This paper investigates the issue whether metaphors have a metaphorical or secondary meaning and how this question is related to the borderline between philosophy and linguistics. On examples by V. Woolf and H. W. Auden, it will be shown that metaphor accomplishes something more than its literal meaning expresses and this “more” cannot be captured by any secondary meaning. What is essential in the metaphor is not a secondary meaning but an internal relation between a metaphorical proposition and a description (...) of its effects. In order to understand metaphors, we have to share an ability to construe metaphorical meanings at once. The aim of this ability is to uncover an internal relation, which lies behind a particular metaphor. (shrink)

En este trabajo analizo el entramado conceptual de la concepción causal de la metáfora (Davidson 1978). Para ello me enfocaré en primer lugar en su discusión con las concepciones semánticas, lo que nos llevará a discutir el tratamiento davidsoniano de la noción de significado y su distinción entre significado de la oración y significado del hablante. Luego plantearé un problema interno a este enfoque, en términos de cómo entender esta última distinción dentro del marco nominalista del pragmatismo davidsoniano. Finalmente, analizaré (...) las consecuencias de adoptar este enfoque a la hora de pensar a las metáforas como vehículos para la transmisión de contenido cognitivo. (shrink)

Conversational exculpature is a pragmatic process whereby information is subtracted from, rather than added to, what the speaker literally says. This pragmatic content subtraction explains why we can say “Rob is six feet tall” without implying that Rob is between 5'0.99" and 6'0.01" tall, and why we can say “Ellen has a hat like the one Sherlock Holmes always wears” without implying Holmes exists or has a hat. This article presents a simple formalism for understanding this pragmatic mechanism, specifying how, (...) in context, the result of such subtractions is determined. And it shows how the resulting theory of conversational exculpature accounts for a varied range of linguistic phenomena. A distinctive feature of the approach is the crucial role played by the question under discussion in determining the result of a given exculpature. (shrink)

Davidson argues that metaphorical sentences express no propositional contents other than the explicit literal contents they express. He offers a causal account, on the one hand, as an explanation of the supposed additional content of a metaphor in terms of the effects metaphors have on hearers, and on the other hand, as a reason for the non-propositional nature of the “something more” that a metaphor is alleged to mean. Davidson’s account is meant to restrict the semantic notions of meaning, content, (...) and truth, to literal sentences. I argue that the Davidsonian causal account does not satisfactorily account for metaphor’s figurativeness, speakers’ assertion and hearers’ uptake of metaphor, and our discursive practices of using metaphors in disagreements and argumentation. I offer a non-compositional analysis of a semantic account of metaphor within which one can make sense of the applicability of the notions of meaning and content to metaphor. This analysis shows that metaphorical sentences have meanings other than, and in addition to, their literal meanings and what speakers can use them to mean. (shrink)

I propose that an account of metaphor understanding which covers the full range of cases has to allow for two routes or modes of processing. One is a process of rapid, local, on-line concept construction that applies quite generally to the recovery of word meaning in utterance comprehension. The other requires a greater focus on the literal meaning of sentences or texts, which is metarepresented as a whole and subjected to more global, reflective pragmatic inference. The questions whether metaphors convey (...) a propositional content and what role imagistic representation plays receive somewhat different answers depending on the processing route. (shrink)

Brandom's book Making It Explicit defends Davidson's claim that conceptual thought can arise only on the background of a practice of mutual interpretation, without endorsing the further view that one can be a thinker only if one has the concept of a concept. This involves giving an account of conceptual content in terms of what Brandom calls practical deontic attitudes. In this paper, I make a plea for the conclusion that these practical attitudes are best seen as intentional, but non-conceptually (...) contentful. In particular, I argue that the hypothesis that Brandom's practical deontic attitudes are non-conceptually contentful wouldn't conflict with his view that non-conceptual intentionality is merely derivative. I then explore some of the implications which this hypothesis might have with respect to various forms of «intentional ascent». (shrink)

Es imposible deshacerse de las metáforas, como ciertas corrientes filosóficas modernas quisieron, y esto permite hablar de una concepción metafórica del saber. Las metáforas no son formas incompletas de la racionalidad ni prótesis del pensamiento que deberían abandonarse en cuanto fuera posible, ni tampoco son tentativas previas de una razón inmadura; son un medio insustituible para la captación de contextos y relaciones, son el elemento fundamental del discurso racional. Se pierde demasiado cuando se pretende expresar en forma literal lo dicho (...) por una metáfora, y el empleo de las mismas no debe verse como algo patológico sino normal o natural en el lenguaje. La validez contextual de una metáfora frente a otra implica la modificación de la significación con el cambio de contexto y posee una función mediadora entre lo conceptual o abstracto y lo mundano o de la vida, ampliando toda comprensión. (shrink)

We propose a theatrical Aesthetics of liberation understood as one that articulates imaginary, visual, or textual bridges between the opening to the context-world and its impact on subjectivity and that gives rise to a scenic production favorable to the conservation and improvement of life that raises opposition or rejection of those contexts that are not conducive to it. We will observe the productions of the theatrical scene in three moments of the recent Argentine past to visualize both the resistance and (...) denunciation of the decrease or disappearance of rights and the rejection of the necessary control of bodies and actions to impose the liberal/neoliberal model. We will look into scenes produced during the Argentine Revolution, stagings of the end of the 20th century responding to the exacerbation of neoliberalism, and finally, those produced during the last neoliberal restoration. (shrink)