Martin Heidegger was convinced that we can learn something about the way we inhabit the world by turning attention to our fundamental moods. It was one important theme of his fundamental ontology in the 1920s. There is, according to Heidegger, an intricate connection between awakening our moods and developing a reflexive stance. He provides us with a rich phenomenological description of different forms of boredom. In this article I approach Heidegger’s conception of boredom from an educational point of view. I (...) am suggesting a reading where the experience of boredom has transformative potentialities that also can illuminate our cultural situation as a whole. By turning away from boredom there is always a possibility of turning away from ourselves. (shrink)

The paper asks how certain zones of technical practice or technologies come to matter as "the Technological", a way of construing political change in terms of technical innovation and invention. The social construction of technology (SCOT) established that things mediate social relations, and that social practices are constantly needed to maintain the workability of technologies. It also linked the production, representation and use of contemporary technologies to scientific knowledge. However, it did all this at a certain cost. To understand something (...) as socially constructed implies that it can be positioned on a pre-given social grid. Making this understanding stick risks affronting others with the claim that their position is not singular, only ordinary. It also runs the risk of not having purchase on those aspects of technological relationality that overflow the framing context of the social (Callon et al. 2002). Building on the ground prepared by SCOT and relying on the work of (Stengers 2000) and (Simondon 1964, 1989), the paper discusses how technologies could be understood as relational events within the contemporary political space. Developing an account of technologies centred on relationality, this paper outlines an epistemology and ontology of the anomalies of technological events, and suggests how excess could explain the Technological. (shrink)

This paper discusses variegated scholarly approaches to what is here typified as a political economy of meat. Identified as a multifaceted, transdisciplinary and most dynamic field of research, inquiries into the political economy of meat imbricate key issues of social and economic development, across the human–animal divide. While some scholars interpret livestock production as “a pathway from poverty”, others observe deepened marginalization and exploitation. The argument raised in this paper is that concise engagement with multiple critical perspectives may facilitate further (...) explorations into the social dynamics that characterize the political economy of meat. (shrink)

Ovaj clanak se bavi znacenjem zivota, i mogucnostima ukljucivanja zivota u okvire politicke filozofije. Postoje dva odgovora na ovo pitanje. Prvi odgovor se vezuje za H. Arent, a drugi za M. Fukoa koji je skicirao genezu biopolitike, to jest, razlicitih mehanizama optimalizacije kapaciteta zivota pocev od "klasicne epohe". Autor clanka posredstvom kriticke interpretacije H. Arent i Fukoa tvrdi da postoji opravdanost istovremenog tretiranja biomoci i suvereniteta. Time on namerava da zadobije perspektivu u odnosu na suverenitet koji tretira kao neizostavan u (...) artikulaciji politickih odnosa sto znaci drugacije u odnosu na pristupe H. Arent i M. Fukoa. Istovremeno autor clanka kritikuje koncept biopolitike smatrajuci da on dovodi do depolitizacije tela i zivota, cime se, delimicno, prihvataju odredjena upozorenja H. Arent. Politickoj filozofiji zapravo se pripisuje zadatak da tretira biomoc i suverenitet kao ireducibilne, ali i komplementarne okvire kao i da tretira njihov dinamicki medjuodnos. Tek ukoliko istovremeno tematizujemo suverenitet i biomoc dobijamo sliku o dinamici modernih politickih odnosa u Evropi. (shrink)

This article outlines three interlocking and mutually reinforcing registers in Giorgio Agamben’s work: the law, the apparatus, and the anthropological machine. While Agamben is clear that rules render inoperative laws and counter-apparatuses suspend the functioning of apparatuses, that which neutralizes the anthropological machine remains undisclosed. To explore this messianic opening, the author moves beyond Agamben and posits the possibility of a shift from an anthropological machine to a phytological machine. Whereas the former functions through the production of binary oppositions that (...) divide life from its form, the latter yields to the internally generative potentiality of lifeforms. In conclusion, the article proposes an alternative reading of several of Agamben’s key examples, including his references to Tiananmen Square, as manifestations of a phytological machine emerging from within the composting of anthropological divisions. (shrink)

