This paper sets out to identify the qualities of a cartoonist as an artist in the business of political education. The paper observes that the true meaning of any man’s action could be understood when conscious efforts are made by the message recipients to read beyond the lines. However, the encoder requires certain skills, especially as an artist, to pass his message across to his audience.

The original idea of this narrative comes from the above cartoon by Panos Maragos, a Greek cartoonist (according to S. Berger [1]), which I stumbled upon on the Internet some time ago. It was originally intended to be included in the book Meandering Sobriety [2] but was later left out due to its fictitious nature.

Breaking Down the Barriers to Serendipity Life is what happens to us while we are making other plans. ALLEN SAUNDERS, AMERICAN WRITER, JOURNALIST, AND CARTOONIST.

During a recent visit to Auschwitz, the Pope, with a mixture of seeming courage and calculated ambiguity, asked himself where God was during the Holocaust? A cartoonist answered with a drawing in which God, sandbagged behind the sinister Entry Tower of the extermination complex, could be heard saying, “Where was I to be but in the gas chambers?”, but without specifying if there he had to officiate as victim or executioner. As an innocent, yet weak, victim, or powerful, yet (...) evil, executioner. A situation that recalls the two horns of Epicurus’s famous dilemma: “Either God wants to avoid evil, but cannot (which is to say, he is not omnipotent); or he can, but does not want to (which is to say, he is wicked)”. The text criticizes contemporary attempts at overcoming theology’s jogging down in the riddle by drawing upon new sophisticated versions of the old theodicy. Moreover, as against them, it proposes “a reflection on the problem of evil from the standpoint of unbelief”, together with an ethical response to the latter sustained by the sobriety of l’espoir – that hopefulness which Walter Benjamin liked to exemplify using Andrea Pisano’s sculpture for the Baptistery in Florence – as opposed to the ambitious, and so frequently frustrating, delusion of religious espérance. (shrink)