Many virtue epistemologists conceive of epistemic competence on the model of skill —such as archery, playing baseball, or chess. In this paper, I argue that this is a mistake: epistemic competences and skills are crucially and relevantly different kinds of capacities. This, I suggest, undermines the popular attempt to understand epistemic normativity as a mere special case of the sort of normativity familiar from skilful action. In fact, as I argue further, epistemic competences resemble virtues rather than skills—a claim that (...) is based on an important, but often overlooked, difference between virtue and skill. The upshot is that virtue epistemology should indeed be based on virtue, not on skill. (shrink)

Many hold that theoretical reasoning aims at truth. In this paper, I ask what it is for reasoning to be thus aim-directed. Standard answers to this question explain reasoning’s aim-directedness in terms of intentions, dispositions, or rule-following. I argue that, while these views contain important insights, they are not satisfactory. As an alternative, I introduce and defend a novel account: reasoning aims at truth in virtue of being the exercise of a distinctive kind of cognitive power, one that, unlike ordinary (...) dispositions, is capable of fully explaining its own exercises. I argue that this account is able to avoid the difficulties plaguing standard accounts of the relevant sort of mental teleology. (shrink)

Epistemic constitutivism (EC) holds that the nature of believing is such that it gives rise to a standard of correctness and that other epistemic normative notions (e.g., reasons for belief) can be explained in terms of this standard. If defensible, this view promises an attractive and unifying account of epistemic normativity. However, EC faces a forceful objection: that constitutive standards of correctness are never enough for generating normative reasons. This paper aims to defend EC in the face of this objection. (...) I do so in two steps. First, I dispute a crucial assumption underlying the case against EC: that constitutive standards of correctness in general are ‘reason-giving’ only if and because there is also a prior reason to comply with them. Second, I outline a strategy of how EC can meet the challenge of explaining what’s special about the activity of believing such that, unlike other standard-governed activities, it is capable of generating normative reasons. (shrink)

Someone acts in a morally worthy way when they deserve credit for doing the morally right thing. But when and why do agents deserve credit for the success involved in doing the right thing? It is tempting to seek an answer to that question by drawing an analogy with creditworthy success in other domains of human agency, especially in sports, arts, and crafts. Accordingly, some authors have recently argued that, just like creditworthy success in, say, chess, playing the piano, or (...) archery, creditworthy moral success is a matter of getting things right by way of manifesting a relevant skill. My main aim in this paper is to bring out an important structural difference between moral creditworthiness and creditworthiness in sports, arts, and craft, undermining attempts to use examples of the latter as a model for understanding the former. As an alternative, I propose an account of morally creditworthy action, according to which such action is a matter of manifesting virtue, not skill—a claim that's based on an important, but underappreciated, difference between the sorts of excellences constituting virtues and skills. The paper thus contributes to a more nuanced picture of normative achievements across different domains of human agency, highlighting largely overlooked structural dissimilarities among them. (shrink)

This paper proposes a comparison between the myth of Prometheus and Pliny the Elder’s account of the origins of painting to assess the technical characterof images. Such a character is seen as a precondition for understanding their epistemological value, as well as for supporting the need for hermeneutics at any level of artificial intervention. Finally, part of Horst Bredekamp’s work will be presented as an example of a methodology that combines hermeneutics and iconology based on such a technical character.

The Polish philosophy of mathematics in the 19th century had its origins in the Romantic period under the influence of the then-predominant idealist philosophies. The decline of Romantic philosophy precipitated changes in general philosophy, but what is less well known is how it triggered changes in the philosophy of mathematics. In this paper, we discuss how the Polish philosophy of mathematics evolved from the metaphysical approach that had been formed during the Romantic era to the more modern positivistic paradigm. These (...) evolutionary changes are attributed to the philosophers Henryk Struve, Antoni Molicki and Julian Ochorowicz, and mathematicians Karol Hertz and Samuel Dickstein. We also show how implicit ideas (i.e., those not declared openly) from the area between the philosophy of science and general philosophy played a crucial role in the paradigm shift in the Polish philosophy of mathematics. (shrink)