To the three classic wounds to human narcissism – that of Copernicus , Darwin , and Freud – there must be appended a fourth wound: man is not the only subject in the universe. While most philoso- phers are unwilling to accept it, ethological research shows that animals are also subjects; indeed, in human/animal hybrid communities, certain animals can become individuals or even persons. Through animal biography, anec- dotes, and other often disqualified but nonethe- less empirical forms of knowledge, we (...) can come to know these singular animals. (shrink)

This text is based on a staged dialogue conceived by Alice Lagaay and Juliane Schiffers, which closed the conference ‘How not to speak’ at the Centre Marc Bloch in Berlin on 22 April. Critical comments and questions emerging from the discussion that took place on that day are reflected in ‘Voice Off’.

Revolutionary violence stems from the conatus of survival, from the appetite for life and joy rather than from the desire to destroy and the hubristic pretension to punish. It is an incursion of one's desire to affirm life and annihilate pain. Following Laruelle's methodology of nonstandard philosophy, I conclude that revolutionary violence is the product of an intensive expansion of life. Pure violence, conceived in non-philosophical terms, is a pre-lingual, presubjective force affected by the “lived,; analogous to Badiou's void and (...) it is radically revolutionary. It is fundamentally different from Benjamin's lawmaking “divine violence; and its appropriations by Žižek. Revolutionary experience is inevitably translated into language. What preserves the revolutionary substance in a post-revolution political discourse is that it is constantly checked by the sense of fidelity to the experience of the revolutionary event. Agamben, Benjamin, Schmidt and Žižek are discussed from an essentially non-philosophical stance, informed by Laruelle's theory that has been supplemented in some aspects by Badiou's concept of the pre-lingual event. (shrink)

This paper explores how Pope Francis’ critique of “the technocratic paradigm” in Laudato Si’ can contribute to an environmental ethics governed by asymmetries of power and agency. The technocratic paradigm is here theorized as linked to forms of anthropocentrism that together engender a dangerous alliance between the powers of technology and technologies of power. The meaning and import of this view become clearer when the background of these ideas gets excavated in the works of Romano Guardini. The contemporary manifestation of (...) Guardini’s warnings appears in the form of myriad environmental injustices wrought by structures of power linked to technology. To counter such injustices, we must discern which types of technologies to develop and how to limit technocratic approaches for the sake of other values. The integral ecological outlook favored by Francis may be interpreted as a kind of eco-politics, or even, controversially, an eco-technology, with the cultivation of technologies of contemplation. Applying Peter Sloterdijk’s conceptions of anthropotechnics and monogeism to the Ignatian Exercises animating the Jesuit Francis’ work, we can see how such technologies hold potential for Catholicism to collaborate better with secular strategies in relating to Earth’s agency in a new eco-politics. Such an eco-politics could furnish an alternative to bio-politics, especially if governed by aspects of the Franciscan form-of-life identified by Giorgio Agamben. Such a project ultimately moves us beyond Laudato Si’ and the work of Romano Guardini, pointing up the limitations of Laudato Si’ in engaging the agency of the Earth. (shrink)

Humanism and humanistic education have been recognised as an issue of the utmost importance, whether in the East or in the West. Underpinning the Eastern and Western humanism is a common belief that there is an essence or essences of humanness. In the Confucian tradition, the core of humanity lies in the idea of ‘ren’; in the Platonic tradition, ‘rationality’. For some critics, this belief may lead to violence as much as justice. One way to be aware of the danger (...) is not to follow the line of traditional humanism without question. The strategy that the early Daoists and the contemporary philosopher Derrida use is to challenge, question, rethink, re-examine, and reposition the meaning of self. In this article, I will first argue that the idea of non-I in early Daoism is indeed a ‘question of the self’ as well as a doubt cast upon the ‘junzi’ or sage in Confucian orthodoxy. Then, I explore the concept of human subject in Derrida. The consonance between the Daoist undoing of the self and Derrida's deconstructing subject sheds new light on our understanding of humanistic education. (shrink)

