Cette étude a pour objet de démontrer l’évolution de la théorie de l’acte abstrait, son déclin durant les époques antérieures et sa renaissance à l’époque moderne. De ce fait nous étudions d’une part les éléments d’abstraction et leur relation avec le principe dit de « formalité » appliqué auparavant en droit romain, et d’un autre part nous nous pencherons sur les raisons du déclin de la notion de l’acte abstrait, et sa réapparition de nouveau à l’époque moderne, tout en essayant (...) d’établir un décryptage des résultats de cette théorie et d’insister sur les valeurs de l’abstraction dans l’acte juridique notamment s’il porte sur l’aspect économique dans les sociétés en développement, dont les pays arabes. (shrink)

Purpose: A retraction is the removal of a published article from the scientific record. It is an admission of failure. Yet, every retraction, regardless of its cause(s), is instructive. Using the oxymoron/concept of celebrating failure, this study investigates retractions in the Journal of Consumer Research (JCR). -/- Method: The content of each JCR retraction notice was examined to determine the initiator(s) of the retraction, retractors, reason(s) for retraction, and time-to-retraction. -/- Findings: According to the findings, JCR issued ten retraction notices (...) between June 2012 and October 2020. The ten retraction notices generated together, and up to April 11, 2022, some 18,378 pageviews, 3,944 PDF. (shrink)

This article examines Kamel Daoud’s treatment of solidarity and the absurd in Meursault, contre-enquête and posits that the question of how to live in solidarity with others is central to the novel, although the word ‘solidarity’ never appears in it. After recalling Camus’s discussion of the absurd in Le Mythe de Sisyphe and of solidarity in L’Homme révolté, the article examines the manner in which Haroun, Daoud’s narrator and the brother of the Arab Meursault killed in L’Étranger, reveals his own (...) failures of solidarity. He justly criticizes Meursault for privileging his confrontation with the absurd over the death of the Arab he did not even name, but Haroun too has killed. Haroun has, however, a greater understanding of solidarity than his fellows: he at least recognizes that murder is significant. He thus joins Meursault as an unworthy prophet who proclaims the absurd while surrounded by people who flee from it—and proclaiming the absurd can be a gesture of solidarity when one speaks for others, as Haroun speaks for his brother Moussa. Daoud’s novel reminds us that there are no final answers telling us how to live in solidarity with others and that we must do so all the same. (shrink)