Two intertwined themes run through Kant’s last, unfinished work, known to us as the Opus postumum: the comprehensibility of physics as a science and of human freedom as a causal power.1 The two themes come together in Kant’s theory of self-positing. Although the Opus postumum has received substantial attention in recent decades, there has been an insufficient focus on human embodiment (self-positing) as the bridge between nature and freedom in Kant’s final period. In this paper, I contribute to remedying this (...) defect by showing the centrality of embodiment for Kant’s motivating project of a transition from the metaphysics of natural science to the actual science of physics. Many times in the disordered manuscripts, Kant characterizes this transition in terms of a schematism conceived of as parallel to—or as an extension of—the first Critique schematism. I argue here that Kant’s theory of self-positing places human embodiment in the role of serving as this schematism and making the needed transition. (shrink)

The document Justice in the World, released in 1971 by the World Synod of Bishops, is an excellent basis for thinking about pedagogical practice in Ignatian higher education as a constellation of acts of justice. I describe here my personal experience (as an ambiguously Catholic faculty member) of teaching an upper division ethics course in the core curriculum and contextualize it in terms both of Ignatius’ Spiritual Exercises and the 1971 Synod document.

St. Thomas’s Third Way to prove the existence of God, “Of Possibility and Necessity” (ST 1, q.2, art. 3, response) is one of the most controverted passages in the entire Thomistic corpus. The central point of dispute is that if there were only possible beings, each at some time would cease to exist and, therefore, at some point in time nothing would exist, and because something cannot come from nothing, in such an eventuality, nothing would exist now—a reductio ad absurdum (...) conclusion. Therefore, at least one necessary being must exist. Generations of critics and defenders have contended over St. Thomas’s proof. This article argues that the principle of pros hen analogy is implicit in the Third Way and that once identified explains the ontological dependency of possible beings, as secondary analogates, on the first necessary being, as primary analogate. Thus, without the necessary being as primary analogate, possible beings simply could not exist. The fact that they do exist is evidence for the existence of the necessary being. St. Thomas makes synthesizes the principle of pros hen analogy, as found in Aristotle’s Metaphysics, with the Neoplatonic principle of participation. Aristotle develops pros hen analogy in contradistinction to univocal and equivocal predication as well as to genus in Metaphysics 4.2, 11.3, 12.3-5. Since Scotus and re-enforced by modern analytic logic, philosophers have almost universally regarded any kind of analogical predication as a sub-category of equivocal predication and, thus, implicitly occlude the possibility of considering pros hen analogy in their readings of the Third Way. Distinction of per se and per accidens infinite regress and of radical and natural contingency are also central to understanding the Third Way. While resolving apparent problems in the Third Way, the article also seeks to rehabilitate the doctrine of pros hen analogy as a basic principle in Thomistic and, indeed, Aristotelian metaphysics. (shrink)

Thoreau’s Walden is often disregarded as a philosophical work in academic circles because of its literary form and paucity of formal argumentation. I demonstrate that Walden is a philosophical work by relating its method to Kant’s in the Critique of Pure Reason, and I show that Walden’s literary genre—autobiography as critique—is a function of the work’s philosophical intent: to produce a philosophical instrument of lifeworldly experience. I ascribe to Thoreau a modified Kantian transcendental method by which he investigates the conditions (...) of the possibility of life as such, making the transition from Kant’s “experience”(Erfahrung) as the spatiotemporal and causal ground of the sciences to Dilthey’s “experience”(Erlebnis) as including the category of life and autobiographical and historical consciousness. I highlight a number of passages where this philosophical substance of Walden becomes clear, and I appeal to …. (shrink)

The sublime (das Erhabene) in Kant is a feeling that elevates (erhebt)! the soul and results in an aesthetic judgment. While aesthetic judgments of beauty involve a feeling of pure pleasure (Lust), aesthetic judgments of the sublime rest on a feeling of pleasure and displeasure (Lust und Unlust) at the same moment. Kant describes the sublime at one point rather paradoxically as involving a" negative pleasure"(Critique 0/Judgment, Ak. V: 245). 2 The feeling of the sublime is brought about by experiences (...) where one has a sense of the infinity (Unendlichkeit) of nature. This sense of infinity can be brought about by the sheer size (Grofle) of an object. Kant would call this a feeling of the mathematically sublime. A mountain so large that one cannot take it in at a single glance causes a feeling of the mathematically sublime. One gets a different sense of the infinity of 'Kant's deliberate connection of the noun for the sublime. (shrink)

Since Kant, modern philosophy has reacted critically and most often dismissively to any theories or inquiries deemed "metaphysical." The Critique of Pure Reason shows that although human beings naturally seek knowledge of things that are beyond the limits of all possible experience (i.e., metaphysical knowledge), the categories by means of which we are capable of knowledge are all restricted in their legitimate application to objects of possible experience. Thus, Kant rules out any human capacity for metaphysical knowledge on epistemological grounds—grounds (...) having to do with the way knowledge-claims are legitimated. It is, therefore, surprising to find Sartre raising at least two questions in the Conclusion of Being and Nothingness that he himself labels metaphysical but nevertheless legitimate. (shrink)

Kant's Critique of Judgment has often been explained as relating aesthetics and morality by presupposing his ethics. This dissertation reverses this direction of inquiry by interpreting the third Critique in terms of the contributions it makes to Kant's philosophy of action. Central here is an exposition of presentation as it functions in Kant's theoretical and practical philosophy and takes on a special role in his aesthetics and natural teleology. ;The term action in Kant's thought indicates a much larger field than (...) pure ethics, which is restricted to determining and justifying the supreme principle of morality . The move from pure ethics to action is the move from the determination and justification of the moral law in the Groundwork of the Metaphysics of Morals and the Critique of Practical Reason to its application in individual human life. I argue that the Critique of Judgment contributes to Kant's philosophy of action by revealing the work of reflective judgment in applying the moral law. ;For Kant, any application of concepts or ideas to experience requires a presentation that relates it to space and time as the forms of our experience. For theoretical concepts, presentation is by means of constructions and schemata, which Kant outlines in the Critique of Pure Reason. Practical concepts receive a formal presentation in what Kant labels the "Typic of Pure Practical Judgment" in the second Critique. But the material presentation of ideas related to action, particularly that of the efficacy of the moral law, requires the aesthetic and teleological mediation of reflective judgment in the third Critique. Kant's claim that beauty is the symbol of morality is the central example of this mediation, but it extends as well to the ideal of beauty, the sublime, genius, and Kant's philosophy of organic nature. ;The examination of action here also contains an exposition of Triebfedern and of Religion within the Limits of Reason Alone, Metaphysics of Morals, and Anthropology from a Pragmatic Point of View. Through the essay, "What Progress has Metaphysics Made in the Time since Leibniz and Wolff?", I relate presentation to practical cognition. (shrink)