“No one can take the other’s dying away from him,” as Martin Heidegger famously claimed, but what he was significantly silent about was that beings, both human and non-human, can mutually contribute to each other’s death. By focusing on the interrelatedness of deaths, this paper presents a reversal of the Heideggerian perspective on the relation between Dasein’s mineness and “being-toward-death.” Drawing upon the structural meaning of death, which consists in the fact that no one can replace me in that I (...) will die, I show that the phenomenon of contributing-toward-the-death-of-others individuates Dasein as well. This will allow us to reread the threat of the They in the context of the Anthro- pocene, elucidating the non-transferable character of my share in others’ death. Finally, the paper aims to deepen our understanding of the change in the character of death which has been brought about by technology in the Anthropocene. (shrink)

This essay examines the impact of the Great War on the breeding and showing of pedigree dogs in Britain. Hostility toward Germany led first to a decline in the popularity of breeds such as the dachshund, with both human and canine “aliens” targeted by nationalist fervor. Second, the institutions of dog breeding and showing came under threat from accusations of inappropriate luxury, frivolity, and the wasting of food in wartime, amounting to the charge of a want of patriotism on the (...) part of breeders. Third, the paper shows how the “dog fancy” responded to this “agitation against dogs,” turning on mongrels, stray dogs, and “useless” and unpatriotic humans, exposing deep divisions within the dog breeding community. By looking at the politics of the “dog fancy” in wartime, this paper extends the discussion of animals and national identity, arguing that while dogs could be used to articulate patriotic sentiments, their conditional citizenship meant that they were uniquely vulnerable at a time of national crisis. (shrink)

Ten years after the publication of the special issue of Social Epistemology on feminist epistemology, this paper explores recent feminist interest in the inhuman. Feminist science studies, cultural studies, philosophy and environmental studies all build on the important work feminist epistemology has done to bring to the fore questions of feminist empiricism, situated knowledges and knowing as an intersubjective activity. Current research in feminist theory is expanding this epistemological horizon to consider the possibility of an inhuman epistemology. This paper explores (...) these developments through the subject of waste. Waste, as both an epistemological and material phenomenon, invites timely questions about possibilities for acknowledging an inhuman epistemology. These questions appear to be particularly urgent from an environmental perspective. (shrink)

This article proposes that the propagation of vibrations could serve as a better model for understanding the transmission of affect than the flow, circulation or movement of bodies by which it is most often theorized. The vibrations (or idiomatically ‘vibes’) among the sound system audience (or ‘crowd’) on a night out on the dancehall scene in Kingston, Jamaica, provide an example. Counting the repeating frequencies of these vibrations in a methodology inspired by Lefebvre’s rhythmanalysis results in a Frequency Spectrogram. This (...) ranges from the sociocultural frequencies of nightly, weekly and seasonal cycles and circulations of musical style and fashion, to the material frequencies of the amplitudes and timbres of sound itself, with reggae’s signature low-pitched bass-line, to the corporeal frequencies of the flesh and blood of the dancehall ‘crowd’, pulsating with heartbeats and kinetic dance rhythms. The vibration model then addresses the intensities of affect in terms of auditory amplitudes, as with sonic dominance; feelings as frequencies; and the distinctive meaning of affect as timbre. This aims to encourage the radical impulse of the idea of affect to abandon the traditional envelope of the autonomous, self-consistent, rational individual. The meaning of affect is thus located in the ratio, proportions and patterning of vibrations, that is, outside the discourse of emotions or representation of feelings. (shrink)

