Throughout their life Ibn Sînâ and Descartes firmly believed that the soul or mind of a human being was essentially incorporeal. In his ‘On the Soul’ (De anima), the psychological part of his vast...

I OFFER AN ANALYSIS OF DESCARTES'S COGITO WHICH IS RADICALLY NOVEL WHILE INCORPORATING MUCH AVAILABLE INSIGHT. BY ENLARGING FOCUS FROM THE DICTUM ITSELF TO THE REASONING OF DOUBT, DREAMING AND DEMON, I DEMONSTRATE A CLOSE PARALLEL TO THE LOGIC OF THE LIAR PARADOX. THIS HELPS TO EXPLAIN FAMILIAR PARADOXICAL FEATURES OF DESCARTES'S ARGUMENT. THE ACCOUNT PROVES TO BE TEXTUALLY ELEGANT AND, MOREOVER, HAS CONSIDERABLE INDEPENDENT PHILOSOPHICAL PLAUSIBILITY AS AN ACCOUNT OF MIND AND SELF.

In this paper, I reflect on Descartes' employment of the meditational genre in the weaving of the text of the Meditations. In the first part, the possible influences behind Descartes' choice of the meditational genre are examined. The second part of the paper attempts to spell out the significance of Descartes' use of the meditational form. The claim advanced here is that Descartes adopted this unique genre ultimately to further his radical philosophical project of a subject-centred theory of knowledge and (...) a new metaphysical Weltbild, with the self catapulted to the central stage and the physical world reduced to an object of the subject's act of representation. (shrink)