This paper tests Leonardo Polo’s concausality against the challenges of epiphenomenalism, overdetermination, and reductionism that the contemporary mind-body problem presents. Analysis of Jaegwon Kim’s criticism of John Searle’s Biological Naturalism exemplifies the aporias of the mind-body relation generated by dualism and physicalism. In contrast with these ontologies, Aristotle’s notion of matter as potentiality requires a plurality of causal senses and is a viable alternative to both dualism and monism. Polo’s reprisal of Aristotle’s substance as concausality provides a revision of our (...) senses of causation and an ontological framework that makes coherent our experience of consciousness and our understanding of physical reality. (shrink)

Posing qualia as the mark of the mental presents problems for both reductionist and non-reductionist views of the mind. An alternative platform to understand the ontology of mental states is presented using Polo's retrieval of Aristotle's notion of energeia. I propose that mental states are characterized in terms of temporal integration, a feature of mental states that happen in time but do not require duration in time. Other features like simultaneity, commensurability, and non-failure are derived from this 'zero-time' that characterizes (...) mental states. Some consequences that the 'zero-time' approach entails for a theory of the mind, especially for our understanding of the relationships between consciousness and intentionality and the structure of the mind, are presented. (shrink)

The question of what art is and why certain objects and events are considered art is examined. In the light of John Searle’s Social Philosophy, a hybrid Institutionalist-Functionalist explanation of what counts as art is presented. However, Searle’s apparatus applied to the ontology of the work of art is not enough to answer the question of why art has the status it exhibits. The proposal is to trace back the ontology of art to the origins of the dichotomy between freedom (...) and necessity, and more specifically to the notion of “end in itself” presented by Kant, as the status that persons have. Ultimately, the ontology of art emerges as a projection of the status “end in itself”, of personhood, to objects and events. (shrink)

This paper explores Polo's proposal of an anthropological access to God's existence in addition to the traditional metaphysical Five Ways. More specifically, it focuses on the role of intellectual habits, in particular the habit of wisdom and the habit of personal intellect, in acquiring knowledge of God as the creator of the person. Habitual knowledge, according to Polo, is possible because the agent intellect illuminates intelligible contents, may that be the phantasm, to operations of the intellectual faculty or any other (...) actualization and perfection of the intellect. Through that illumination, the agent intellect communicates freedom to human nature, rendering the former open to unrestricted growth. The anthropological path to God depends on the habit of wisdom by which we come to know ourselves, not just in our nature and faculties but in the source of what makes our nature capable of unrestricted growth and freedom, namely, our personal act of being. It is when we know our personal act of being that we also glance at the Creator of our freedom, not just as a cause of it, but as the kind of Co-existence that brings us into co-existence. (shrink)