This paper argues that competing ethical positions in the Terri Schiavo debate—calls to “err on the side of life” or to “err on the side of liberty”—aim to regulate life and not to defend its sanctity or freedom. Advancing analyses of the “biopolitics” of the case, I show how Terri Schiavo’s status as a speaking-being is an important question for both positions. Informed by feminist concerns about the marginalization and ventriloquization of voices, I argue that bioethicists should “lend an ear” (...) to the voices of Terri Schiavo. (shrink)

Ethics is ordinarily understood as being concerned with questions of responsibility for and in the face of an other. This other is more often than not conceived of as another human being and, as such, necessarily excludes others – most notably animals and machines. This essay examines the ethics of such exclusivity. It is divided into three parts. The first part investigates the exclusive anthropocentrism of traditional forms of moral␣thinking and, following the example of recent innovations in animal rights philosophy, (...) questions the mechanisms of such exclusion. Although recent work in animal- and bio-ethics has successfully implemented strategies for the inclusion of the animal as a legitimate subject of moral consideration, its other, the machine, has remained conspicuously excluded. The second part looks at recent attempts to include these machinic others in moral thinking and critiques the assumptions, values, and strategies that have been employed by these various innovations. And the third part proposes a means for thinking otherwise. That is, it introduces an alternative way to consider these other forms of otherness that is not simply reducible to the conceptual order that has structured and limited moral philosophy’s own concern with and for others. (shrink)

In Remnants of Auschwitz , Giorgio Agamben argues that the hidden structure of subjectivity is shame. In shame, I am consigned to something that cannot be assumed, such that the very thing that makes me a subject also forces me to witness my own desubjectification. Agamben’s ontological account of shame is problematic insofar as it forecloses collective responsibility and collapses the distinction between shame and humiliation. By recontextualizing three of Agamben’s sources – Primo Levi, Robert Antelme and Maurice Blanchot – (...) I develop an alternative account of shame as the structure of intersubjectivity , and of a collective responsibility that is more fundamental than the subject itself. On this basis, I sketch the preliminary outline of a biopolitics of resistance rooted in the ethics of alterity. The intuition driving this approach is that life is never bare ; even in situations of extreme affliction there remains a relation to alterity which provides a starting point for resistance. (shrink)

In this article I investigate the necessarily interdisciplinary nature of our contemporaneity, from the perspective of works by Gilles Deleuze, Félix Guattari, Bruno Latour and Michel Serres. While we often find that academia, society and governments push us towards interdisciplinarity, it is also true that those same institutions and powers, distance us from that purpose. Opposing this aporetic situation we come up against the Deleuzian concept of ‘contamination’, or the well-known ‘science of Venus’ concept of Michel Serres. In doing so, (...) we attempt ‘to put the tracing back on the map’, as Deleuze and Guattari suggest, and try to see the epistemological becomings that we find in contemporary culture. The main indicators which we use to study these contaminations and hybridisations are cinema and Bio Art. In both cases we observe that the real creative production is closer to ‘contamination’ than to the ‘purification’ and deletion of metabolic and hybrid processes criticised by Bruno Latour. (shrink)

This essay seeks to articulate the many implications which Giorgio Agamben's work holds for theology. It aims, therefore, to examine his conceptualizations of language in light of particular historical glosses on the “name of God” and the nature of the “mystical,” as well as to highlight the political task of profanation, one of his most central concepts, in relation to the logos said to embody humanity's “religious” quest to find its Voice. As such, we see how he challenges those standard (...) notions of transcendence which have been consistently aligned with various historical forms of sovereignty. In addition, I intend to present his redefinition of revelation as solely the unveiling of the “name of God” as the fact of our linguistic being, a movement from the transcendent divine realm to the merely human world before us. By proceeding in this manner, this essay tries to close in on one of the largest theological implications contained within Agamben's work: the establishment of an ontology that could only be described as a form of “absolute” immanence, an espousal of some form of pantheism yet to be more fully pronounced within his writings. (shrink)

This article seeks to lay out an analysis of Giorgio Agamben’s central claims with regard to the formation of a theory of citationality. By juxtaposing Walter Benjamin’s theory of citations alongside his more recent, critical engagements with the Western theological tradition, Agamben sets himself the goal of redefining ethics along Levinasian lines in order to arrive at a respect for the face of ‘whatever’ being before us, the true source towards which all citations point.

