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Susana Viegas
Universidade Nova de Lisboa
  1.  11
    Time in Cinema and Modern Art: Reflections Inspired by Farshad Zahedi and Francisco Jiménez Alcarria’s The Petrified Object And The Poetics Of Time In Cinema.Susana Viegas - 2022 - Journal of Science and Technology of the Arts 2 (14):125-129.
    Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze – and questions how absolute time and chronological time are brought to a state of crisis by this modern form of art.
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  2.  9
    Cinema e o Sonho Implicado: Uma leitura Deleuziana.Susana Viegas - 2022 - Rebeca, Revista Brasileira de Estudos de Cinema E Audiovisual 11 (21):203-219.
    Os estudos deleuzianos sobre o cinema destacam a importância dos dois regimes semióticos (imagem-movimento e imagem-tempo) para a compreensão da nossa relação estética e epistemológica com as imagens em movimento. Pelo contrário, este artigo procura destacar os momentos de crise entre os dois regimes assinalando o carácter genérico de incerteza e ambiguidade da natureza das imagens mentais: enfraquecido o esquema sensório-motor que domina na montagem cinematográfica, as personagens, incapazes de agir, podem imaginar, desejar, sonhar, alucinar, e lembrar. Surgem novos tipos (...)
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  3.  15
    Introduction: The Leftovers, Philosophy and Popular Culture.Susana Viegas - 2021 - Cinema: Journal of Philosophy and the Moving Image 13 (13):7-20.
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  4.  8
    Cinema e o Sonho Implicado: Uma leitura Deleuziana.Susana Viegas - 2022 - Rebeca, Revista Brasileira de Estudos de Cinema E Audiovisual 11 (21):203-219.
    The Deleuzian studies on cinema highlight the importance of two semiotic regimes (movement-image and time-image) for the understanding of our aesthetical and epistemological relationship with moving images. On the contrary, this article highlights the moments of crisis between the two regimes, pointing out the generic character of uncertainty and ambiguity in the nature of mental images: once the sensorimotor scheme that dominates the cinematographic montage has been weakened, the characters, unable to act, can imagine, desire, dream, hallucinate, and remember. New (...)
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  5.  6
    Cinema e o Sonho Implicado: Uma leitura Deleuziana.Susana Viegas - 2022 - Rebeca, Revista Brasileira de Estudos de Cinema E Audiovisual 11 (21):203-219.
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