Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience. This article uses the sociological concept of the frame to develop a theory of an aesthetic experience with music as the result of encountering sound/music in the context of a specific situation. By presenting a transdisciplinary sub-field of empirical studies, we unfold this theory for one (...) such frame: the classical concert. After sketching out the underlying theoretical framework, a selective literature review is conducted to look for evidence on the general plausibility of the single elements of this emerging theory and to identify desiderata. We refer to common criticisms of the standard classical concert, and how new concert formats try to overcome alleged shortcomings and detrimental effects. Finally, an empirical research program is proposed, in which frames and frame components are experimentally manipulated and compared to establish their respective affordances and effects on the musical experience. Such a research program will provide empirical evidence to tackle a question that is still open to debate, i.e., whether the diversified world of modern-day music listening formats also holds a place for the classical concert – and if so, for what kind of classical concert. (shrink)

After briefly noting key contemporary critiques of aesthetic experience, this article revisits its original account in Plato’s theory of aesthetic experience as the madness of divine possession and then Aristotle’s response of defending art’s rationality as poiesis, which largely dominates the ensuing aesthetic tradition. I subsequently explore how the mysterious notion of possession continues to surface in important modern accounts of aesthetic experience (e. g. in Theodor W. Adorno, T. S. Eliot, John Dewey) and explain how the supernatural idea of (...) possession could find a naturalistic explanation that integrates the concepts of artworld, habitus and atmosphere. The article then exemplifies this naturalistic explanation through an analysis of the possession experience pertaining to performance art as documented in The Adventures of the Man in Gold. (shrink)

Is phenomenology a method or a philosophy (of ?ontological? character)? This question is discussed here with a recent philosophical collection of articles about the phenomenology of sport at hand. However, one finds very few concrete phenomena in this volume, but much abstract talk about the authoritative philosophers of ontology and existentialism. This gives the ?phenomenological school? a somewhat sectarian character, which is not typical in recent contributions of phenomenology. This review essay broadens out from the current volume under consideration towards (...) a history of phenomenology and a differential phenomenology of phenomenology. It is not clear how much value the volume itself, however, has for the understanding of sport as well as for the understanding of phenomenology. Nevertheless, it documents how phenomenological scholastics approach sport, which may serve as a warning at a time when positivist reductionism seems to have also become mainstream in human and social sciences. (shrink)

This paper argues for the importance of a passive form of embodiment for educational purposes to capture tacit environmental influences. G. Buck’s account of learning as experience is put in discussion with psychological approaches to reveal the limitation of what psychology can achieve, especially when it comes to situated experiences within educational environments. As a solution to overcome this problem a concept of passive embodiment is developed that allows for a body that is receptive to multisensory environmental influences. Böhme’s concept (...) of atmospheres in relation to Schmitz’ New Phenomenology provide a theoretical framework to understand how these situated experiences are evoked by certain situations. This allows for a new understanding of passive, embodied experiences within educational environments by incorporating the tacit influences of the setting. (shrink)

ZusammenfassungDieser Artikel beleuchtet die tragende Rolle, die Umweltdenken und Umgebungswissen für die Legitimation traditioneller Geschlechterrollen im 20. Jahrhundert spielten. Gezeigt wird, auf welche Weise einflussreiche psychologische und psychoanalytische Konzepte der Kindes- und Persönlichkeitsentwicklung Frauen dazu anhielten, sozio-naturale Umwelten herzustellen, ja, selbst Umwelt zu sein. Expertinnen und Experten verschiedener Denkrichtungen und Generationen propagierten ein ganz ähnliches Bild femininer „Environmentalität“, das heißt: der Disposition und Bestimmung der Frau, Umwelten zu erzeugen und zu verkörpern, die eine gesunde Kindesentwicklung ermöglichen und das Wohlbefinden und (...) den Erfolg des Mannes, gar den Erhalt der gesellschaftlichen Ordnung begünstigen sollten. Dieses Konstrukt weiblichen Umwelt-Seins verpflichtete Frauen auf Ehe und Vollzeitmutterschaft und fixierte sie in Raum und Zeit. Sein reaktionärer Gebrauch in Auseinandersetzungen über alternative weibliche Lebensentwürfe demonstriert, dass leitende Konzeptionen von Entwicklung, Wohlergehen und Identität nicht nur androzentrisch, sondern antifeministisch waren. (shrink)

