Vzrůstající využívání digitálních technologií ve vědecké práci a komunikaci vyvolává otázku, jaká je epistemologická povaha takto vytvořeného vědění. V tomto eseji využívám pojmový aparát, který vyvinuli Steven Shapin a Simon Schaffer k analýze historického sporu mezi Robertem Boylem a Thomasem Hobbesem o způsob vytváření vědění v přírodní filosofii, a aplikuji jej na problematiku digitálního výzkumu. Jejich koncepty tří technologií vytvářejících vědění – materiální, literární a sociální – se ukazují jako heuristicky užitečné koncepty i pro reflexi digitálních technologií. Ty jsou v (...) eseji představeny nikoliv jako samostatné technologie vytváření faktů, nýbrž jako prvky, kolem nichž se dosavadní vědecké technologie radikálně rekonfigurují. Zvláštní pozornost esej věnuje představě kódu jako literární technologie a roli digitálních technologií v humanitních vědách. (shrink)

In this paper, I assess the analysis of vagueness of objects in terms of the theory of constitution with respect to the notion of vague identity. Some proponents of the constitution theory see it as an advantage of their account that analysing the spatial and temporal vagueness of objects in terms of the relation of vague constitution avoids commitment to vague identity, which is seen as a controversial notion. I argue that even though the constitution theory may plausibly be applied (...) to the phenomenon of vague boundaries, it fails to account fully for other cases of spatial and temporal vagueness. There are what I call ‘mid-extension’ vagueness cases, in which the tools of the constitution theory applied in the analysis of boundary vagueness are insufficient to avoid commitment to vague identity. (shrink)

This paper focuses on three theories of personal identity that incorporate the idea that personal identity is the result of a person’s adopting certain attitudes towards certain mental states and actions. I call these theories subjective theories of personal identity. I argue that it is not clear what the proponents of these theories mean by “personal identity”. On standard theories, such as animalism or psychological theories, the term “personal identity” refers to the numerical identity of persons and its analysis provides (...) the persistence conditions for persons. I argue that if the subjective theories purport to provide a criterion of numerical personal identity, they fail. A different interpretation may suggest that they purport to provide a non-numerical type of identity for the purpose of providing plausible analyses of certain identity-related practical concerns. I argue that the criteria the subjective theories provide fail to capture several of the identity-related concerns. As a result, this interpretation must be rejected as well. (shrink)

In this paper, I defend the idea that we need a metaphysical theory to justify identity-related practical concerns, such as self-concern. I outline D. Parfit’s theory, in which the concerns receive a metaphysical justification. Then, I focus on two objections: C. Korsgaard’s claim that the concerns are justified by the unity of agency, and M. Johnston’s contention that the concerns are prima facie justified independently of a metaphysical theory. I argue that even if these theories have a point, they do (...) not cover a range of situations in which justification may be sought. It is in these situations that a metaphysical theory may find its place. (shrink)

This essay examines theoretical arguments surrounding the use of post-colonial theory as a way to fill in the epistemological lacuna in the studies of post-socialism. It reviews the various streams of this theoretical development and employs Edward Said’s notion of “traveling theory” to demonstrate that theoretical claims made by proponents and opponents of this particular comparative perspective are historically, socially, and geographically situated, although not fixed. Disciplinary, national, and institutional affiliations, instead of theoretical justifications, are identified as important factors in (...) the propensity to accept or resist the introduction of post-colonial perspective on Central and Eastern Europe and the former Soviet Union. The essay concludes by acknowledging the potential usefulness as well as the limits of post-colonialism in the conceptualization of the post- socialist space. (shrink)

Studie recenzuje následující díla: Maurice HALBWACHS, Kolektivní paměť. Praha: SLON 2009, 289 s. ; Françoise MAYER, Češi a jejich komunismus: paměť a politická identita. Praha: Argo 2009, 273 s. ; Zdeněk VAŠÍČEK – Françoise MAYER, Minulost a současnost, paměť a dějiny. Brno – Praha: CDK – Triáda 2008, 199 s. Studie konstatuje, že v češtině začíná být k dispozici dostatečné množství publikací o sociální paměti, aby teoreticky zabezpečily širší pojetí výzkumů paměti. Zároveň by však tyto výzkumy neměly být podřizovány historiografii, (...) a především je v nich zapotřebí pracovat nejen s koncepty identity a sociálních svazků, ale i moci a konfliktu. (shrink)

