The 2-c debate between the Greek Apologists and the pagan Graeco-Roman tradition is multifaceted and complex. Common ground can be found in the mutual commitment to reason as a reflection of the Logos: Reason, or the rationality embedded in things. Logos, in this picture, is participated in through a performance of reasoning whose reliability is presupposed in the discourses of both debating parties—contextualized here as the presupposition that the deliverances and activity of reason are reliable for uncovering reality. Presuppositions are (...) starting points and driving principles of inquiry, here designated as first principles. One presuppositional conflict between 2-c Greek Apologists, taking the apologetic works of Justin, Theophilus, Athenagoras, and the author of the Epistle to Diognetus as a sample, and the pagan tradition, taking Celsus as its 2-c culmination, is over how to justify the commitment to reason’s reliability in the above sense. My claim in this paper is twofold: first, that the pagan position is unable in principle to demonstrate the reliability of its own reasoning and that all such inquiry is circular: it is always a further question for the pagan why reasoning reveals reality. I propose that what would count as an answer to this challenge is a metaphysical ‘fit’ between human embodiment and reality. And second, that the Apologists avoid this unhappy conclusion by committing themselves to the embodiment of Reason in Jesus—that the embodied act of human reasoning reveals reality because Reason itself is embodied in the same way. The upshot is that unless the pagan abandons his position, he is trapped in a circular epistemology and cannot encounter the Christian witness on its own terms. (shrink)

Marcello Vitali-Rosati, in the essay “The Writer is the Architect” complimented by other works, provides a two-part thesis. The first argues that space is a chiasmic structure (as inside-outside); and the second argues that this structure reveals the productive role of the subject in constructing digital space (as architect). The essay here seeks to elucidate this logic and to expose it to a Lacanian critique: that it is a hysterical discourse unable in principle to emancipate digital spaces because it entails (...) a purely immanent subject—in short, a subject which is solely product, not producer, of digital space. (shrink)

Plato’s dialogue Parmenides contains the infamous ontological bombshell, the so-called Third Man argument. This argument involves a reductio criticism of the forms, arguing that the reductio premise – roughly, ‘there cannot be any ontological interpenetration between the One and the many’ – is false. The argument intimates that the only way for thought to move beyond the forms is to accept the ‘impossible’ object, the nonsensical One-and-many. This article calls any ontology which accepts this Third Man argument and attempts to (...) answer it on its own terms, ‘material dialectic’. The high-profile debate between John Milbank and Slavoj Žižek in The Monstrosity of Christ brings the relevance of this dialectic into stark relief. Both authors accept the material dialectic and mobilise it toward competing christological theses. Yet it is important to navigate the Third Man argument in such a way as to keep a dyophysite Christology in order to satisfy orthodox theological pressures. I will therefore advance two conclusions: first, that the material dialectic is a valid analytical project; and second, that neither Milbank nor Žižek espouses an orthodox Christology: Milbank’s is monophysite while Žižek’s is patripassian. Following Milbank, I will call the final (dyophysite) corrective the ‘Catholic Žižek’ – only, contra Milbank, it will be the real Catholic Žižek. (shrink)

This paper explores the ontology of the beautiful from the standpoint of competing logics, i.e., ways of speaking the Logos. The first is a theo-logic centered on the analogy of being, which uniquely regards reality as Logos—a structured hierarchy of the real, a ‘Who’ rather than a ‘What’—which provides an ontology of beauty as desirable being, and ultimately, the desirable Being. The correct response to reality is thus holiness, the sacral separateness of God imparted to, and thus borrowed by and (...) reflected through, creatures. The competing logic is what Baudrillard calls the simulacral, in which the real is suspended by its own model; the image exposes the poverty of the real and causes it to disappear altogether, revealing a transaesthetics of banality and indifference, a totalizing counterfeit of the real that is beyond real difference, beyond Logos—and therefore beyond structured hierarchy, beyond beauty and ugliness. The simulated real is thus the world of the spectacle, the world as product of consumer gaze. A way to repudiate the simulation, the murderous image, to uncover the real always and already grounding the image is to return to Logos: to emplace the image in a hierarchically relational context within Logos. The upshot is that, when so emplaced, the gaze of the image tells a different story: the world is not one of consumerist spectacle but of mutual self-gifting. Amidst the barbarism of the dislocated consumer ego, we can conscientiously commune with neighbor and turn away from what Augustine termed "fellowship with the demons.". (shrink)

The high-profile debate between John Milbank and Slavoj Žižek in The Monstrosity of Christ comprises an immensely important work in the contemporary intersection of Church dogmatics and ontology. This study consists of an indirect commentary on this debate, using Milbank and Žižek’s dispute as a foil for mobilizing an ontology favorable to Eastern Orthodox dogmatics. The starting point here is that Orthodoxy simply bypasses Neo-Platonism as the definitive philosophical expression of its dogmatic theology, and, on this score, Žižek’s powerful criticisms (...) of theurgic Neo-Platonism can be embraced and redirected in support of an ontology of the Orthodox dogma of synergy. It will be shown that Milbank’s position that there is a “Catholic Žižek” who embraces theurgy—that is, analogical, Neo-Platonist ontology—is mistaken; the dismantling of the “suspended middle” is necessary for the Žižekian and that, therefore, a Catholic version of this figure does not exist. But it will be suggested that, instead, there is a latent Orthodox Žižek whose criticism of analogical ontology can pave the way for a more profitable dialogue between Žižek and Orthodoxy. The conclusion will provide a playful reading of an Orthodox Žižek—an entirely fictional but ontologically serviceable character—who can begin new conversations between ontology and dogmatic theology. The upshot of the study is the extension of Terry Eagleton’s claim that the historical materialist, but not the dialectical materialist, can legitimately venerate the Virgin Mary—to the surprising suggestion that even the dialectical materialist can justifiably venerate her, too. (shrink)