Results for 'Laure Vieu'

18 found
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  1. Pluralities, Collectives, and Composites.Claudio Masolo, Laure Vieu, Stefano Borgo, Roberta Ferrario & Daniele Porello - 2020 - In Boyan Brodaric & Fabian Neuhaus (eds.), Formal Ontology in Information Systems - Proceedings of the 11th International Conference, {FOIS} 2020, Cancelled / Bozen-Bolzano, Italy, September 14-17, 2020. Frontiers in Artificial Intelligence and Applications 330. pp. 186-200.
    Forests, cars and orchestras are very different ontological entities, and yet very similar in some aspects. The relationships they have with the elements they are composed of is often assumed to be reducible to standard ontological relations, like parthood and constitution, but how this could be done is still debated. This paper sheds light on the issue starting from a linguistic and philosophical analysis aimed at understanding notions like plurality, collective and composite, and propos- ing a formal approach to characterise (...)
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  2. DOLCE: A descriptive ontology for linguistic and cognitive engineering1.Stefano Borgo, Roberta Ferrario, Aldo Gangemi, Nicola Guarino, Claudio Masolo, Daniele Porello, Emilio M. Sanfilippo & Laure Vieu - 2022 - Applied ontology 17 (1):45-69.
    dolce, the first top-level ontology to be axiomatized, has remained stable for twenty years and today is broadly used in a variety of domains. dolce is inspired by cognitive and linguistic considerations and aims to model a commonsense view of reality, like the one human beings exploit in everyday life in areas as diverse as socio-technical systems, manufacturing, financial transactions and cultural heritage. dolce clearly lists the ontological choices it is based upon, relies on philosophical principles, is richly formalized, and (...)
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  3.  82
    Les Cahiers Philosophiques de Strasbourg 52 (2022): Friedrich Schiller et l'idéalisme allemand / Friedrich Schiller and German Idealism.Cahen-Maurel Laure, Henny Blomme & David W. Wood (eds.) - 2022 - Strasbourg: Presses Universitaires de Strasbourg / OpenEdition Journals.
    Les Cahiers philosophiques de Strasbourg 52 contains an Introduction and 9 new research articles in French & English on Friedrich Schiller's philosophy in relation to German Idealism. All fully available online on Open-Edition and as free e-book. -/- Edited and introduced by Henny Blomme, Laure Cahen-Maurel, & David W. Wood. With contributions by Frederick C. Beiser, María del Rosario Acosta López, Cody Staton, Jeremy D. Hovda, Laure Cahen-Maurel, Quentin Landenne, Katia Hay, Louis Carré, and Charlotte Morel. -/- SOMMAIRE (...)
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  4.  44
    Fichte avec Schiller. La querelle des Heures à la lumière de Grâce et Dignité.Laure Cahen-Maurel - 2022 - Les Cahiers Philosophiques de Strasbourg 52:117-146.
    This article presents a new interpretation of the notorious "Horen" dispute between Schiller and Fichte by examining the text that was the catalyst for it, Fichte’s "On Spirit and Letter in Philosophy" (1795-1800), from the overlooked perspective of Schiller’s 1793 essay "On Grace and Dignity". It demonstrates that the Horen dispute is based on a theoretical misunderstanding rather than an irreconcilable opposition, arguing that Schiller’s notion of grace as beauty in movement provides the idealism and aesthetics of Fichte’s Wissenschaftslehre with (...)
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  5. The Monogram of the "Sweet Songstress of the Night": The Hovering of the Imagination as the First Principle of Fichte’s Aesthetics.Laure Cahen-Maurel - 2021 - Fichte-Studien 49:219-247.
    This article presents a new reading of Fichte’s aesthetics that differs from a primarily functionalist interpretation of the imagination and art. It demonstrates that the “hovering” (Schweben) of the creative imagination should be viewed as the first principle of Fichte’s aesthetics, in which the latter consists of a triad of the pleasant, the beautiful and the sublime. Moreover, it argues that in the text Ueber Geist und Buchstab in der Philosophie (1795/1800) Fichte created a real and original monogram of the (...)
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  6. SYMPHILOSOPHIE 3 (2021) - Science and Early German Romanticism.Laure Cahen-Maurel, Leif Weatherby, Giulia Valpione, David Wood, Cody Staton, Manja Kisner, Gesa Wellmann & Marie-Michèle Blondin (eds.) - 2021 - SYMPHILOSOPHIE: International Journal of Philosophical Romanticism.