Many people assume that serious reflection on animal ethics arose because of recent technological progress, the sharp rise in human population, and consequent pressure on global ecology. They consequently believe that this sub-discipline is relatively new and that traditional religions have little or nothing to offer. In spite of this however, we are currently seeing a heightened awareness of religion’s important role in all areas of individual and communal life, for better or for worse. As regards our relations with nature (...) in general and with animals in particular, and as regards the foundational idea of creaturehood, religious traditions have played, and are still playing, a central role in molding the subliminal conscience of billions of people, guiding their moral dispositions that often remain unarticulated. This paper therefore explores our relation to animals by referring not only to the binary conceptual structure animality-humanity, as philosophers often do, but by referring also to the triple conceptual structure animality-humanity-divinity. After critically evaluating some of the relevant attitudes that derive from the major world religions, the paper tries to determine the extent to which the doctrine of these religions converge on some useful central principles regarding animal ethics and animal production. The result of this research supplies added support to the claim that the study of religious outlooks in this area serves to rediscover neglected perspectives and thereby to enlarge the horizon of current philosophical work. (shrink)

In this essay I analyze a passage from Ludwig Wittgenstein’s On Certainty. This excerpt contains the expression “O, rubbish!” (Ach Unsinn), which I consider to be closely related to the notions of “bullshit” developed by Harry Frankfurt and Gerald A. Cohen. The relevance of this essay is illustrated with lively examples, both related to contemporary society and identified by Wittgenstein about 70 years ago. The paper is organized in six sections containing 1) an introduction to the topic, 2) an explanation (...) of “bullshit” as found in the works of Frankfurt and Cohen, 3) an explanation of Wittgenstein’s work on certainty and propositions beyond doubt, 4) an identification of reasonable and unreasonable doubt and their connection to “bullshit”, 5) an explanation of the different kinds of “bullshit” with the intention of mapping them in relation to each other, and 6) a summarizing conclusion. The main purpose of this paper is to expound on Wittgenstein’s views on “bullshit” and relate them to contemporary philosophy of nonsense. (shrink)

Vilém Flusser's Vampyroteuthis Infernalis reenacts and actualizes the time-honored tradition of a mental experiment that purports to efface the boundaries between man and animal. This ancient conceptual device, known in Baroque times as physica naturalis, seeks to illuminate the world of culture by means of its approximation with the world of nature. Instead of opposing poles, nature and culture become reflecting mirrors where man can acknowledge his ties to nature and the animal kingdom. More than just a rhetorical trope, the (...) so-called allegory of natural history comprises what could be defined as a "philosophy of animality," espoused by thinkers such as Walter Benjamin, Gilbert Simondon and Jacques Derrida. In Vampyroteuthis, Flusser resorts to a strange marine creature in order to elaborate a sophisticated meditation on human existence and our relationship with the technological apparatuses we incessantly devise. The goal of this paper is to examine the recent history of the allegory, tracing its developments in the works of contemporary scholars, such as Siegfried Zielinski, Manuel de Landa and Vilém Flusser himself. Moreover, it investigates the applicability of the "philosophy of animality" within the field of film theory, suggesting an approach to filmic experience that focuses on the "material" aspects of cinema and regards the spectator's body as a site for the translation of images into affect and sensation. (shrink)

