The conceptions of lovesickness and of its remedies that emerge in the Decameron result from a medical tradition that in previous centuries was assimilated by the Latin culture. The case of the Decameron is particularly interesting because this work was composed during the Black Death epidemic, between 1348 and 1354. Boccaccio’s Decameron seems to be situated in a tension between two diseases: the black plague, from which the brigata tries to escape, and lovesickness. It is quite significant that Boccaccio dedicated (...) his work to women who love and need the comfort of literature, thereby addressing a new ideal of noble women, not based on their wealth, but on their intelligence and sensitivity. Women are often victims of their melancholy, because they have no opportunity to distract themselves, being confined to the private space of their rooms. Boccaccio describes women as being subject to passion and illness, so that the lovesickness cases described in the Decameron strongly allude to the discrimination of women and to the oppression they had to endure. An explicative example that testifies to the preeminent role that the medical culture played is Decameron X, 7, in which Lisa, the daughter of an apothecary, strangely cannot be healed by pharmacological remedies that her father knows, and not a single physician can help to heal her lovesickness. The case of Lisa can be interpreted as an exemplum: a woman afflicted by the same sickness as Lisa could understand how to behave by means of reading of this novella. Moreover, this paper will demonstrate that a useful outline of Lisa’s symptomatology can be found in Dino del Garbo’s commentary on Guido Cavalcanti’s poem Donna me prega. (shrink)

Această carte discută problema fundamentală a neoplatonismului – cea a unui principiu de dincolo de ființă și de gândire – în operele celor mai importanți reprezentanți ai acestui curent filozofic: Plotin, Porfir, Iamblichos, Proclus și Damascius. Este vorba despre una dintre cele mai pasionante înfruntări din istoria filozofiei, care pornește de la câteva indicații enigmatice din dialogurile lui Platon, referitoare la sursa cunoașterii și a ființei lucrurilor. Depășind distincția platonică dintre lumea sensibilă și cea inteligibilă, filozofii neoplatonici au căutat să (...) înțeleagă principiul absolut, numit unu sau bine, care face posibilă lumea inteligibilă însăși și realitatea în ansamblul ei, dar care trece astfel dincolo de ființă și de gândire. Volumul de față urmăreşte modul în care evoluează căutarea principiului – cu intriga, desfăşurarea şi deznodământul ei –, dezvăluind disputele interpretative, directe sau indirecte, ce se ţes între filozofii neoplatonici. Miza analizei este aceea de a arăta că, departe de a reprezentaun „dat“ dogmatic inflexibil, problema principiului de dincolo de fiinţă nu încetează să se adâncească şi să se reformuleze, cu mereu alte dificultăţi, de-a lungul tradiţiei neoplatonice. (shrink)

Since the early days of physics, space has called for means to represent, experiment, and reason about it. Apart from physicists, the concept of space has intrigued also philosophers, mathematicians and, more recently, computer scientists. This longstanding interest has left us with a plethora of mathematical tools developed to represent and work with space. Here we take a special look at this evolution by considering the perspective of Logic. From the initial axiomatic efforts of Euclid, we revisit the major milestones (...) in the logical representation of space and investigate current trends. In doing so, we do not only consider classical logic, but we indulge ourselves with modal logics. These present themselves naturally by providing simple axiomatizations of different geometries, topologies, space-time causality, and vector spaces. (shrink)