Womanhood as a Political Kind

Öz -/- Antikçağ’dan modern dönemlere değin kadınların mevcut durumlarının iyileştirilmesine dair çalışmaların sayısının oldukça yetersiz kaldığını söylemek yanlış olmayacaktır. Bu bağlamda siyaset felsefesinin kurucu metinlerinden olan Devlet’in hem yazıldığı dönem hem de takip eden iki milenyuma yakın süre hesaba katıldığında kadınların toplumdaki rolü ve konumu üzerine oldukça radikal ve yenilikçi fikirleri barındırdığı açıktır. Bu çalışmada Platon’un diğer çalışmaları da hesaba katılmakla birlikte özellikle Devlet adlı eseri nezdinde nasıl olup da kimi düşünürlerce hem bir mizojinist hem de bir kadın hakları savunucusu (...) sayıldığı; hem bir kadın düşmanı hem de proto-feminist olarak görülebildiği incelenecek ve Platon bu bağlamda yeniden ele alınacaktır. Anahtar Kelimeler: Platon, Kadın Hakları, Devlet, Feminizm, Mizojini -/- Abstract -/- It is safe to propound that the quantity of studies on the amelioration of the present conditions of women from antiquity through to modern times is quite insufficient. In this context, it seems that the Republic by Plato, which is one of the founding texts of political philosophy, has provided quite radical and innovative ideas about the role and position of women in society, considering into account both its production period and the next two millenniums. This study, based particularly upon his Republic and other works, aims to re-consider how Plato is regarded both as a misogynist and a women's rightist, or both as a woman hater and a proto-feminist by certain scholars. -/- Keywords: Plato, Woman Rights, Republic, Feminism, Misogyny. (shrink)

"Who This Woman is? " is the search of womanhood in terms of etymology of few terms used in the discourse of Feminism and Womanism.

Wittgenstein’s comment that what can be shown cannot be said has a special resonance with visual representations of power in both Heavy Metal and Fundamentalist Christian communities. Performances at metal shows, and performances of ‘religious theatre’, share an emphasis on violence and destruction. For example, groups like GWAR and Cannibal Corpse feature violent scenes in stage shows and album covers, scenes that depict gory results of unrestrained sexuality that are strikingly like Halloween ‘Hell House’ show presented by neo-Conservative, Fundamentalist Christian (...) churches in the southeastern United States’ ‘Bible Belt’. One group may claim to celebrate violence, the other sees violence as a tool to both encourage ‘moral’ behaviour, and to show that the Christian church is able to ‘speak the language’ of young people who are fans of metal, gore, and horror. Explicit violence, in each case, signifies power relationships that are in transformation. Historically, medieval morality plays and morality cycles had been used as a pedagogical tool. In the modern-day context of fundamentalist religious education, these Hell House performances seek to exclude outsiders and solidify teen membership in the Christian community. Hell House performances are marketed to the young church members, and are seen as a way to reinvigorate conservative Fundamentalist Christianity. Women and girls routinely take part in, and often organize Hell House events. In the context of heavy metal, violent performances do not seek to exclude, but provide an outlet for a variety of socially unacceptable or unpopular feelings. In each context there is an apparent, if not actual, empowering of women who are willing to play particular kinds of roles. The use of violence and gore has a value beyond merely shocking the audience, it is arguably a way that some women find their voice, both for fundamentalist Christians and fundamentalist gore metal fans. (shrink)

Poprzez wieki ewolucji idei i instytucji obywatelstwa w Europie, płeć (obok wolności osobistej, wieku, pochodzenia, miejsca urodzenia, domicylu czy majętności ) należała do głównych kryteriów posiadania pełnoprawnego statusu obywatelskiego w państwie. Obywatelstwo aż do XX wieku miało charakter patriarchalny, jednak jego współczesna definicja implikuje równouprawnienie obu płci. Egalitaryzacja dostępu do pełnego obywatelstwa w nowożytnej Europie następowała wieloetapowo. Proces ten wiązał się ze zmianami mentalności społecznej i stopniowym znoszeniem prawnego upośledzenia kobiet w różnych dziedzinach życia.