Elämä on nähty merkittävänä aiheena Bergsonin filosofiassa. Elämän filosofinen merkitys Bergsonilla ilmenee selvästi hänen pääteoksessaan L'évolution créatrice (Luova evoluutio, 1907), jossa hän keskittyy inhimillisten tietokykyjen evolutiivisen alkuperän rekonstruointiin ja tieto-opillisiin seurauksiin. Bergsonin mukaan biologia tarjoaa filosofialle tietokykyjen kehitysteoreettisen näkökulman, ja filosofia metafysiikkana täsmentää biologialle sopivaa epistemologiaa. Tässä artikkelissa esittelen Bergsonin filosofisen teorian biologian ja epistemologian vastavuoroisesta suhteesta. Aloitan epistemologian, tieteen ja metafysiikan välisen suhteen selventämisellä Bergsonin teoriassa. Sen jälkeen esittelen, kuinka Bergson näkee tietokykyjen kehittymisen olennaisena osana eläinten yleistä kehityshistoriaa. Analysoimalla (...) eläinkunnan kognitiivisten kykyjen kahta taipumusta, älykkyyttä (intelligence) ja vaistoa (instinct), Bergson kehittää näkemyksen metafysiikasta, jonka avulla on mahdollista selvittää epistemologian ja biologian keskinäistä riippuvuutta ja vastavuoroisuutta. Lopuksi valaisen tätä vastavuoroisuutta Bergsonin analyysilla käsitteellisen tiedon muodostumisesta. (shrink)

In this article, I address problems associated with ‘Modernity’ and those encountered at the impasse of post-modernity and the newly named phenomenon of ‘post-secularism’. I consider more specifically what I call ‘moral emotions’ or essentially interpersonal emotions can tell us about who we are as persons, and what they tell us about our experience and concepts of freedom, normativity, power, and critique. The moral emotions, and retrieving the evidence of the ‘heart’, point to the possibility of contributing to the social (...) imaginary of the Modern and its post-modern variants, playing a significant role in shaping civic life and relations of power. (shrink)

O fenómeno religioso tem sido, ao longo dos tempos, objecto de particular atenção. Foi sendo redefinido perante as suas circunstâncias históricas e socioculturais. Parece ter sobrevivido aos diversos anúncios do seu desaparecimento, anunciados tanto pela via da alienação intelectual (Comte) e antropológica (Feuerbach), como psíquica (Freud) e socioeconómica (Marx). Todavia, é inegável que a modernidade, com a sua consequente individualização social, deixou e continua a deixar marcas de uma progressiva secularização da sociedade. Tal facto conduz a um progressivo desgaste dos (...) referentes provenientes dos costumes e tradições da religião institucional, levando, por um lado, a uma perda da influência da institucionalidade religiosa e, por outro, a uma vivência religiosa mais íntima e privada. Esta transformação, reconfiguração ou inclusive decomposição do religioso na modernidade revela a capacidade que este fenómeno tem em manter-se em constante processo de mudança, adaptando-se e assumindo os contextos socioculturais em que se insere. É desde a actualidade, desde o diagnóstico actual e da sociedade que nos envolve que olhamos para o passado e para o futuro, tentando auscultar a situação sociorreligiosa portuguesa, de forma a caracterizar a religiosidade dos portugueses e perceber até que ponto esta se identifica com a de outros países de semelhante matriz histórico-religiosa (como é o caso de Áustria, Bélgica, Espanha, França, Irlanda, Itália e Polónia), bem como se procura precisar as novas formas ou tendências do religioso em Portugal. (shrink)

In Husserls Auseinandersetzung mit dem Buddhismus in der Rezension ,,Über die Reden Gotamo Buddhas (1925) sowie in dem Manuskript ,,Sokrates-Buddha (1926) lassen sich wesentliche Eigenarten feststellen, die ihn von anderen wichtigen abendländischen Denkern der Gegenwart unterscheiden. Zwar verfügte Husserl sicher über eine eingeschränkte Kenntnis des Buddhismus und steht in dieser Hinsicht wahrscheinlich hinter Schopenhauer, Nietzsche, Bergson, Russell, Jaspers, Heidegger und Scheler zurück, welche dem orientalischen Denken durchaus näher stehen. Dennoch zeugt Husserls Bemühen umso mehr von einer respektvollen Haltung gegenüber dem (...) buddhistischen Denken, als seine Untersuchung frei vom Hochmut der wissenschaftlichen Vernunft bleibt und ganz von dem echten Willen zu einem besseren Verständnis der fremden Tradition getragen ist. (shrink)