The article introduces a special themed issue of Theory of Science on epistemologies of spaces and places. It provides a disciplinary context of the theme and reviews some of the key arguments that led to the so-called spatial turn in social sciences and the humanities. Science studies in the broad sense have also been affected by this shift of research interest to spatial aspects of science at both micro- and macro-levels. Scientific knowledge has been subject to analyses that stress its (...) local contingencies, mobility and dependencies on spatial arrangements. The ensuing new epistemologies require novel concepts or reconsideration of the older terms, such as universality or objectivity. (shrink)

Recenzní studie vychází z kolektivní monografie editorů Charlese Bazermana, Adairy Bo- nini a Débory Figueiredo, Genre in a Changing World a věnuje se tématům souvisejícím s významem žánrů ve vědecké a akademické praxi. Identifikuje zejména dvě oblasti, na něž se ve zvýšené míře soustředí badatelské aktivity pra- cující s žánrem jako analytickým nástrojem: žánrovou pedagogiku na univerzitní úrovni a oborovou enkulturaci. Zatímco první oblast ohraničuje akademické texty vůči jiným textovým formám, druhá se zabývá jejich vnitřní rozrůzněností. Studie zdůrazňuje demonstro- vaný (...) přínos přístupů založených na žánrech pro výzkumy vědecké praxe, avšak dochází k závěru, že je zapotřebí důsledněji promýšlet jejich epistemologické implikace. (shrink)

In this paper, I provide an analysis of Marya Schechtman's theory of personal identity defended in her book Staying Alive: Personal Identity, Practical Concerns, and the Unity of a Life.

Lockean theories of personal identity maintain that we persist by virtue of psychological continuity, and most Lockeans say that we are material things coinciding with animals. Some animalists argue that if persons and animals coincide, they must have the same intrinsic properties, including thinking, and, as a result, there are ‘too many thinkers’ associated with each human being. Further, Lockeans have trouble explaining how animals and persons can be numerically different and have different persistence conditions. For these reasons, the idea (...) of a person being numerically distinct but coincident with an animal is rejected and animalists conclude that we simply are animals. However, animalists face a similar problem when confronted with the vagueness of composition. Animals are entities with vague boundaries. According to the linguistic account of vagueness, the vagueness of a term consists in there being a number of candidates for the denotatum of the vague term. It seems to imply that where we see an animal, there are, in fact, a lot of distinct but overlapping entities with basically the same intrinsic properties, including thinking. As a result, the animalist must also posit ‘too many thinkers’ where we thought there was only one. This seems to imply that the animalist cannot accept the linguistic account of vagueness. In this paper the author argues that the animalist can accept the linguistic account of vagueness and retain her argument against Lockeanism. (shrink)

The article focuses on one of the identity-related practical concerns discussed in contemporary debate on personal identity, namely self-concern. The dominant view seems to be that people’s concern for their future selves is preconditioned by their ability to anticipate the experiences of their future selves and that, as a result, a psychological theory of personal identity is required to justify self-concern. I argue that self-concern in its most general form is not preconditioned by the possibility of anticipation. I provide examples (...) showing that people may legitimately be concerned for their future selves even if those selves are unconscious or dead, that is, in states that the people cannot anticipate. I contend that self-concern is not rooted in our desire to have positive experiences, but in our desire to live meaningful lives. Since the value of our lives can be influenced by events that only take place after we cease to exist, I further argue that certain posthumous states of affairs relevant to our lives can also be the legitimate target of an indirect sort of self-concern. Inspired by Marya Schechtman’s theories, I develop a form of the narrative theory of personal identity in the sense of characterization and show that narrative continuity can be both a source of meaning in a person’s life and a ground for the person’s self-concern. It turns out that the sort of identity that justifies non-anticipatory self-concern cannot be numerical identity, because it does not provide the persistence conditions of people. (shrink)