The Polish philosophy of mathematics in the 19th century is not a well-researched topic. For this period, only five philosophers are usually mentioned, namely Jan Śniadecki, Józef Maria Hoene-Wroński, Henryk Struve, Samuel Dickstein, and Edward Stamm. This limited and incomplete perspective does not allow us to develop a well-balanced picture of the Polish philosophy of mathematics and gauge its influence on 19th- and 20th-century Polish philosophy in general. To somewhat complete our picture of the history of the Polish philosophy (...) of mathematics in those times, we here present the profiles of some lesser-known Polish Romantic philosophers of the 19th century, namely Karol Libelt, Bronisław Trentowski, and Józef Kremer. We discuss their contributions to the philosophy of mathematics and their metaphysical perspectives, and we also show how their metaphysical ideas have found some continuity in the studies of some Catholic philosophers. (shrink)

Zuse proposed that the universe is being computed by some sort of cellular automaton or other discrete computing machinery, challenging the long-held view that some physical laws are continuous by nature. Calculating Space is the title of MIT's English translation of Konrad Zuse's 1969 Rechnender Raum, the first work on digital physics. This is the LaTeX edition by A. German and H. Zenil based on the MIT's English translation with permission from the MIT and Konrad Zuse's son Horst Zuse. (...) Followed by an afterword by A. German and H. Zenil. (shrink)

In this book, the authors introduce the notion of Super linear algebra and super vector spaces using the definition of super matrices defined by Horst (1963). Many theorems on super linear algebra and its properties are proved. Some theorems are left as exercises for the reader. These new class of super linear algebras which can be thought of as a set of linear algebras, following a stipulated condition, will find applications in several fields using computers. The authors feel that (...) such a paradigm shift is essential in this computerized world. (shrink)