The question of how the university can relate to the world is centuries old. The poles of the debate can be characterized by the plea for an increasing instrumentalization of the university as a producer and provider of useful knowledge on the one hand (cf. the knowledge factory), and the defense of the university as an autonomous space for free inquiry and the pursuit of knowledge for knowledge’s sake on the other hand (cf. the ivory tower). Our current global predicament, (...) however, forces us to rethink the relation between university and world. Indeed, an easy nstrumentalization of the university for the purposes of society is no longer possible in troubled times when the future of society itself seems to be at stake. Nevertheless, urgent societal concerns do need to be addressed by the university. Hence, the disinterested position seems a highly irresponsible option. The aim of this dissertation is to reconsider the relation between the university and the world from an educational perspective by addressing the question “How to situate study in the relation between university and society?” The dissertation consists of three parts. In Part One, the existing literature on the relation between university and society will be discussed. The first chapter discerns two main approaches to this issue, namely the transcendental-philosophical approach (cf. the idea of the university) and the critical-sociological approach (cf. academic capitalism) that conceive of the university, respectively, as an idea and as an organization. By means of an excursus on the emergence of the university in the Middle Ages, the case is made for an ecological approach to the university. In the second chapter, the work of two authors who have recently adopted such an ecological approach is briefly presented. Whereas Ronald Barnett’s theory of the ecological university is situated more in the transcendental-philosophical tradition, Susan Wright’s investigations of the university in the knowledge ecology can be placed in the critical-sociological tradition. Both conceptions, however, are hinged on an institutional understanding of the university. In line with recent developments in social theory, namely the focus on practices, it is proposed to work towards an ecology of study practices. Part Two presents Isabelle Stengers’ idea of the ecology of practices. The third chapter elucidates Stengers’ work on scientific practices by first situating it within the so-called Science Wars, which provided the impetus to elaborate a theoretical framework for a civilized dialogue between scientists and the broader public. The basic tenets and concepts of her approach, such as the understanding of practice as a set of requirements and obligations, are presented, explained, and discussed. In the fourth chapter, the focus shifts from scientific practices to study practices. Assisted by Stengers’ writings on Whitehead’s speculative philosophy, this chapter aims to flesh out Whitehead’s description of the university as a ‘home of adventures’ in order to come to an educational understanding of the study practices of the university. A conceptual inquiry into how study practices activate certain worldly problems and turn them into matters of study is presented. Part Three develops the conceptual work on study practices further in relation to the activities of the Palestinian experimental university Campus in Camps. Chapter Five presents the work of Campus in Camps and explains how it relates to the theoretical discussion offered in the second part. On the basis of Stengers’ conception of practice, which discerns requirements and obligations as vital ingredients, this chapter argues that life in exile is what drives the study practices of Campus in Camps, and hence, that it is the issue of life in exile that participants are obligated to when they study. Whereas Chapter Five is focused on what is being studied in Campus in Camps, Chapter Six inquires in to the specific requirements its activities need to fulfill in order to be study practices; in other words, how the participants study. Four requirements are discerned that, taken together, seem indispensable to understand the study practices of Campus in Camps; namely, storytelling, comparing, mapmaking, and using. The concluding chapter returns to the research question and again takes up the main ideas developed in the dissertation, such as the adventure of study and the cohabitation of scientific and study practices in the university. The last two sections of the conclusion deal with two remaining issues of a more practical nature; namely, how to relate to institutionalization when working from a practice-theoretical point of view, and lastly the question of what can be done. In all, and returning to the initial problem, the dissertation asks what it means to conceive of the university as situated by and engaged with worldly questions. (shrink)