Emotion is traditionally described as a phenomenon that dominates the subject because one does not choose to be angry, sad, or happy. However, would it be totally absurd to conceive emotion as behaviour and a manifestation of the spontaneity and liberty of consciousness? In his short text, Esquisse d''une theorie des émotions, Sartre proposes a phenomenological description of this psychological phenomenon. He distinguishes between constituted affectivity, which gives rise to emotions, and an original affectivity lacking intentionality, and tied closely to (...) bodily processes. It appears that emotion is first and foremost a magical attitude toward the world, an attitude freely adopted by the subject. Against what is often written, this thesis doesn''t mean that emotion would be a pure comedy but only that, in spite of appearances, this behaviour isn''t a matter of what Descartes calls soul''s passions. (shrink)

The imaginary has been inseparable, since prehistoric times, from technical artefacs, their forms, functions and uses. Gilbert Durand’s typologies can help to understand better the different technologies, their success, their effects, etc. Can we not go further by looking in the imaginary for one of the keys to technological innovation today which would allow an anthropological renovation of theoretical tools?

Este artículo ofrece una visión paralela sobre el problema de la técnica de Oswald Spengler y de Henri Bergson, autores de El hombre y la técnica. Una contribución a la filosofía de la vida y Las dos fuentes de la moral y de la religión, respectivamente. En general, el trabajo se centra en estos dos ensayos para dar cuenta de los puntos en común y de la distancia entre estos dos pensadores. El texto está dividido en tres apartados. Uno muestra (...) sus respectivas visiones antropológicas en relación con el problema de la técnica, a continuación, comenta afinidades y desencuentros en relación a su interpretación histórica de la cuestión del maquinismo, y, en tercer lugar, se habla de la cuestión más relativa al contexto histórico de estas dos contribuciones al tema que aquí nos ocupa. ¿En qué medida es para ambos la técnica un signo de decadencia o no? En este último punto, la perspectiva fatalista de Spengler se separa de la bergsoniana. (shrink)

In Bergsonism, Deleuze refers to Bergson's concept of an ‘open society’, which would be a ‘society of creators’ who gain access to the ‘open creative totality’ through acting and creating. Deleuze and Guattari's political philosophy is oriented toward the goal of such an open society. This would be a democracy, but not in the sense of the rule of the actually existing people, but the rule of ‘the people to come,’ for in the actually existing situation, such a people is (...) ‘lacking’. When the people becomes a society of creators, the result is a society open to the future, creativity and the new. Their openness and creative freedom is the polar opposite of the conformism and ‘herd mentality’ condemned by Deleuze and Nietzsche, a mentality which is the basis of all narrow nationalisms. It is the freedom of creating and commanding, not the Kantian freedom to obey Reason and the State. This paper uses Bergson's The Two Sources of Morality and Religion, and Deleuze and Guattari's Kafka: For a Minor Literature, A Thousand Plateaus and What is Philosophy? to sketch Deleuze and Guattari's conception of the open society and of a democracy that remains ‘to come’. (shrink)

Este trabajo ejemplifica brevemente los rasgos del nihilismo mediante la escena del loco descrita por Nietzsche en La Gaya Ciencia. Analiza la crisis de la personalidad histórica de los pueblos derivada del proceso de globalización, apoyándose en los tres niveles de la civilización distinguidos por Ricoeur en Tareas del Educador Político. Pone de manifiesto la interacción de innovación y tradición en la identidad de los individuos, las instituciones y los pueblos a partir de los conceptos ricoeurianos de identidad ídem e (...) ipse, desarrollados en Soi Meme comme en Autre. Procede, finalmente, al análisis de la identidad de la Universidad de Chile, e inspirándose en los conceptos antes expuestos y en procesos hermenéuticos presentes en la obra de filósofos tales como Kant y Habermas, aborda la posibilidad de una hermenéutica de los valores que han definido históricamente esa identidad, como contribución a la celebración del bicentenario de la instauración originaria de nuestra institucionalidad democrática. This work briefly exemplifies the characteristics of nihilism with the scene of the madman described by Nietzsche in The Gay Science. Supported by the three levels within civilization distinguished by Ricoeur in Tareas del Educador Político, analyzes the crisis of the historic personality of nations, derived from the globalization process. Starting from the concepts of idem and ipse identities, developed by Ricoeur in Soi Meme comme un Autre, the work shows the interaction of innovation and tradition in the identity of individuals, institutions and nations. Finally it examines the identity of the University of Chile and inspired by the concepts before mentioned and by the hermeneutic processes present in the work of philosophers such as Kant and Habermas, examines de possibility of a hermeneutic of the values that have historically defined that identity. (shrink)

