The concept of character has a long history in moral philosophy. Three fundamental versions can be identified: the Aristotelian, the Humean, and the Kantian. The Aristotelian concept of character is based on the model of the wise person, who shapes her feeling according to reason. The Humean character is based exclusively on feelings, having as a criterion the feeling of approval for virtue and disapproval for vice. The Kantian character is based on freedom as autonomy and on the feeling of (...) respect. I argue that the Kantian concept avoids the risk of depending on metaphysics (as the Aristotelian model does) and of lacking universal value (as the Humean model does). (shrink)

Our reproductive imaginaries have changed considerably in the XX century. This cultural change can be described as a transition from Utopia to Dystopia. Plato imagined that in his perfect State women and children were in common, and that adequately matched couples would yield a perfect breed. On the contrary, Thomas More’s Utopia (1516) is based on a modern liberal view of the family, where divorce is allowed and relationships are free. Tommaso Campanella’s The City of the Sun (1602) understands relationships (...) exactly in terms of a eugenic policy. Francis Bacon’s New Atlantis (1626) also conceives of generation as a public good. Aldous Huxley’s Brave New World (1934) creates a vision of reproduction as a total nightmare. The whole process of reproduction has been taken into control by an ideology. We must distinguish liberal utopias from totalitarian ones, which evolve into dystopias. (shrink)