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Tomasz Szubart
Jagiellonian University
  1.  37
    Explanation and Reduction in the Cognitive Neuroscience Approach to the Musical Meaning Problem.Tomasz Szubart - 2019 - In Andrej Démuth (ed.), The Cognitive Aspects of Aesthetic Experience – Selected Problems. Berlin: Peter Lang. pp. 39-50.
    The aim of this paper is to refer basic philosophical approaches to the problem of musical meaning and, on the other hand, to describe some examples of the research on musical meaning found in the field of cognitive neuroscience. By looking at those two approaches together it can be seen that there is still no agreement on how musical meaning should be understood, often due to several methodological problems of which the most important seem to be the possibility of inter-theoretical (...)
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  2.  17
    O typach kawy. Kontekstualizm DeRose’a jako strategia antysceptycka (On types of coffee. DeRose's contextualism as an anti-sceptical strategy).Tomasz Szubart - 2018 - Analiza I Egzystencja 4 (44):61-81.
    Semantic contextualism is often used in order to offer solutions for problems in other branches of philosophy, including epistemology. One of such attempts is epistemic contextualism, according to which the semantic value of the word “knows” changes with the context of its utterance. The aim of this paper is to critically investigate Keith DeRose’s contextualism to see up to what extent does it provide a valid anti-sceptical strategy. I argue that while it can be seen as a good rival for (...)
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  3.  20
    Why Foot-Tapping Is Important but Not Enough? Some Methodological Problems in the Embodied Approach to Musical Meaning.Tomasz Szubart - 2017 - Avant: Trends in Interdisciplinary Studies 8 (1):101-106.
    In this short paper I critically analyze Marc Leman’s embodied approach to musical meaning and representation, suggesting that its explanatory value is not sufficient in order to be a good alternative for theories encompassing the concept of representation.
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