'Chains of Being' argues that there can be infinite chains of dependence or grounding. Cameron also defends the view that there can be circular relations of ontological dependence or grounding, and uses these claims to explore issues in logic and ontology.

This paper explores various metaphysical aspects of Leibniz’s concepts of space, motion, and matter, with the intention of demonstrating how the distinctive role of force in Leibnizian physics can be used to develop a theory of relational motion using privileged reference frames. Although numerous problems will remain for a consistent Leibnizian relationist account, the version developed within our investigation will advance the work of previous commentators by more accurately reflecting the specific details of Leibniz’s own natural philosophy, especially his handling (...) of the dynamical interactions of plenum bodies. (shrink)

In this paper, I will try to exploit the implication of Leibniz's statement in Monadology (1714) that "there is a kind of self-sufficiency which makes them [monads] sources of their own internal actions, or incorporeal automata, as it were" (Monadology, sect.18). Leibniz's monads are simple substances, with no shape, no magnitude; but they are supposed to produce the phenomena resulting from their activities, which for us humans look as the whole world, the nature. The activities of a monad are characterized (...) by mental terms, perceptions (internal states) and appetites (which change the internal state). By means of perceptions, a monad becomes a "perpetual living mirror of the universe"; it can receive the information of other monads and it can send its own, in turn, to others. The communication and interconnection thus produced result in the physical and the psychical phenomena observed by us, humans. According to Leibniz, all monads are governed by the teleological law given by the God, and the world of phenomena are governed by the causal and mechanical law. Leibniz argues that there is a pre-established harmony among the monads so that this double character is no problem. Now, I will propose an informational interpretation of monadology, which regards the monads as an automaton governed by the God's program and arranged appropriately; and I will argue that Leibniz's scenario can be defended in terms of this interpretation. The crucial part of this interpretation is that the God's program and the monads' activities are related with the phenomenal world by means of a coding by God. This interpretation is also defended on the textual basis, with a special reference to Leibniz's distinction between primitive and derivative forces. Drawing on R. M. Adams's careful reading of Leibniz's texts (Leibniz: Determinist, Theist, Idealist, 1994), I will argue that his rendering is quite in conformity with my interpretation, although he does not seem to be aware of the notion of coding. (shrink)

One of Leibniz’s most original ideas is his conception of the living individual as a hierarchical network of living beings whose relationships are essential to the proper functioning of its organic body. This idea is also valid to explain any existing order in nature that depends on the set of relationships of living beings that inhabit it. Both ideas are present in the conception of the natural world that Leibniz presents in his Monadology through his idea of biological infinitism. According (...) to this idea, nature consists of infinite theatres where living beings unfold their vital functions. Through this idea Leibniz defines both the biological complexity of nature and the living individual, which is in turn a portion of nature that unfolds from an infinite set of inferior living beings. The thesis that I defend in this work is that this Leibnizian understanding of the living individual and the natural complexity that includes infinite hierarchical levels of individuality has a marked ecological sense, as we would say today. This Leibnizian metaphysics of individuality that we could call biological is also interesting in light of the recent studies in the philosophy of biology. (shrink)

To judge by the title, one would expect that interpretations of the Critique of Pure Reason would prioritize the division of the book most about reason and its critique: The Transcendental Dialectic. But the Dialectic is surprisingly secondary in the most established interpretive approaches. This article argues as follows: There is a problem that contributes to explaining the lack of popularity: The problem of how arguments really based in the Dialectic itself really promise to ground a broader project in theoretical (...) philosophy, of the scope of the Critique. But the problem can be solved: One aim important in the critique is critical argument against rationalist metaphysics. The Dialectic must play a central role in such critique, given a difficulty concerning begging the question. The positive claims of the Dialectic, about reason and the unconditioned, are necessary for such an argument, and the Dialectic gives them enough defense for that purpose. Finally, there are reasons to take seriously Kant’s promises that the Antinomy of the Dialectic can support the weight in such an argument, without begging the question. The article concludes that a Dialectic-first approach to the Critique is viable and worth further development. (shrink)

This article aims at sketching a philosophical theory of sound based on the perspective of sound designers: unique agents blurring the boundaries between engineering, music, acoustics and sound-based art. After having introduced the general framing in Section 1, focusing on a short history of the theory and practice of sound design, in Section 2 we propose a reading of sound as monad. We derive such intuition from the technology of digital sampling of audio signals, based on the decomposition of complex (...) sound waves in a number of elementary sinusoidal waves. Thus, in Section 3, we attempt at grounding the resulting “sound-atom” on Leibniz’s notion of monad, intended both as a “simple substance without parts” and as a “nucleus of forces in statu possibilitatis.” The insight is resumed and further discussed in Section 4, where we draw our conclusions by demonstrating the fitness of such framing with regards to the standpoint of sound design, while accounting for the work of sound artists Carsten Nicolai and Ryoji Ikeda. (shrink)

I will discuss only one of the several entwined strands of the philosophy of space and time, the question of the relation between the nature of motion and the geometrical structure of the world.1 This topic has many of the virtues of the best philosophy of science. It is of long-standing philosophical interest and has a rich history of connections to problems of physics. It has loomed large in discussions of space and time among contemporary philosophers of science. Furthermore, there (...) is, I think, widespread agreement that recent insights here have lead to a genuine deepening of our understanding. (shrink)