David Hume is widely known as a critic of natural theology. Hence he is referred to as ‘the great infidel’. Moreover, when one thinks of Hume's criticisms of natural religion one often thinks of Philo's criticisms of various theistic arguments presented by Cleanthes and Demea in Dialogues Concerning Natural Religion. In his preface to the Hackett edition of the Dialogues Richard H. Popkin writes, Many consider it the most decisive modern critique of some of the major arguments concerning the existence (...) and nature of God. (shrink)

After an introduction into the history of book illustrations from the second half of the 18th century to the late 19th century follows a sketch of the evolution of illustrations for Johann Wolfgang Goethe’s novel “The Sorrows of Young Werther” from 1775 to 1870. The featured illustrations can be divided into groups of approximately 10 central motives. The resting points of the narrative were chosen as highlights of many illustrations: They depict the sentimental and idyllic scenes. The interpretation of (...) the illustrations is focused on the possibilities to gain new, esp. social psychological ways of understanding the novel. (shrink)