Este artigo argumenta, começando pela justaposição de Heidegger ao lado dos geógrafos Ratzel e Vidal de la Blanche, e do etologista von Uexküll, realizada por Giorgio Agamben, em seu ensaio The Open, que a estética da morada , que encontramos no último Heidegger, tem que ser entendida em termos da centralidade para o pensamento de Heidegger de um conceito que também é central para o pensamento geográfico-cultural , nomeadamente, o conceito de lugar ou ‘espaço geográfico’. A centralidade dada ao ‘geográfico’ (...) no pensamento de Heidegger é freqüentemente tomada como diretamente conectada, como ela é entendida por Agamben, com o problemático engajamento de Heidegger com os nazistas nos anos 1930; e Agamben apresenta a posição heideggeriana como paralela a de von Uexküll quanto a isso. Porém, não apenas a maneira pela qual Agamben faz essa conexão é altamente enganosa, mas ela também não atenta para qualquer real consideração para o que pode estar em questão na ênfase no ‘geográfico’ em Heidegger. Há, de fato, razão para pensar que o papel desempenhado pelos conceitos de lugar e espaço no pensamento de Heidegger vai de encontro às associações que Agamben e outros supõem. Este artigo é então uma exploração do ‘geográfico’ tal como ele aparece em Heidegger e das associações políticas que podem ser pensadas como acompanhando-o, bem como da relação de Heidegger com uma certa linha da tradição geográfica exemplificada por Ratzel e Vidal de la Blanche.Beginning with Giorgio Agamben’s juxtaposition, in his essay The Open, of Heidegger alongside the geographers Ratzel and Vidal de la Blanche, and the ethologist, von Uexküll, this paper argues that the aesthetics of dwelling that we find in later Heidegger has to be understood in terms of the centrality to Heidegger’s thinking of a concept that is also central to cultural-geographic thought , namely, the concept of place or ‘geographic space’. The centrality given to the ‘geographic’ in Heidegger’s thinking is often taken to be directly connected, as it is taken to be by Agamben, with Heidegger’s problematic engagement with Nazi in the 1930s, and Agamben presents Heidegger’s position as parallelling that of von Uexküll in this regard. Yet not only is the manner in which Agamben makes this connection highly misleading, but it also neglects any real consideration of what might be at issue in the emphasis on the ‘geographical’ in Heidegger. There is, indeed, reason to think that the role played by the concepts of place and space in Heidegger’s thought actually runs counter to the associations that Agamben and others assume. This paper is thus an exploration of the ‘geographical’ as it appears in Heidegger, and of the political associations that might be thought to accompany it, as well as of Heidegger’s relation to a certain strand within the geographical tradition exemplified by Ratzel and Vidal de la Blanche. (shrink)

Uncontainable Life: A Biophilosophy of Bioart investigates the ways in which thinking through the contemporary hybrid artistico-scientific practices of bioart is a biophilosophical practice, one that contributes to a more nuanced understanding of life than we encounter in mainstream academic discourse. When examined from a Deleuzian feminist perspective and in dialogue with contemporary bioscience, bioartistic projects reveal the inadequacy of asking about life’s essence. They expose the enmeshment between the living and non-living, organic and inorganic, and, ultimately, life and death. (...) Instead of examining the defining criteria of life, bioartistic practices explore and enact life as processual, differential, and always already uncontainable, thus transcending preconceived material and conceptual boundaries. In this way, this doctoral thesis concentrates on the ontology of life as it emerges through the selected bioartworks: “semi-living” sculptures created by The Tissue Culture and Art Project and the performance May the Horse Live in Me by L’Art Orienté Objet. The hope is that such an ontology can enable future conceptualisations of an ethico-politics that avoids the anthropocentric logic dominant in the humanities and social sciences. (shrink)

In recent years, questions regarding the ontological status of the human have been raised with renewed interest and imagination within various fields of critical thought. In the face of biotechnological findings and increasingly advanced technologies that connect as well as disturb settled boundaries, whether geographical or bodily, not to mention philosophical questionings of traditional western humanism, the boundaries of the human subject have been contested. The human body, traditionally imagined as closed and autonomous, has been opened up to a world (...) of forces and agencies that are strange, other and often deeply disturbing when viewed from an anthropocentric standpoint. Rather than close down anxieties concerning such boundary transgressions and ontological uncertainties, scholars – not least within areas such as feminist, posthumanist and queer theory – have argued that here lie possibilities as well as an ethical urgency to rethink the human subject, its world(s) and its others. Indeed, what might it mean to view the world from positions that do not take the pure and autonomous human form as its starting point? And what ethical considerations does such a viewpoint demand of us? (shrink)

