I discuss Peramatzis's (2011) argument that the form of a natural substance is essentially enmattered and so contains a material component.

C.D. Broad pointed out that philosophy in the Twentieth Century radically reduced its scope by contracting the methods it deployed. While traditionally philosophers had used analysis, synopsis and synthesis to reveal and overcome the inconsistencies of culture, critical philosophers reduced the role accorded to synopsis and eliminated any role for synthesis. This, it is argued, was a disastrous wrong turn that has led philosophers to embrace scientism, equated with naturalism, which has marginalized and reduced to irrelevance not only most of (...) philosophy, but most of the humanities. Showing how such philosophy evolved from one branch of neo-Kantian philosophy, it is argued there was no reason to constrict philosophy in this way. An alternative, more fruitful but largely misrepresented and submerged tradition of philosophical naturalism deriving from Kant is identified, a tradition which can best be characterized as “speculative naturalism”. This tradition, unlike the tradition of analytic philosophy, has made major contributions to science, and is allying science and the humanities. As Michail Epstein pointed out, while the practical outcome of natural science is technology, the practical outcome of the humanities is the transformation of culture, and ourselves. It is central to the creation of the future. Philosophy associated with speculative naturalism promises to play a major role in the transformation of culture required to overcome the current global ecological crisis. It could provide the foundation for a new “ecological civilization”. (shrink)

This is an Editorial Note for the special volume of the journal Manuscrito (42: 4) devoted to Aristotle's theory of demonstration and its logical and metaphysical entanglements, which has been organized by me and Breno Zuppolini (as Guest Editors), with papers authored by Benjamin Morison, Owen Goldin, David Bronstein, Michail Peramatzis, Andrea Falcon, Laura Castelli, Paolo Fait, Joseph Karbowski, Adam Crager, Klaus Corcilius, Robert J. Hankinson, Raphael Zillig and Pieter Sjoerd Hasper.

Who is Pulcinella? What does his laughter have to say about the "end of time" and the end of life of Giandomenico Tiepolo? How can the end of a life make anyone laugh like Carnival’s popular mask does? This article tries to answer such questions. By unfolding the tools that come from the realm of Giorgio Agamben’s philosophy – notably the notion of "recapitulation of time" in its relation to comedy – we will trace a path which links Michail (...) Bachtin’s theories on the carnivalesque culture together with a recognition in the aesthetics of "character". In this encounter, the consistency of Pulcinella-King Carnival’s form of life will appear in the light of an “escape route”: it winks at a kind of general and anonymous beatitude, which pairs with the experience of the destitution of time. (shrink)

On 25 December 1991 Alaa Hamed must for his literary work to the "Emergency Court for National Security" in Cairo. The judge read out the verdict: 2,300 egyptian pounds fine and eight years in prison for violating of state security and social peace. - A shock not only for egyptian intellectuals! The Arabic Department of BBC London placed the sentence in second place in the news, immediately after the notification of the resignation of Michail Gorbachev. Even in Germany the (...) message arrived in the media (FAZ, 30 December 1991). The egyptian journalist Jusif El Kaid spoke of the "most dangerous convicted of the 20 century" (Almussawar. No. 3508, 3 January 1992). The human rights organization of Egypt criticized the verdict as a violation of the right to freedom of expression and artistic innovation. It was the first time in modern history (after the 1952 revolution), that an author should because of his literary work in prison. (shrink)