    This third 2021 issue of "SYMPHILOSOPHIE: International Journal of Philosophical Romanticism" contains a main dossier of new research articles guest edited by Leif Weatherby (New York University) and devoted to the topic of early German romanticism and science. In addition to the papers of this main section issue number 3 of SYMPHILOSOPHIE includes translations of primary sources and book reviews. All contents are freely available online.
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  7. SYMPHILOSOPHIE 4 (2022) - Cosmic Web: Hemsterhuis Among the German Romantics.Laure Cahen-Maurel, Daniel Whistler, Giulia Valpione, David Wood, Cody Staton, Manja Kisner, Gesa Wellmann & Marie-Michèle Blondin (eds.) - 2022 - SYMPHILOSOPHIE: International Journal of Philosophical Romanticism.
    Issue number 4 of "SYMPHILOSOPHIE: International Journal of Philosophical Romanticism" is devoted to the Dutch philosopher François Hemsterhuis and 250th anniversary of the birth of the German romantics Novalis and Friedrich Schlegel. This fourth issue of the journal contains nearly 600 pages of new research articles, translations, review-essays, and book reviews. The main section on Hemsterhuis among the German Romantics was guest edited by Daniel Whistler (Royal Holloway, University of London).
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  8.  92
    Introduction: Friedrich Schiller, a German Idealist?Henny Blomme, Laure Cahen-Maurel & David W. Wood - 2022 - Les Cahiers Philosophiques de Strasbourg 52.
    Friedrich Schiller (1759-1805) is now regarded by many readers and scholars not simply as a poet, historian, or playwright, but as a genuine philosopher in his own right. -/- The following research articles in French and English are devoted to understanding the relationship between Schiller’s philosophy and German idealism, especially some of the chief figures associated with the inception and extended development of this movement: Kant, Reinhold, Fichte, Schelling, Hegel, and Lotze. -/- In the last twenty years in particular, ground-breaking (...)
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  9. Novalis's Magical Idealism: A Threefold Philosophy of the Imagination, Love and Medicine.Laure Cahen-Maurel - 2019 - Symphilosophie: International Journal of Philosophical Romanticism 1:129-165.
    This article argues that Novalis's philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources - J. G. Fichte's idealism and Friedrich Schiller's classicism - into a new and original philosophy. It demonstrates that Novalis's views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but (...)
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  10. Une « parcelle du pouvoir messianique ». De la philosophie romantique dans les thèses "Sur le concept d'histoire" de Walter Benjamin.Laure Cahen-Maurel - 2018 - Phantasia 7:30-44.
    This article argues for a much more profound interconnection between philosophical romanticism and Walter Benjamin’s theses "On The Concept of History" than has been acknowledged up to now. It particularly reveals a number of parallels between Benjamin’s historical approach and the philosophy of history of the two principal thinkers of Early German Romanticism, Friedrich Schlegel and Novalis, who had already formed the object of Benjamin’s doctoral thesis. It examines Benjamin’s final philosophical work in the light of three central topics inherited (...)
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  11. An Art of False Mysteriousness? Hegel’s Criticism of the Painting Style of Caspar David Friedrich.Laure Cahen-Maurel - 2018 - Hegel-Studien 51:29-58.
    This article examines Hegel’s aesthetic judgment of the German romantic painter Caspar David Friedrich, which only first came to light in 1995 with the publication of the separate edition of the Ascheberg transcript of Hegel’s first lecture course on aesthetics, held at the University of Berlin in the winter semester of 1820/21. Firstly, before interpreting Hegel's criticism in more detail, I consider the current state of research on the relationship between Hegel and Caspar David Friedrich. It is striking to note (...)
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  12. La vérité tangible du paysage : Novalis et l'esthétique de Herder.Laure Cahen-Maurel - 2016 - In Augustin Dumont & Alexander Schnell (eds.), Einbildungskraft und Reflexion. Philosophische Untersuchungen zu Novalis / Imagination et réflexion. Recherches philosophiques sur Novalis. Münster / Berlin: LIT Verlag. pp. 19-39.
    This article focuses on the apparently paradoxical remarks of Novalis on landscape, which followed the famous “Romantikertreffen” of August 1798: that decisive meeting of the “early German romantics” on the occasion of a communal visit to the painting and sculpture galleries in Dresden. We analyze how Novalis surpasses the phenomenological conception of landscape painting proposed by August Wilhelm Schlegel by resorting to the "incorrect" categories of sculpture and haptic sense to talk about the feeling for nature that governs landscape painting. (...)
