Results for 'Paradiso'

6 found
Order:
  1. Playin(g) Iterability and Iteratin(g) Play : Tradition and Innovation in Jazz Standards.Francesco Paradiso - 2017 - Epistrophy 2.
    This study draws a comparative framework between deconstructive reading of texts and jazz standards. It will be argued that both are defined by the constant play of tradition and innovation. On the one hand, the repetition of a set of rules and dominant understanding of texts/tunes that generates tradition. On the other hand, invention and improvisation that take on that tradition and generate innovation. The act of reading/playing becomes also an act of invention/improvisation that manifests a constant tension between the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  2. The Problem of Theophany in Paradiso 33.Jason Aleksander - 2011 - Essays in Medieval Studies 27:61-78.
    One widely discussed feature of Paradiso 33 is Dante’s emphasis on his failure to represent in words and memory his pilgrim’s exalted vision of the Trinity. Against other interpretations of this canto, I will discuss why, despite the fact that the language of failure seeks to reinforce the poetic illusion that revelation’s authority is grounded in an unmediated access to divine truth, the theophantic moment “represented” in Paradiso 33 instead shows that revelatory experience is nothing but a product (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3. Dante's Paradiso: No Human Beings Allowed.Bruce Silver - 2014 - Philosophy and Literature 38 (1):110-127.
    “But when you meet her again,” he observed, “in Heaven, you, too, will be changed. You will see her spiritualized, with spiritual eyes.”1Dante is not a philosopher, although George Santayana sees him as one among a very few philosophical poets.2 The Divine Comedy deals in terza rima with issues that are philosophically urgent, including the relation between reasoning well and happiness.3And as one of the few great epics in Western literature, the Comedy offers its readers the pleasures of world-class poetry, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  4. The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18.Jason Aleksander - 2015 - Essays in Medieval Studies 30:1-10.
    Paradiso 2’s sustained direct address warns readers unprepared for its complexities to “turn back to see your shores again…for perhaps losing me, you would be lost,” but then offers the “other few” who crave “the bread of angels” the promise of a marvel that would rival the deeds of the mythological hero Jason. I will argue that, by appearing to impose this choice on its readers, this direct address in fact activates the craving for the bread of angels (for (...)
    Download  
     
    Export citation  
     
    Bookmark  
  5. Dante lettore di Pier Damiani?Nicolangelo D’Acunto - 2021 - Noctua 8 (1–2):303-319.
    The presence of quotations from the Laus heremiticae vitae contained in Peter Damian’s letter 28 in Paradiso XXI has led scholars to claim that Dante was familiar with the writings of the hermit and cardinal who lived in the 11th century. Instead, the author believes that Dante had only read the Laus heremiticae vitae, which circulated independently of the other works of Peter Damian, whose writings were otherwise unknown to Alighieri. This conclusion is reached on the basis of the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  6. Il filosofo, il poeta e l’arcivescovo. Qualche precisazione sulla fine di Sigieri di Brabante.Pasquale Porro - 2019 - In Fabrizio Amerini, Simone Fellina & Andrea Strazzoni (eds.), _Tra antichità e modernità. Studi di storia della filosofia medievale e rinascimentale_. Raccolti da Fabrizio Amerini, Simone Fellina e Andrea Strazzoni. Firenze-Parma, Torino: E-theca OnLineOpenAccess Edizioni, Università degli Studi di Torino. pp. 1089-1144.
    By reconsidering all the available sources (from Simon du Val’s inquisitorial summons of November 1276 to the Continuatio brabantina, from the Fiore to the X canto of Dante’s Paradiso, from William of Tocco to Peckham’s letters) the article calls into question the thesis – still widely shared – according to which Siger of Brabant died in Italy, and more precisely in Orvieto, at the Papal Court, before November 1284. Above all, from a doctrinal point of view, it shows how (...)
    Download  
     
    Export citation  
     
    Bookmark