This special issue focuses on the theoretical, empirical and practical integrations between embodied cognition theory and educational science. The key question is: Can EC constitute a new theoretical framework for educational science and practice? The papers of the special issue support the efforts of those interested in the role of EC in education and in the epistemological convergence of EC and educational science. They deal with a variety of relevant topics in education and offer a focus on the role of (...) the body and embodied experience in learning and educational settings. In conclusion, some further topics are suggested that will need to be investigated in the future, such as a critical evaluation of the possibility for an epistemological alliance between educational theory and embodied cognition, and the contribution that enactive cognition can provide to educational systems, organizations, institutions and policies. (shrink)

ABSTRACTTheories of aesthetics have traditionally represented the aesthetic object as a framed, distanced and contemplated individual piece to be appreciated. As such the aesthetic object has mainly been a work of art. This view has been challenged especially by environmental and everyday aesthetics, approaches which bring everyday environments and matters into consideration as possible objects of aesthetic appreciation. In this article I explore recent theories of everyday aesthetics focusing on how they treat the questions concerning ordinarity and attachment with regard (...) to aesthetic experience. In addition, I participate in the ongoing discussion of the nature of everyday aesthetic experience but I do so from a new point of view by introducing a notion of dwelling as a key concept to understanding aesthetic dimensions of our everyday life. The concept of dwelling indicates two different semantic elements of the aesthetic in our everyday existence: that of sensing and perceiving on one hand, and creating on the other. As such it offers a versatile point of departure in viewing our everyday aesthetic life. (shrink)

The article explores the realm of sport from an aesthetic point of view. Making a sustained physical effort regularly may have a positive impact on our psycho-somatic being and can sustain our health and well-being. But what exactly is this aesthetic component in sport and is it possible that this aesthetic component prevails over other components when it comes to individual sport? Moreover, is this aesthetic component complex in its nature or can it be reduced to some unique underlying principle? (...) These are the main philosophical questions that this article strives to answer by exploring the aesthetic experience proper to sport. Abandoning the much-acclaimed perspective of the spectator (which consists of seeing sport as a spectacle or drama to be enjoyed and judged from a distance) entails that the aesthetic in sport has to be studied from the perspective of an active and individual participator. Ultimately, the article makes the claim that sport is both a way of interacting with one’s environment and a way of aesthetic self-fulfilment which allows the individual to lead a meaningful life rich in aesthetic experiences and events. (shrink)

This article explores one aspect of digital politics, the politics of videos and more specifically of DAESH recruitment videos. It proposes a practice theoretical approach to the politics of DAESH recruitment videos focused on the re-production of regimes of (in)visibility. The article develops an argument demonstrating specifically how digital and commercial logics characterize the aesthetic, circulatory, and infrastructuring practices re-producing the regime of (in)visibility. It shows that digital/commercial logics are at the heart of the combinatorial marketing of multiple, contradictory images (...) of the DAESH polity in the videos; that they are core to the participatory, entrepreneurial, individualized and affective processes of contagion determining whom the videos reach and involve; and that they shape the sorting, linking, flagging and censoring of the videos that define their accessibility on the internet. The theoretical and political cost of overlooking these digital and commercial characteristics of DAESH visibility practices are high. It perpetuates misconceptions of how the videos work and what their politics are and it reinforces the digital Orientalism/occidentalism in which these misconceptions are anchored. (shrink)

In lowland South America, breath animates human and non-human bodies, pulsating through the materialities of organisms. Humans, however, should manage their bodies to recast and reconfigure breath in its most life-enhancing manifestations: singing and smoking. These are the specialized domains of those able to manage their vitalities in such a way as to produce potent effects in themselves and in the world around them, including influencing atmospheric conditions, the lives of animals and plants and the harming and healing of others. (...) In these relational onto-epistemologies, intersubjectivity, intercorporality and states of non-cognitive interaffection find new depths. Breath, properly managed, can make and unmake worldly forms, including bodies and the societies they come together in. Focusing on two Amerindian communities, the Warekena of northwestern Rio Negro, Brazil and the Shipibo-Konibo of the Ucayali valley in Eastern Peru, this article examines the interface between human and non-human subjectivities, and how resonant interaffective atmospheric conditions are induced to promote health. (shrink)

