14):125-129.
    Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze – and questions how absolute time and chronological time are brought to a state of crisis by this modern form of art.
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