The purpose of this article is to discuss Safavid period Islamic philosopher Sadraddin Shirazi’s philosophical methodology and the sources of the school founded by him. The article relies on research conducted on Shirazi philosophy. It shows that Shirazi through synthesizing the methods of the earlier schools that existed in Islam to acquire knowledge devised a new mechanism for acquiring knowledge. Before coming to Shirazi, intellectual movements formed during Islam’s classical period, such as peripateticism, illuminationism, theology and Gnosticism, were of different (...) views regarding the best way to reach the truth. For example, for peripatetics reason, for theologians revelation, for gnostics/mystics intuition or personal experience were important, but ishraqi school was somewhere between peripatetic and Gnostic schools. Sadraddin Shirazi, though, considered all these agents necessary, for they complement each other, and said they should be utilized altogether to obtain ultimate reality. Similarly, considering his philosophical sources, we see that he is influenced almost by all philosophical schools as well as religious sources. However, Ibn Sina and Ibn Arabi’s influence on him was more profound compared to other philosophers. (shrink)

It is demonstrated here that despite apparent differences and their adherence to two different schools of thought, Suhrawardī's epistemology is essentially Ibn Sīnian, and even his theory of "knowledge by Presence" ('ilm al-hudurī), which is considered to be uniquely his, is at least inspired by Ibn Sīnā. I argue that Ibn Sīnā's peripatetic orientation and Suhrawardī's ishrāqī perspective have both maintained and adhered to the same epistemological framework while the philosophical languages in which their respective epistemologies are discussed are different.

In this paper, I seek to explain Suhrawardī’s method of writing his allegories – how he draws upon his philosophical principles to construct forms and plots of his stories. To do so, I begin by delineating two key doctrines of his Illuminationist (Ishrāqī) ontology: the world of Forms (‘ālam al-muthul) and the discontinuous imaginal world (‘ālam al-mithāl al-munfaṣil). I provide an account of the history of these two doctrines and the nature of these two worlds, and then consider some of (...) their functions for, and effects on, Suhrawardī’s explanations and analyses. I will then deal with Suhrawardī’s allegories, pinpointing particular effects of the belief in the world of Forms and the imaginal world on his symbolisms and allegories. Distinguishing three main spiritual-mystical notions in Suhrawardī’s allegories, I elaborate upon the role of the above two doctrines in his construction of characters and fictional events, whereby I demystify certain symbols in these stories. I conclude that there is a close tie between Suhrawardī’s allegories and his philosophical doctrines. Thus, his spiritual doctrines are presented in a symbolic form in certain allegorical characters and adventures. The deployment of characteristics of the world of Forms and the imaginal world plays a central role here. (shrink)