In this paper I first present Dan Korman’s (2015) recent defence of a conservative view as regards the existence and composition of material objects, and then go on to criticize some of his arguments. I will focus on two related issues: on the one hand, I argue that his defense of that kind of view by making use of what he calls “arguments from counterexamples” has some metaontological presuppositions that are indeed unacceptable for someone defending the revisionist views he (...) opposes; on the other hand, I also claim that his defence of the epistemic authority of the singular intuitions allegedly backing some key premisses in those arguments is also flawed, as it seems to be in tension with his realist commitments. (shrink)

In Objects: Nothing Out of the Ordinary, Daniel Z. Korman defends a view he calls conservatism. Conservatives hold that there are ordinary objects, but no extraordinary objects. But Korman never explicitly characterizes what would qualify an object as ordinary in the relevant sense. We have some paradigm cases of ordinary objects, including tables, dogs, and trees; and we have some paradigm cases of extraordinary objects of sorts familiar from the philosophical literature. Here I attempt to fill this gap, (...) surveying a number of attempts to characterize the commitments of conservatism. All fail. In particular, no specification of what it takes for an object to be ordinary is both plausible and consistent with the conservative verdicts on the paradigms. I argue that this is no coincidence, since it turns out to be implausible in light of the results of settled science to deny the existence of one of Korman's paradigms of an extraordinary object. The upshot is that plausibility requires being a little more liberal than conservatism seems to allow. (shrink)

In Objects: Nothing Out of the Ordinary, Daniel Z. Korman defends a view he calls conservatism. Conservatives hold that there are ordinary objects, but no extraordinary objects. But Korman never explicitly characterizes what would qualify an object as ordinary in the relevant sense. We have some paradigm cases of ordinary objects, including tables, dogs, and trees; and we have some paradigm cases of extraordinary objects of sorts familiar from the philosophical literature. Here I attempt to fill this gap, (...) surveying a number of attempts to characterize the commitments of conservatism. All fail. In particular, no specification of what it takes for an object to be ordinary is both plausible and consistent with the conservative verdicts on the paradigms. I argue that this is no coincidence, since it turns out to be implausible in light of the results of settled science to deny the existence of one of Korman's paradigms of an extraordinary object. The upshot is that plausibility requires being a little more liberal than conservatism seems to allow. (shrink)

Ned Markosian has recently defended a new theory of composition, which he calls regionalism : some material objects xx compose something if and only if there is a material object located at the fusion of the locations of xx. Markosian argues that regionalism follows from what he calls the subregion theory of parthood. Korman and Carmichael agree. We provide countermodels to show that regionalism does not follow from, even together with fourteen potentially implicit background principles. We then show that (...) regionalism does follow from five of those background principles together with and two additional principles connecting parthood and location, which we call and. While the additional principles are not uncontroversial, our conjecture is that many will find them attractive. We conclude by mentioning that fills a previously unnoticed gap in the formal theory of location presented in Parsons. (shrink)

Most ordinary folks think that there are ordinary objects such as trees and frogs. They do not think there are extraordinary objects such as the mereological sum of trees and frogs, as the permissivist does. Nor do they deny the existence of ordinary composite objects such as tables, as the eliminativist does. In his recent book, Objects: Nothing Out of the Ordinary, Korman positions himself alongside ordinary folk. He deftly defends the common sense view of ordinary objects, and argues (...) against the permissivist and eliminativist. One of the ways he does this is by launching what he calls ‘arguments from counterexample’. In this paper, I focus on the dialectical effectiveness of such arguments generally. I discuss whether and how we might sometimes be justified in using arguments from counterexample and commonsense in philosophical debate, even if they appear to be (or are) question-begging. I conclude that, given some of Korman’s other commitments, there is little reason for his opponents to take his arguments from counterexample seriously. (shrink)

When and why does awareness of a belief's genealogy render it irrational to continue holding that belief? According to explanationism, awareness of a belief’s genealogy gives rise to an epistemic defeater when and because it reveals that the belief is not explanatorily connected to the relevant worldly facts. I argue that an influential recent version of explanationism, due to Korman and Locke, incorrectly implies that it is not rationally permissible to adopt a “sparse” ontology of worldly facts or states (...) of affairs. I then propose a new explanationist account of genealogical defeat capable of accommodating rational belief in ontological sparsity. According to my account, awareness of a belief’s genealogy gives rise to a defeater when and because it reveals that the belief is not explanatorily connected to its truthmaker. (shrink)

I explain a tension between musical creationism (the view that musical works are abstract artifacts) and the view that there is no vague existence. I then suggest ways to reconcile these views. My central conclusion is that, although some versions of musical creationism imply vague existence, others do not. I discuss versions of musical creationism held by Jerrold Levinson, Simon Evnine, and Kit Fine. I also present two new versions. I close by considering whether the tension is merely an instance (...) of a general problem raised by artifacts, both abstract and concrete. I argue that on at least one defensible account of music the tension is especially problematic for abstracta. I focus on musical works, but much of the paper straightforwardly applies to other kinds of abstract artifacts. (shrink)