The goal of this note is to bring into wider attention the often neglected important work by Bertrand Russell on the foundations of physics published in the late 1920s. In particular, we emphasize how the book The Analysis of Matter can be considered the earliest systematic attempt to unify the modern quantum theory, just emerging by that time, with general relativity. More importantly, it is argued that the idea of what I call Russell space, introduced in Part III of that (...) book, is more fundamental than quantum theory, general relativity, and quantum gravity since the topological ordinal space proposed by Russell would naturally incorporate into its very fabric the emergent nature of spacetime by deploying event assemblages, and not spacetime or particles, as the fundamental building blocks of the world. (shrink)

We reflect on the nature of art, the creative process, and the connection between art and philosophy.

We develop a new understanding of the historical horizon of event ontology. Within the general area of the philosophy of nature, event ontology is a still emerging field of investigation in search for the ultimate materialist ontology of the world. While event ontology itself will not be explicated in full mathematical details here, our focus is on its conceptual interrelation with the dominant current of Idealism in Western thought approached by us as a problem in the history of ideas. Our (...) presentation is designed to be accessible to a wider audience. We especially highlight the deep connection between event ontology and postmodernism in general, and the post-war French philosophers Althusser, Foucault, Deleuze, and Guattari in particular, who are viewed as main sources for current and future programs of abstract materialism. (shrink)

We develop a series of theses on the philosophical aesthetics of design art. A sketch of an outline of a theory of objects is drawn from within a naturalistic worldview, that of abstract materialism and the general, still ongoing, quest to build a comprehensive philosophy of nature encompassing not only the physical world, but also culture, art, and politics.

We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former. Two traditions are set against each other, one is natural aesthetics, whose covering philosophy is Idealism, and the other is the aesthetics of nature, the position defended in this article, with the general program of a comprehensive philosophy of nature as its covering theory. Our approach is philosophical, operating within the framework of the ontology of the (...) process of the production of art, especially the views of Antonin Artaud, Heidegger, Bakhtin, Deleuze, and Guattari. We interrogate Dilthey and Worringer while outlining an ontology of art based on the production of nonhuman images and a nonpersonal experiential field of nature. (shrink)

A perspective is provided on how to move beyond postmodernism while struggling to do philosophy in the twenty-first century. The ontological structures of time, history, and mathematics are analyzed from the vantagepoint of the Heideggerian theory of nonspatial Fold.