Exploring online criticisms of the ‘take the knee’ protest during ‘Euro 2020’, this article examines how alt- and far-right conspiracies were both constructed and communicated via the social media platform, Twitter. By providing a novel exploration of alt-right conspiracies during an international football tournament, a qualitative thematic analysis of 1,388 original tweets relating to Euro 2020 was undertaken. The findings reveal how, in criticisms levelled at both ‘wokeism’ and the Black Lives Matter movement, antiwhite criticisms of the ‘take the knee’ (...) protest were embroiled in alt-right conspiracies that exposed an assumed Cultural Marxist, ‘woke agenda’ in the tournament’s organization and mainstream media coverage. In conclusion, it is argued that conspiratorial discourses, associated with the alt-right, provided a framework through which the protest could be understood. This emphasises how the significance of conspiracy functions to promote the wider dissemination of alt-right ideology across popular cultural contexts, such as sport. (shrink)

Marcello Vitali-Rosati, in the essay “The Writer is the Architect” complimented by other works, provides a two-part thesis. The first argues that space is a chiasmic structure (as inside-outside); and the second argues that this structure reveals the productive role of the subject in constructing digital space (as architect). The essay here seeks to elucidate this logic and to expose it to a Lacanian critique: that it is a hysterical discourse unable in principle to emancipate digital spaces because it (...) entails a purely immanent subject—in short, a subject which is solely product, not producer, of digital space. (shrink)

The aim of the paper is to critically assess the idea that reasons for action are provided by desires (the Model). I start from the claim that the most often employed meta-ethical background for the Model is ethical naturalism; I then argue against the Model through its naturalist background. For the latter purpose I make use of two objections that are both intended to refute naturalism per se. One is G. E. Moore’s Open Question Argument (OQA), the other is Derek (...) Parfit’s Triviality Objection (TO). I show that naturalists might be able to avoid both objections in case they can vindicate the reduction proposed. This, however, leads to further conditions whose fulfillment is necessary for the success of vindication. I deal with one such condition, which I borrow from Peter Railton and Mark Schroeder: the demand that naturalist reductions must be tolerably revisionist. In the remainder of the paper I argue that the most influential versions of the Model are intolerably revisionist. The first problem concerns the picture of reasons many recent formulations of the Model advocate. By using an objection from Michael Bedke I show that on this interpretation obvious reasons won’t be accounted for by the Model. The second problem concerns idealization that is also often part of the Model. Invoking an argument by Connie Rosati, I show that the best form of idealization, the ideal advisor account, is inadequate. Hence, though not knock down arguments as they were intended to be, OQA and TO do pose a serious threat to the Model. (shrink)

Artykuł dotyczy dwóch bardzo mało znanych utworów słynnych twórców literatury niemieckiej. Johann Wolfgang von Goethe, twórca Fausta, ma w swym dorobku moralizatorski wiersz pt. Dziennik. Jednak z obawy o posądzenie go o niemoralne treści, nigdy za życia poety utwór ten nie został opublikowany. Również Siedem wierszy Rainera Marii Rilkego jest bardzo rzadko drukowanych. Mimo, iż Rilke długo wzbraniał się przed lekturą utworów niemieckiego wieszcza, to jednak Dziennik stanowił wyjątek. Wiersz Goethego poświęcony jest kryzysowi seksualnemu i twórczemu bohatera, za którym (...) kryje się sam poeta. Wiersze Rilkego stanowią cykl poświęcony aktowi miłosnemu dwojga kochanków. Artykuł stara się przeanalizować wzajemne związki obu tych tak różnych dzieł i odpowiedzieć na pytanie, czy R. M. Rilke wzorował się na twórczości J. W. Goethego. (shrink)