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  1. Naturalness and the Forward-Looking Justification of Scientific Principles.Enno Fischer - forthcoming - Philosophy of Science.
    It has been suggested that particle physics has reached the "dawn of the post-naturalness era." I provide an explanation of the current shift in particle physicists' attitude towards naturalness. I argue that the naturalness principle was perceived to be supported by the theories it has inspired. The potential coherence between major beyond the Standard Model (BSM) proposals and the naturalness principle led to an increasing degree of credibility of the principle among particle physicists. The absence of new physics at the (...)
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  2. What is a Beautiful Experiment?Milena Ivanova - forthcoming - Erkenntnis:1-19.
    This article starts an engagement on the aesthetics of experiments and offers an account for analysing how aesthetics features in the design, evaluation and reception of experiments. I identify two dimensions of aesthetic evaluation of experiments: design and significance. When it comes to design, a number of qualities, such as simplicity, economy and aptness, are analysed and illustrated with the famous Meselson-Stahl experiment. Beautiful experiments are also regarded to make significant discoveries, but I argue against a narrow construal of experimental (...)
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  3. The Aesthetic and Literary Qualities of Scientific Thought Experiments.Alice Murphy - 2020 - In Milena Ivanova & Steven French (eds.), The Aesthetics of Science: Beauty, Imagination and Understanding.
    Is there a role for aesthetic judgements in science? One aspect of scientific practice, the use of thought experiments, has a clear aesthetic dimension. Thought experiments are creatively produced artefacts that are designed to engage the imagination. Comparisons have been made between scientific (and philosophical) thought experiments and other aesthetically appreciated objects. In particular, thought experiments are said to share qualities with literary fiction as they invite us to imagine a fictional scenario and often have a narrative form (Elgin 2014). (...)
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  4. The Aesthetics of Theory Selection and the Logics of Art.Ian O’Loughlin & Kate McCallum - 2018 - Philosophy of Science (2):325-343.
    Philosophers of science discuss whether theory selection depends on aesthetic judgments or criteria, and whether these putatively aesthetic features are genuinely extra-epistemic. As examples, judgments involving criteria such as simplicity and symmetry are often cited. However, other theory selection criteria, such as fecundity, coherence, internal consistency, and fertility, more closely match those criteria used in art contexts and by scholars working in aesthetics. Paying closer attention to the way these criteria are used in art contexts allows us to understand some (...)
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  5. Aesthetic Values in Science.Milena Ivanova - 2017 - Philosophy Compass 12 (10):e12433.
    Scientists often use aesthetic values in the evaluation and choice of theories. Aesthetic values are not only regarded as leading to practically more useful theories but are often taken to stand in a special epistemic relation to the truth of a theory such that the aesthetic merit of a theory is evidence of its truth. This paper explores what aesthetic considerations influence scientists' reasoning, how such aesthetic values relate to the utility of a scientific theory, and how one can justify (...)
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  6. Comprehensibility Rather Than Beauty.Nicholas Maxwell - 2001 - PhilSci Archive.
    Most scientists and philosophers of science recognize that, when it comes to accepting and rejecting theories in science, considerations that have to do with simplicity, unity, symmetry, elegance, beauty or explanatory power have an important role to play, in addition to empirical considerations. Until recently, however, no one has been able to give a satisfactory account of what simplicity (etc.) is, or how giving preference to simple theories is to be justified. But in the last few years, two different but (...)
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  7. The Formation of Styles: Science and the Applied Arts.J. W. McAllister - 1995 - In Caroline Van Eck, James McAllister & Renée van de Vall (eds.), The question of style in philosophy and the arts.
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