BAIXE O PDF COMPLETO COM 58 FIGURAS E 50 PÁGINAS!!! -/- INTRODUÇÃO Conhecer a anatomia de um aparelho representa a base para seu estudo amplo e profundo, além de facilitar a compreensão de seu funcionamento. Por isso é importante o conhecimento da anatomia funcional do aparelho reprodutor, já que sua análise permite fixar sólidas bases para o estudo do fenômeno pelo qual se perpetuam as espécies: a reprodução. Nos subtemas compreendidos referentes ao macho e a fêmea, descreve-se cada um dos (...) órgãos que formam o aparelho reprodutor e as suas diferenças entre espécies, assinalando-se em cada um deles a sua função. Obviamente, a parte que trata do funcionamento não é abordada de uma forma muito ampla. Para facilitar o estudo do aparelho reprodutor do macho, seus órgãos podem ser classificados de acordo com sua localização anatômica, em órgãos genitais internos (que compreendem os ductos deferentes, as glândulas acessórias e a uretra pélvica) e órgãos genitais externos (testículos com seu epidídimo). O testículo também foi considerado como órgão sexual primário, enquanto os ductos excretores, glândulas acessórias, pênis e prepúcio são considerados órgãos sexuais secundários. O aparelho reprodutor da fêmea é dividido em ovários e órgãos tubulares (útero, oviduto, cérvix, vagina e vulva). 2.2 APARELHO REPRODUTOR DO MACHO Para avaliar a capacidade reprodutiva dos machos, é primordial conhecer a anatomia e a fisiologia do aparelho reprodutor. Os órgãos genitais incluem testículos, epidídimos, canais deferentes, ampolas deferentes, uretra, glândulas acessórias (próstata, glândulas seminais e glândulas bulbouretrais), pênis e prepúcio, que apresentam diferenças entre as espécies domésticas (tabela 1). Sabe-se que o sistema genital masculino compreende os órgãos envolvidos no desenvolvimento, no amadurecimento, no transporte e no armazenamento dos gametas masculinos (espermatozoides). Ele consiste em um par de testículos, o ducto contorcido do epidídimo, o ducto deferente, a uretra e as glândulas genitais acessórias. Os testículos produzem esperma e hormônios. O epidídimo armazena espermatozoides durante seu amadurecimento antes de passarem para o ducto deferente e pela uretra. As glândulas acessórias também liberam suas secreções na uretra e contribuem para o volume do sêmen. A parte distal da uretra forma o caminho combinado para a passagem tanto da urina como do sêmen. O pênis é o órgão copulador masculino e deposita sêmen no trato reprodutor feminino. As figuras 1-5 apresentam as diferenciações quanto ao sistema genital das espécies domésticas. Conhecer a anatomia dos órgãos reprodutivos é essencial para poder identificar as patologias que possam afetar a capacidade reprodutiva, bem como para entender as diferenças de manejo ao empregar algumas biotecnologias reprodutivas aplicadas aos animais domésticos. Ao longo do texto, a espécie bovina será utilizada como modelo e serão feitas as observações correspondentes às diferenças com as outras espécies. Os órgãos genitais da fêmea incluem os órgãos genitais internos (ovários, ovidutos, útero, cérvix, vestíbulo e vagina) e os órgãos genitais externos (lábios vulvares e clitóris) (tabela 3). Os ovários produzem tanto gametas femininos quanto hormônios. As tubas uterinas pares capturam os oócitos liberados pelos ovários e os transportam para o útero, onde o ovo fertilizado é mantido. A vagina serve como órgão copulatório e, juntamente com sua continuação, o vestíbulo, como canal de parto e passagem para excreção urinária. -/- REFERÊNCIAS BIBLIOGRÁFICAS BOETA, M. et al. Fisiología reproductiva de los animales domésticos. México: FMVZ – UNAM, 2018. DERIVAUX, Jules; BARNABÉ, Renato Campanarut. Reprodução dos animais domésticos. Zaragoza: Acribia, 1980. DUKES, Henry Hugh; SWENSON, Melvin J.; REECE, William O. Dukes fisiologia dos animais domésticos. Rio de Janeiro: Editora Guanabara Koogan, 1996. DYCE, Keith M.; WENSING, Cornelius JG; SACK, Wolfganf O. Tratado de anatomia veterinária. Elsevier Brasil, 2004. HAFEZ, Elsayed Saad Eldin; HAFEZ, B. Reprodução animal. São Paulo: Manole, 2004. HOLY, Lubos; MARTÍNEZ JÚSTIZ, G. Colab. Biología de la reproducción bovina. Havana: Revolucionária, 1975. KÖNIG, Horst Erich; LIEBICH, Hans-Georg. Anatomia dos Animais Domésticos-: Texto e Atlas Colorido. Porto Alegre: Artmed Editora, 2016. MIES FILHO, Antonio. Reprodução dos animais. Porto Alegre: Sulina, 1987. (shrink)

The concept of supermatrix for social scientists was first introduced by Paul Horst. The main purpose of his book was to introduce this concept to social scientists, students, teachers and research workers who lacked mathematical training. This book introduces the concept of fuzzy super matrices and operations on them. The author has provided only those operations on fuzzy supermatrices that are essential for developing super fuzzy multi expert models. This book will be highly useful to social scientists who wish (...) to work with multi expert models. (shrink)

Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...) a similar point supports this analysis. - I - Unbestritten bis heute gilt, formwissenschaftliche und ikonologische Methoden scheinen sich grundsätzlich auszuschließen, da die ersteren auf ahistorischen und die letzteren auf historischen Grundlagen aufbauen. Dem entgegen soll mit diesem Beitrag gezeigt werden, wie insbesondere die Forschungen Susanne K. Langers und ergänzend diejenigen von John M. Krois eine Annäherung beider Positionen ermöglichen. (shrink)