In this essay two photographs taken during the events at Dale Farm and at Meriden—both involving issues of gypsy and traveller settlement in rural areas—are analysed and interpreted in some depth. Use is thereby made of Izaak Walton’s The Compleat Angler . This book, as is argued in this contribution, includes, in embryonic form, a whole imaginary of forms of sovereignty which, it could be said, is still to a significant extent structuring conflicts between gypsy and traveller communities on the (...) one hand, and rural residents on the other. The exploration of Walton’s imaginary in which supposed compleat contemplators are pitched against intransigent, dogmatic, pertinacious schismaticks, enables us to tease out images of nomadism and sovereignty and allows us to argue how the clash of imaginary sovereignties both at Dale Farm and at Meriden is, at the core, a clash of irreconcilable forms of life which, each, rest upon what existentialists would call an original, radical choice. We conclude with some notes on the need to acknowledge but also to interrogate, in and during conflicts between gypsies and travellers and rural residents, the radical nature of the existential choices that underpin such conflicts. Without any such acknowledgement, and without any meta-communicative interrogation of the choices that underpin imaginary forms of life, one may not hope to be able bridge the chasm between radically chosen, diametrically opposed forms of life. (shrink)

Inspired by Ursula Le Guin's ‘The Carrier Bag Theory of Fiction’, contemporary feminist writing in the social sciences and the humanities has been characterised by a strong renewal of interest in storytelling, as is evidenced by the works of Anna Tsing and Donna Haraway among others. How can storytelling grow with and beyond its literary origin to become a political and heuristic tool? And how does the Anthropocene – our specific geologic epoch – require the renewal of the means of (...) expression of such an old tool as storytelling, so that it becomes a human and nonhuman process? To answer those questions, Deleuze's and Haraway's takes on ‘fabulation’ are intermingled along three lines: the part played by storytelling in the construction of earthly knowledges, the imbrication of speculation and politics, and the nonhuman dimension of fabulation that allows for the liberation of forces of life repressed by an anthropocentric approach. (shrink)

Tässä artikkelissa käsittelen Henri Bergsonin (1859–1941) intuition käsitettä ja sen suhdetta hänen filosofiseen menetelmäänsä. Bergsonin on nähty tarkoittavan intuitiolla yhtäältä filosofian metodia ja toisaalta tiettyä älyyn verrattavaa filosofialle ainutlaatuista tiedon muotoa. Esitän, että Bergsonille intuitio on samanaikaisesti näitä molempia. Se on todellisuuden ajattelemista kestona, sisäistä jatkuvuuttamme muistuttavana liikkeenä. Intuitiossa tavoitetaan todellisuuden luonne sikäli kuin se on läsnä myös meissä itsessämme tällaisena jatkuvuutena. Metodologisesti se on todellisuuden tarkastelua ajallisuuden ja muutoksen perspektiivistä. Tiedon muotona se on välitöntä ymmärrystä tarkastelun kohteesta itsestään.

The existence of a French philosophy of technology is a matter of debate. Technology has long remained invisible in French philosophy, due to cultural circumstances and linguistic specificities. Even though a number of French philosophers have developed views and concepts about technology during the twentieth century, “philosophy of technology” has never been established as a legitimate branch of philosophy in the French academic landscape so far. This book, however, demonstrates that a community of philosophers dealing with various issues related to (...) technology and built up on the legacy of the previous generations has emerged. In gathering scholars with quite diverse theoretical backgrounds and matters of concern, this volume outlines a coherent, albeit heterogeneous, philosophical trend. Five chief characteristics are identified in this introduction: a close connection between history and philosophy, with a focus on the temporalities of technology, the prevalence of the anthropological approach to technology whether it be social anthropology or paleoanthropology, a focus on technological objects that we characterize as a “thing turn” à la française, the dignification of technoscience as a philosophical category, and a pervading concern with ethical issues based on the anthropological interpretation of technology and quite distinct from current trends in applied ethics. (shrink)