ZusammenfassungAusgehend von der Feststellung, dass „Atmosphären“ einerseits ein empirischer Sachverhalt im religionswissenschaftlichen Feld sind und andererseits in verschiedenen Disziplinen seit gut 40 Jahren auch als analytisches Konzept gehandelt werden, verfolgt dieser Literaturüberblick das Ziel, den Stand der Forschung zum Atmosphärenkonzept zusammenzufassen und das Potenzial des Konzepts für religionswissenschaftliche Forschung zu diskutieren. Der Beitrag stellt wesentliche Positionen zum Atmosphärenkonzept aus Philosophie, Phänomenologie, Psychologie, Ästhetik und Kunstwissenschaft sowie Architekturgeschichte, Städtebau, Soziologie, Humangeographie und Theologie vor und konstatiert ein religionswissenschaftliches Forschungsdesiderat. Auch die Religionsästhetik (...) und einige der sogenannten turns werden thematisiert, da sie sich bereits mit Aspekten dessen befassen, was den Atmosphärenbegriff und seine Operationalisierung ausmacht. Der Artikel beinhaltet zudem einige Hypothesen, wie ein religionswissenschaftlich fruchtbares Atmosphärenkonzept auszuarbeiten wäre. (shrink)

The subject of my paper is to examine nostalgia as “involuntary memory” in Andrei Tarkovsky’s movie Nostalghia. Tarkovsky understands filming as “sculpting in time.” In his book with the same title he writes that “time and memory merge into each other.” In order to understand this we have to distinguish between a voluntary memory, which refers to the intentional effort to remember, and the involuntary memory, which is like a force that comes over us, that affects us. The latter is (...) especially the case with nostalgia. In nostalgia we can find a revision of the past but the revised version of the past is not primarily about the production of a new representation of memory but more a case of re-experiencing the same past through returning to it, particularly in an embodied manner. Nostalgia is a particular mode of “memory of place.” Places we inhabit or pass through leave an impact on us, for we are bodily subjects and as such we have a relationship with the places that surround us. What Tarkovsky’s movie Nostalghia shows is how the spatio-temporality of the present is “haunted” by the superimposed appearance of the past. Nostalgia is a movement of seeping returns. The past transpires in the present, and Tarkovsky makes this structure visible in using the visual medium of film. He shows how the texture of the everyday world fuses with the imagined memory of the past. In my paper, I construe this nostalgic experience provided by Tarkovsky. (shrink)

This article shows how environmental and ambient constructions were used to legitimate traditional gender roles in twentieth-century Europe and the United States. It demonstrates the normative and reactionary character of influential psychological and psychoanalytic theories of childhood and personality development, which instructed women to create, even embody social and emotional environments. This body of thought spanned diverse psychoanalytic schools and extended across generations of psychological experts. They put forth a notion of feminine “environmentality” postulating a woman’s disposition to create, even (...) personify an environment that facilitated normal child development as well as a man’s professional success—and, ultimately, sustained the social order. This construction of women as essentially environmental beings bound them to matrimony and full-time, at-home motherhood, fixing their lives in space and time. It provided a powerful weapon against alternative life-styles and feminist critiques, suggesting that leading conceptions of development, well-being, and identity were not just androcentric, but indeed anti-feminist. (shrink)

Corporeality of human beings should be taken seriously and be included in their self-understanding as the ‘nature we are ourselves’. Such an ecophenomenological account has important normative implications. Firstly, I argue that the instrumental value of nature can be particularly well justified based on an ecophenomenological approach. Secondly, sentience is inseparable from corporeality. Therefore, insofar as it is a concern of the ecophenomenological approach to take corporeality and its implications seriously, sentient beings deserve direct moral consideration. Thirdly, it can strengthen (...) the so-far underestimated category of eudaimonic values of nature, which can be best developed through an ecophenomenological reconstruction. Taken together, ecophenomenology is vital for environmental ethics and helps us to leave behind its widespread ‘centrism’. Ecophenomenology should therefore, both methodically and philosophically, be included in the discussion of environmental ethical problems. (shrink)

: In this paper I want to propose, from the vantage point of an experimental artist/composer, perceptual strategies focusing on the often ephemeral and unobtrusive spatio-temporal rhythmicities that nevertheless contribute to the quality of life in a settlement. The main points of reference are R. Murray Schafer's concepts of “ hi-fi and lo-fi soundscapes”, which here become “hi-fi and lo-fi environments”, i.e. are extended to include also non-sonic phenomena, and Torsten Hägerstrand's - Pour une éthique et une politique du rythme (...) – Nouvel article. (shrink)