Results for 'Manet'

11 found
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  1. Manet's Bar.Andrew Milward - 2017 - Andrewmilward.Net.
    Manet's Bar is a very short essay which shows how vision may operate in the scene depicted by Manet's Un bar aux Folies Bergère.
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  2.  48
    IMPROVING ENERGY EFFICIENCY IN MANETS BY MULTI-PATH ROUTING.Nastooh Taheri Javan - 2013 - International Journal of Wireless and Mobile Networks 5 (1):163-176.
    Some multi-path routing algorithm in MANET, simultaneously send information to the destination through several directions to reduce end-to-end delay. In all these algorithms, the sent traffic through a path affects the adjacent path and unintentionally increases the delay due to the use of adjacent paths. Because, there are repetitive competitions among neighboring nodes, in order to obtain the joint channel in adjacent paths. The represented algorithm in this study tries to discover the distinct paths between source and destination nodes (...)
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  3. La esfera pública y El bar de las Folies Bergère de Edouard Manet.Carlos Vanegas - 2014 - Revista Colombiana de Pensamiento Estético E Historia Del Arte:121-137.
    The main discourses on art during the nineteenth century defined the artist as a spirit that should express their unbridled creativity, and overall that had the strength to express its total personal autonomy from institutional processes of culture. Thus, Manet’s work A bar at the Folies—Bergere contains substantial elements that express and help us to understand both the role of the artist, as the crisis of meaning in the work of modern art and problematic public sphere, treated by Haberma's (...)
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  4. COLLABORATE FRAMEWORK BASED ON SOFTWARE DEFINED NETWORK IN MANET.S. Praveen Kumar - 2022 - Journal of Science Technology and Research (JSTAR) 3 (1):39-54.
    Create a novel network model for mobile ad hoc network (MANET) nodes and actors in wireless sensor networks to collaborate on event processing. There are two stages in the development of distributed algorithms: setup and negotiation. The first uses weighted proportional max-min fairness to initially allocate MANET nodes across event zones, whereas the latter uses a market-based method to re-distribute the number of MANET nodes based on existing and new events. A detection technique for malicious packet dropping (...)
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  5. The Prometheus Challenge.Arnold Cusmariu - 2017 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 4 (1):17-47.
    Degas, Manet, Picasso, Dali and Lipchitz produced works of art exemplifying a seeming impossibility: Not only combining incompatible attributes but doing so consistently with aesthetic strictures Horace formulated in Ars Poetica. The article explains how these artists were able to do this, achieving what some critics have called ‘a new art,’ ‘a miracle,’ and ‘a new metaphor.’ The article also argues that the author achieved the same result in sculpture by means of philosophical analysis – probably a first in (...)
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  6. The Birth and Death of Beauty in Western Art.Derek Allan - manuscript
    Examines (1) the birth of art-as-beauty in Western art and the concomitant birth of the idea of art itself; (2) the death of art-of-beauty from Manet onwards. Also looks briefly at some major implications for aesthetics (the philosophy of art). Paper includes some relevant reproductions.
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  7. The Very Idea of Art.Derek Allan - manuscript
    Donald Preziosi, an influential modern voice in art history, argues that his discipline has proved ‘particularly effective in naturalizing and validating the very idea of art as a “universal” human phenomenon’. If this claim is true, it would mean, in my view, that art history has done a serious disservice to our modern understanding of art. For as the French art theorist, André Malraux, points out, the idea of art is definitely not a universal human phenomenon, there being ample evidence (...)
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  8. Painting the Difference: Sex and Spectator in Modern Art.Peg Brand - 2007 - Journal of Aesthetics and Art Criticism 65 (2):244-246.
    British art historian Charles Harrison presumes the existence of a patriarchal world with power in the hands of men who dominate the representation of women and femininity. He applauds the ground-breaking work of feminist theorists who have questioned this imbalance of power since the 1970s. He stops short, however, of accepting their claims that all women have been represented by male artists as images of “utter passivity” (p. 4), routinely reduced by the male gaze to the status of exploited sexual (...)
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  9.  75
    IZM-DSR: A New Zone-Disjoint Multi-path Routing Algorithm for Mobile Ad-Hoc Networks.Nastooh Taheri Javan - 2009 - Third Uksim European Symposium on Computer Modeling and Simulation 1 (1):511-516.
    Some of multi-path routing algorithms in MANETs use multiple paths simultaneously. These algorithms can attempt to find node-disjoint to achieve higher fault tolerance. By using node-disjoint paths, it is expected that the end-to-end delay in each case should be independent of each other. However, because of natural properties and medium access mechanisms in ad hoc networks, such as CSMA/CA, the endto-end delay between any source and destination depends on the pattern of communication in the neighborhood region. In this case some (...)
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  10. “Did This Really Happen?”: Amit Chaudhuri’s Acknowledgement of the Autobiographical.Paul Deb - 2022 - Journal of Comparative Literature and Aesthetics, 44 (4):194-203.
    In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another (...)
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  11. Beauty, Art and the Western Tradition.Derek Allan - manuscript
    From the Renaissance onwards, the Western tradition singled out the term beauty for a unique and highly prestigious role. As Christian belief began its gradual decline, Renaissance art invented a rival transcendence in the form of an exalted world of nobility, harmony and beauty – the world exemplified by the works of painters such as Raphael, Titian and Poussin. Beauty in this sense quickly became the ruling ideal of Western art, subsequently underpinning the explanations of the nature and function of (...)
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