Many of the classic texts of the west have,,disappeared" beneath the weight of interpretative tradition. In this essay I argue that in the evolution of the western rationalist tradition of 'History', the historical texts of Thucydides have now become effectively absent from the hermeneutical equation. As a result, there is at present a disjunction between the historical Thucydides as he is present in his writings, and the interpretative assumptions about the writings of Thucydides that have grown up in the critical (...) literature. (shrink)

The aim of the paper is twofold. On a methodological level we explore the way classic literary texts can be used as a resource for analysis and reflection in the field of business ethics. On the level of substance we use the story of the Grand Inquisitor to analyze the problem of hypocrisy in business ethics and leadership. To overcome the problem of hypocrisy we look for some clues in the work of Dostoyevsky himself.

Max Scheler and Mencius both take feeling to be the origin of value and could therefore be considered to be proponents of axiological sentimentalism. Despite the great spatial and temporal distance between them, there are striking similarities between the theories of value they developed. It should be noted, however, that there are also some differences between them that are mainly derived from some difficulties with their theories of value. These difficulties should be removed so that a better theory of value (...) could be developed. It is accordingly the aim of this paper to promote a phenomenological dialogue between Scheler and Mencius that could lead to such a better theory. In Sects. 1, 2, I will first delineate Scheler’s theory of value and feeling, then that of Mencius. In Sect. 3, I will point out some difficulties with the two theories and promote a dialogue between them that would improve each theory. In Sect. 4, I will conclude with some remarks concerning the future task of the phenomenological dialogue between Scheler and Mencius. (shrink)

The photographic apparatus whose emergence is located in the mid-nineteenth century has not been perfectly located within the history of technology, sometimes considered as a simple tool or instrument whose utility was mainly in the field of scientific research, other times giving it the status of machine, accentuating this time the automatism of its operation. Both visions seem insufficient to us since both one and the other present a certain partiality in the understanding of the apparatus, which should not be (...) reduced to its mere optical character or to its automatism, since this is also a form of recording, of memory. Our interest will focus on demonstrating how photography should be thought of as “apparatus”, that is, as a complex element within the history of technology; that not only was able to perfect our vision considered as deficient, but at the same time was able to grant a new temporality and a specific type of perception to an entire era. (shrink)

The author provides a rich plethora of examples of a heterology, a knowledge of the multiple, which alone is able to recognize the richness of life. Philosophical, sociological and literary analysis of different authors, mainly from the 20th century, are provided.

Cet article met l’accent sur la notion de création, entendue comme cercle vertueux dans l’œuvre de Bergson. La figure du cercle vertueux désigne un processus qui tire de soi rétrospectivement son identité à travers les événements présents. Nous montrerons que ce schème est à l’œuvre dans l’acte libre, puis dans l’action des vivants, et surtout au niveau du processus évolutif lui-même. Nous verrons ensuite s’il est possible d’élargir la perspective au-delà de ce schème traditionnel amené par le spiritualisme bergsonien. Nous (...) montrerons que, contrairement à ce que souhaitait Bergson, nous pouvons en élargir l’extension au monde matériel lui-même.In this paper, I focus on the notion of creation in Bergson’s works, and I characterize it as a virtuous circle. The pattern of the virtuous circle displays a process that retrospectively finds its identity in itself through present events. I show that this pattern is at work in the free act, in the actions of living organisms, and mostly in the evolutionary process itself. I then move on to ask weather it is possible to broaden the perspective beyond the traditional pattern associated with Bergson’s spiritualism. I show that, contrary to what Bergson envisioned, this virtuous circle can be broadened as to include even the material world. (shrink)

There are two types of justice in Nietzsche: a moral justice that he criticizes and an extra-moral one which corresponds to a « a great justice » that he sustains. However, in the passage from the former to the latter concept, it can be clearly seen what Nietzsche calls a « shift in values », that is not a simple inversion between the top and the bottom, but a substitution from a gradual, hierarchical conception of values to a binary or (...) dualist one. Thus, a third Nietzschean concept of justice can be identified; this is the most original and important of all and refers to this hierarchy and its acknowledgement. (shrink)