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  1. Coordinating attention requires coordinated senses.Lucas Battich, Merle T. Fairhurst & Ophelia Deroy - 2020 - Psychonomic Bulletin and Review 27 (6):1126-1138.
    From playing basketball to ordering at a food counter, we frequently and effortlessly coordinate our attention with others towards a common focus: we look at the ball, or point at a piece of cake. This non-verbal coordination of attention plays a fundamental role in our social lives: it ensures that we refer to the same object, develop a shared language, understand each other’s mental states, and coordinate our actions. Models of joint attention generally attribute this accomplishment to gaze coordination. But (...)
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  • Expected but omitted stimuli affect crossmodal interaction.Marcello Costantini, Daniele Migliorati, Brunella Donno, Miroslav Sirota & Francesca Ferri - 2018 - Cognition 171 (C):52-64.
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  • Auditory scene analysis and sonified visual images. Does consonance negatively impact on object formation when using complex sonified stimuli?David J. Brown, Andrew J. R. Simpson & Michael J. Proulx - 2015 - Frontiers in Psychology 6.
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  • How automatic are crossmodal correspondences?Charles Spence & Ophelia Deroy - 2013 - Consciousness and Cognition 22 (1):245-260.
    The last couple of years have seen a rapid growth of interest in the study of crossmodal correspondences – the tendency for our brains to preferentially associate certain features or dimensions of stimuli across the senses. By now, robust empirical evidence supports the existence of numerous crossmodal correspondences, affecting people’s performance across a wide range of psychological tasks – in everything from the redundant target effect paradigm through to studies of the Implicit Association Test, and from speeded discrimination/classification tasks through (...)
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  • Sounds exaggerate visual shape.Timothy D. Sweeny, Emmanuel Guzman-Martinez, Laura Ortega, Marcia Grabowecky & Satoru Suzuki - 2012 - Cognition 124 (2):194-200.
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  • Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time.Mats B. Kã¼Ssner, Dan Tidhar, Helen M. Prior & Daniel Leech-Wilkinson - 2014 - Frontiers in Psychology 5.
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  • The sound of motion in spoken language: Visual information conveyed by acoustic properties of speech.Hadas Shintel & Howard C. Nusbaum - 2007 - Cognition 105 (3):681-690.
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  • Changes in auditory frequency guide visual–spatial attention.Julia A. Mossbridge, Marcia Grabowecky & Satoru Suzuki - 2011 - Cognition 121 (1):133-139.
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  • Cross-modal Association between Auditory and Visuospatial Information in Mandarin Tone Perception in Noise by Native and Non-native Perceivers.Beverly Hannah, Yue Wang, Allard Jongman, Joan A. Sereno, Jiguo Cao & Yunlong Nie - 2017 - Frontiers in Psychology 8.
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  • Semantic-based crossmodal processing during visual suppression.Dustin Cox & Sang Wook Hong - 2015 - Frontiers in Psychology 6.
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