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  13.  93
    « (Toi.) (À la place du Non-Moi – Toi) ». Jacobi, Fichte, Novalis / "(You). (Instead of the Not-I – You).” Jacobi, Fichte, Novalis.Laure Cahen-Maurel - 2021 - In Giulia Valpione (ed.), L'homme et la nature dans le romantisme allemand. Politique, critique et esthétique / Mensch und Natur in der deutschen Romantik. Politik, Kritik und Ästhetik. Münster / Berlin: LIT Verlag. pp. 75-92.
    While it is now accepted in the secondary literature to treat Frühromantik - early German Romanticism - as a philosophical movement in its own right, the exact determination of the philosophical nature of this movement still remains one of the central stumbling blocks faced by interpreters. At the heart of this debate is the question of the relationship between the early romantics and Fichtean idealism. One point of rupture with Fichte and his theory of nature seems particularly obvious at first (...)
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  14.  68
    Philosophical Paths: The Legacy of Hemsterhuis’ Dialogues in the Age of German Romanticism.Laure Cahen-Maurel - 2022 - In The Edinburgh Edition of the Complete Philosophical Works of François Hemsterhuis, vol. 2: The Dialogues of Francois Hemsterhuis, 1778-1787. Edinburgh:
    Introduction to: "The Edinburgh Edition of the Complete Philosophical Works of François Hemsterhuis", vol. 2: "The Dialogues of Francois Hemsterhuis, 1778-1787", edited and translated by Jacob van Sluis, Daniel Whistler (Edinburgh: Edinburgh University Press, 2022), pp. 22-41.
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  15.  58
    L'art de romantiser le monde. La peinture de Caspar David Friedrich et la philosophie romantique de Novalis.Laure Cahen-Maurel - 2017 - Berlin / Münster et al.: LIT Verlag.
    Cet ouvrage oriente la réflexion philosophique sur le romantisme allemand dans une voie nouvelle ayant pour point de départ la singularité des paysages peints par Caspar David Friedrich, et pour concept opératoire majeur la romantisation du monde, dont Novalis a fait le programme d’une philosophie spécifique. Analyser la critique par Hegel du style de Friedrich ; étudier l’invention par Novalis, dans le prolongement de Herder, de quelque chose comme un paysage-corps ; suivre au-delà de Kant le destin du concept de (...)
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  16. Análisis de la realidad textual en Niebla (1914) de Miguel de Unamuno.Jesús Miguel Delgado Del Aguila - 2021 - Sincronía 25 (80):293-313.
    Considerando el contexto bélico y el surgimiento de las vanguardias a inicios del siglo XX, fundamento en este trabajo las razones por las cuales la presencia del concepto de nivola, atribuida por Miguel de Unamuno para hacer referencia a la técnica literaria que emplea en su novela Niebla (1914), suscita una confrontación posible entre universos compuestos por elementos de la realidad y lo virtual. En ese sentido, será propicio explicar el procedimiento que origina esa colisión de planos establecidos. Para ello, (...)
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  17.  20
    Genre and Metaphors of Embodiment: Voice, View, Setting and Event.Victoria Reeve - 2011 - Dissertation, Culture and Communication, University of Melbourne
    This thesis is concerned with the ways in which meaning is generically mediated in the novel. In particular it addresses the productive diversity of meanings generated by critical interpretation and asks how, given this diversity, comprehension and consensus might be possible. I argue that the construction of subject, object, space and time is achieved in the novel through different manifestations of four key metaphors: voice, view, setting and event. These metaphors supply meanings that rely on a common experience of embodiment. (...)
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  18. On the verisimilitude of artificial intelligence.Roger Vergauwen & Rodrigo González - 2005 - Logique Et Analyse- 190 (189):323-350.
    This paper investigates how the simulation of intelligence, an activity that has been considered the notional task of Artificial Intelligence, does not comprise its duplication. Briefly touching on the distinction between conceivability and possibility, and commenting on Ryan’s approach to fiction in terms of the interplay between possible worlds and her principle of minimal departure, we specify verisimilitude in Artificial Intelligence as the accurate resemblance of intelligence by its simulation and, from this characterization, claim the metaphysical impossibility of duplicating intelligence, (...)
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