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Stavroula Glezakos
Wake Forest University
  1. Truth and Reference in Fiction.Stavroula Glezakos - forthcoming - In Gillian Russell & Delia Graff Fara (eds.), Routledge Companion to the Philosophy of Language. Routledge.
    Fiction is often characterized by way of a contrast with truth, as, for example, in the familiar couplet “Truth is always strange/ Stranger than fiction" (Byron 1824). And yet, those who would maintain that “we will always learn more about human life and human personality from novels than from scientific psychology” (Chomsky 1988: 159) hold that some truth is best encountered via fiction. The scrupulous novelist points out that her work depicts no actual person, either living or dead; nonetheless, we (...)
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  2.  29
    "Words Gone Sour?".Stavroula Glezakos - 2012 - In Bill Kabasenche, Michael O'Rourke & Matthew Slater (eds.), Reference and Referring: Topics in Contemporary Philosophy, Volume 10. Cambridge, MA: MIT Press. pp. 385-405.
    In this paper, I highlight some important implications of a non-individualistic account of derogatory words. I do so by critically examining an intriguing claim of Jennifer Hornsby‘s: that derogatory words – words that, as she puts it, ―apply to people, and that are commonly understood to convey hatred and contempt‖ – are useless for us. In their stead, she maintains, we employ neutral counterparts: words ―that apply to the same people, but whose uses do not convey these things. I argue (...)
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  3. Can Frege Pose Frege's Puzzle?Stavroula Glezakos - 2009 - In Joseph Almog & Paolo Leonardi (eds.), The Philosophy of David Kaplan. Oxford University Press. pp. 202.
    Gottlob Frege maintained that two name-containing identity sentences, represented schematically as a=a and a=b,can both be true in virtue of the same object’s self-identity but nonetheless, puzzlingly, differ in their epistemic profiles. Frege eventually resolved his puzzlement by locating the source of the purported epistemic difference between the identity sentences in a difference in the Sinne, or senses, expressed by the names that the sentences contain. -/- Thus, Frege portrayed himself as describing a puzzle that can be posed prior to (...)
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