How does good combine with bad? Most creatures are neither so blessed as to only enjoy good nor so cursed as to only suffer bad. Rather, the good and bad they receive throughout their lives combine to produce their overall quality of life. But it’s not just whole lives that have combined good and bad. Many stretches within contain both positive and negative occurrences whose value is joined to form the overall quality of that span of time. In a single (...) morning someone might wake up, brush their teeth, stub their toe groggily lumbering down the stairs, and have a sip of coffee that’s tasty but so hot they burn their tongue. These events are good and bad for them to various degrees, and their value comes together to form an overall value for them of that morning. A single moment, even, can have combined value from distinct pockets of good and bad that occur simultaneously. The tastiness of the coffee is good, but the pain of the heat is bad. They combine to form an overall value of the sipping moment – negative if the pain outweighed the flavor. Thus, wellbeing and illbeing combine. But how? How can someone rightly chastise themselves for sipping the overly hot coffee when it was, in fact, good because it was tasty? To pose the question starkly, a life can be bad, even so bad to not be worth living, and yet it can have many instances of good, where these goods are, in themselves, pure of any negativity. But how can good make something bad? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 30, Number 2, November 2004, pp. 213-236 Pleased and Afflicted: Hume on the Paradox of Tragic Pleasure E. M. DADLEZ How fast can you run? As fast as a leopard. How fast are you going to run? A whistle sounds the order that sends Archie Hamilton and his comrades over the top of the trench to certain death. Racing to circumvent that order and arriving seconds (...) too late, Archie's friend Frank screams in rage and despair. Archie is cut down before he has run twenty yards. Peter Weir's film Gallipoli is a chronicle of the disastrous Dardanelles campaign of the first World War, but it is also a film about racing. Archie is trained by his uncle Jack to run "as fast as a leopard." The film begins as it ends, with Archie sprinting in response to a whistle. Frank is first shown racing after a train, along with friends who are on their way to enlist. Archie and Frank meet while competing in a race, they race in Cairo once they have enlisted, and they finally race death. From the beginning, Archie has been faster; even at the end he is the first to die. And from the beginning he has swept Frank along in his wake, encouraging him, pushing him, inspiring him, and helping him to positions for which he is inadequately qualified. In the end, Archie's compassion and kindness prompt a decision which has grim consequences both for himself and for hundreds of others. Knowing that his friend fears death in the trenches, Archie recommends Frank as a substitute for himself, a designated message runner. But Frank is not fast enough, and falls short by mere seconds which Archie would not have lost. This is what leads to the failure of the one real effort to countermand the fatal charge. E. M. Dadlez is Professor of Humanities and Philosophy, University of Central Oklahoma, Edmond, OK 73034, USA. e-mail: [email protected] 214 E. M. Dadlez I am an emotional wreck by the time the movie is over, though I should admit that most of my tears are the result of sheer rage. Both my dogs exited the room in some haste once I began to shout at the television and the unpardonably dimwitted British officers who sat sipping tea at a comfortable distance as they gave the order for soldiers to commit suicide. But it isn't just the scope of the real human disaster, or the enormity of the blunder, or the pointlessness of the entire enterprise, or even my renewed conviction that stupidity is, in fact, evil, that is so unsettling. The film unnerves with respect to personal as well as global concerns, focusing attention on the chance of vanity's leading one to undertake responsibilities beyond one's competence, the possibility of advancement or security being achievable only at the expense of another, and the realization of how easy it might be to let those things happen. Gallipoli is a sad, disturbing film, and the spectator is grieved and disturbed in the course of watching it. Yet, having said that, I must own to having a copy in my possession, and to having watched it more than once. I recommend it to friends, offering to lend them my videotape. In fact, I press it on them. I say that it is a terrific, rewarding work which they should take the time to see. How is it that I can describe my experience of the film in such glowing terms and at the same time acknowledge the extreme distress I felt in the course of watching it? How can I reconcile the discordant aspects of my experience? David Hume explores some possible answers in his essay "Of Tragedy."1 He begins by calling attention to the paradox of tragic pleasure: It seems an unaccountable pleasure, which the spectators of a well written tragedy receive from sorrow, terror... and other passions, which are in themselves disagreeable and uneasy. The more they are touched and affected, the more are they delighted with the spectacle.... The whole art of the poet is employed in rousing and supporting the compassion and... (shrink)

Recenze: Vojtěch Hladký - Radim Kočandrle - Zděněk Kratochvíl, Evoluce před Darwinem. Červený Kostelec: Pavel Mervart 2012, 248 s.