Results for 'Sylvie Vandoolaeghe'

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  1. Identita v liberální politické teorii a dilema kosmopolitismu [Identity in Liberal Political Theory and the Cosmopolitan Dilemma].Sylvie Bláhová & Pavel Dufek - 2018 - Filosoficky Casopis 66 (3, 4):383–399, 505–517.
    In this article we address the question of individual identity and its place – or rather omission – in contemporary discussions about the cosmopolitan extension of liberalism as the dominant political theory. The article is divided into two parts. In the first part we show that if we consistently emphasise the complementarity of the “inner” and “outer” identity of a person, which is essential to liberalism from its very beginnings, then a fundamental flaw in the liberal cosmopolitan project becomes apparent. (...)
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  2. Equal Respect, Liberty, and Civic Friendship: Why Liberal Public Justification Needs a Dual Understanding of Reciprocity.Sylvie Bláhová & Pavel Dufek - 2021 - Czech Journal of Political Science 1 (28):3–19.
    The paper critically discusses the dualism in the interpretation of the moral basis of public reason. We argue that in order to maintain the complementarity of both liberal and democratic values within the debate on public reason, the arguments from liberty and from civic friendship cannot be considered in isolation. With regard to the argument from liberty, we contend that because the idea of natural liberty is an indispensable starting point of liberal theory, no explanation of the justification of political (...)
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  3. Drafting a Constitution for a "Country of words": the Palestinian case.Sylvie Delacroix - 2012 - Middle East Law and Governance 4 (2).
    Can words – rather than a State – constitute a country? It may be made of land, rivers, forests or deserts – yet, without its inhabitants’ words, there would be no map to draw, no tale to sing, no country to speak of. Palestinian tales abound. They speak of departed lands, vanished homes, forfeited livelihoods. They lament internal wrangling, squeal occupational anger, seek to whisper away those quotidian checkpoint humiliations. Yet, they also speak of hope. If there ever were such (...)
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  4. Unsystematic Vitality: From Early Modern Beeswarms to Contemporary Swarm Intelligence.Sylvie Kleiman-Lafon & Charles T. Wolfe - 2021 - In Peter Fratzl, Michael Friedman, Karin Krauthausen & Wolfgang Schäffner (eds.), Active Materials. De Gruyter. pp. 259-298.
    The eighteenth century was the century of self-organization, but also that of materialism, inasmuch as it was then that certain thinkers proclaimed themselves to be materialists (rather than just being labelled as such by enemies of various sorts). If one seeks to read these two features – one hesitates to call them ‘facts’ or ‘events’ – together, one arrives rather quickly at an influential metaphor, the beeswarm. But a metaphor of or for what? Irreducible organic unity, most broadly – spelled (...)
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  5. Strevens's Counterexample to Lewis's "Causation as Influence", and Degrees of Causation.Joshua Goh - 2020 - Dialectica 74 (1):125-138.
    Sungho Choi has criticised Michael Strevens's counterexample to DavidLewis's final theory of "token" causation, causation as "influence." Iargue that, even if Choi's points are correct, Strevens's counterexampleremains useful in revealing a shortcoming of Lewis's theory. Thisshortcoming is that Lewis's theory does not properly account for*degrees* of causation. That is, even if Choi's points are correct,Lewis's theory does not capture an intuition we have about the*comparative* causal statuses of those events involved in Strevens'scounterexample (we might, for example, intuit that Sylvie's (...)
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  6. Diverse Voices: Czech Women’s Writing in the Post-Communist Era.Elena Sokol - 2012 - Argument: Biannual Philosophical Journal 2 (1):37-58.
    This essay offers an overview of the diversity of women’s prose writing that emerged on the Czech cultural scene in the post-communist era. To that end it briefly characterizes the work of eight Czech women authors who were born within the first two decades after World War II and began to create during the post-1968 era of ‘normalization’. In this broad sense they belong to a single generation. With rare exception their work was not officially published in their homeland until (...)
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