Straipsnyje analizuojamas žmogaus teisių paradoksas, atskleistas Hannah’os Arendt, Jacques’o Rancière’o ir Giorgio Agambeno darbuose. Žmogaus teisių konceptas veikia kaip biopolitinis aparatas, įdiegiantis žmogaus kaip gyvos būtybės ir žmogaus kaip politinio subjekto perskyrą. Ši gyvūniškumo ir žmogiškumo perskyra, atrandama pačiame žmoguje, rezonuoja su žmogiškumo ir gyvūniškumo klausimu filosofijoje. Klasikinė filosofija – nuo Aristotelio iki Heideggerio imtinai – postuluoja žmogaus ir gyvūno skirtingumą, o Agambenas ir Derrida teigia, kad žmogaus gyvūniškumas ir gyvūno humanizavimas yra tik dvi tos pačios problemos pusės. Toks klausimo (...) performulavimas leidžia pereiti prie Roberto Esposito filosofijos, kurioje teigiamas visų gyvų būtybių lygiavertiškumas bei pačios gyvybės imanentiškumas. Priešingai nei negatyvioji biopolitika, kuri siekė pajungti gyvybę normai ir įstatymui, Esposito nori sukurti teigiančiąją biopolitiką, kurioje norma laikoma imanentiška taisykle, leidžiančia gyvybei siekti maksimalios išraiškos. Nors atrodytų, jog tokia teorija turi mažai ką bendra su politiškumo konceptualizavimu, Esposito teigia, jog būtent ribos tarp zoē ir bios, tarp nuogos gyvybės ir politinės egzistencijos, panaikinimas ne tik nesumažina galimybių veikti politinėje plotmėje, bet, atvirkščiai, yra bet kokio bendro buvimo sąlyga. (shrink)

In their monograph Opera’s Second Death from 2002, Žižek and Dolar seem to join the illustrious company of cultural critics and musicologists, from Adorno to Gary Tomlinson, tolling the death knell for the operatic genre: with the advent of the 20 th century and the radical critique of the humanist premises that opera relied upon, the genre, so the story goes, had become at least anachronistic, if not outright reactionary. In the first section of my article I intend to not (...) only counter this claim, but also to directly engage with a recent attempt on the part of musicologist Nicholas Till to frame from a Deleuzian perspective contemporary opera’s renewed ability to deal with the metaphysical premises of the genre. In this respect I will suggest how, in spite of his own thesis on opera’s death, Žižek’s ontological thinking aptly frames the kind of metaphysics that operatic production is dealing with today. In the second section I intend to examine in more detail a case in point, even if a twisted one, for a recent musical reflection of opera’s metaphysical ties. In his late work Aristaeus, the German composer Hans Werner Henze attempts to reimagine the orphic myth outside its humanist framework. By closely reading this work against the grain of Henze’s earlier retelling of the Orpheus story in the form of a ballet, I will highlight how in Aristaeus he “traverses the fantasy” of his own humanism, seeking to directly engage at both the dramatic and the musical level with an Hegelian/Žižekian dimension of absolute negativity. (shrink)

The essay presents Giorgio Agamben’s theory of the paradigm in the first chapter of The Signature of All Things. On Method in order to better understand the well-known use of references to and qoutations from literature in philosophical reasoning and theory. Agamben’s uncommented reference to two short stanzas from Wallace Stevens’ poem “Description without Place”, which he consider the best definition of a paradigmatic ontology, is briefly commented. A gathering of three ‘literary singularities’ from Friedrich Hölderlin/Sophocles, James Joyce, and Samuel (...) Beckett in a suggested paradigm on time is presented as an example of a solely literary way of philosophical thinking. (shrink)