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  1. Nietzsche’s philosophy as a creation of concepts (XVI Kyiv-Mohyla Seminar on the History of Philosophy).Тaras Lyuty, Mykhailo Minakov, Vakhtang Kebuladze & Vadym Menzhulin - 2018 - Наукові Записки Наукма. Філософія Та Релігієзнавство 1:91-105.
    Kyiv-Mohyla Seminar on the History of Philosophy was established by the Kyiv-Mohyla Academy’s Department of Philosophy and Religious Studies (in co-operation with Ukrainian Philosophical Foundation) in 2003. In this yearly seminar, the Department’s members as well as the historians of philosophy from other academic institutions regularly take part. Since 2003, 16 meetings of the seminar took place. They were focused on such topics as “Historiography of Philosophy in Ukraine: Current State and Perspectives” (2003), “Actual Problems of the Source Studies in (...)
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  2. La modulation spinoziste. Pour se purifier de la philosophie.Jack Stetter - 2017 - In Timea Gyimesi (ed.), Modulation — Deleuze. Szeged, Hungary: JATE Press. pp. 49-58.
    Une analyse de l'interprétation de la philosophie spinoziste comme philosophie de l'immanence soutenue par G. Deleuze, notamment dans "Qu'est-ce que la philosophie?" (Paris: Éd. Minuit, 1991).
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  3. From "No Future" to "Delete Yourself ".Robin James - 2013 - Journal of Popular Music Studies 25 (4).
    Beginning with the role of the Sex Pistols’s “God Save the Queen” in Lee Edelman and J. Jack Halberstam’s debates about queer death and failure, I follow a musical motive from the Pistols track to its reappearance in Atari Teenage Riot’s 1995 “Delete Yourself .” In this song, as in much of ATR’s work from the 1990s, overlapping queer and Afro-diasporic aesthetics condense around the idea of death or “bare life.” ATR’s musical strategies treat this death as a form of (...)
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