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  1. Creativity.Elliot Samuel Paul & Dustin Stokes - 2023 - Stanford Encyclopedia of Philosophy.
    This entry provides a substantive overview of research and debates concerning creativity in philosophy and related fields. Topics covered include definitions of creativity, whether creativity can be learned, whether it can be explained, attempts to explain creativity in cognitive science, and whether computer programs or AI systems can be creative.
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  • Fairness as a Moral Grounding for Space Policy.James S. J. Schwartz - 2015 - In Charles Cockell (ed.), The Meaning of Liberty Beyond Earth. Springer.
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  • Outline of a new approach to the nature of mind.Dr Petros A. M. Gelepithis - 2009
    I propose a new approach to the constitutive problem of psychology ‘what is mind?’ The first section introduces modifications of the received scope, methodology, and evaluation criteria of unified theories of cognition in accordance with the requirements of evolutionary compatibility and of a mature science. The second section outlines the proposed theory. Its first part provides empirically verifiable conditions delineating the class of meaningful neural formations and modifies accordingly the traditional conceptions of meaning, concept and thinking. This analysis is part (...)
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  • Subjective experience divided and conquered.Ana Pasztor - 1998 - Communication and Cognition: An Interdisciplinary Quarterly Journal 31 (1):73-102.
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  • Amplifying phenomenal information: Toward a fundamental theory of consciousness.Liane Gabora - 2002 - Journal of Consciousness Studies 9 (8):3-29.
    from non-conscious components by positing that consciousness is a universal primitive. For example, the double aspect theory of information holds that infor- mation has a phenomenal aspect. How then do you get from phenomenal infor- mation to human consciousness? This paper proposes that an entity is conscious to the extent it amplifies information, first by trapping and integrating it through closure, and second by maintaining dynamics at the edge of chaos through simul- taneous processes of divergence and convergence. The origin (...)
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  • Creativitat, humor i cognició.Mario Gensollen & Marc Jiménez-Rolland - 2021 - Debats 135 (2):11-24.
    [Both this and the Castilian versions are translations of the editor from a paper originally written in English that will appear in the Anual Review 6]. Aquest article explora alguns aspectes de l'estudi científic de la creativitat centrant-se en la creació d'humor lingüístic intencionat. Sostenim que aquest tipus de creativitat pot explicar-se dins d'un enfocament cognitiu influent, però que aquest marc no és una recepta per a produir exemples nous d'humor i fins i tot pot evitar-los. Començarem identificant tres grans (...)
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  • Creatividad, humor y cognición.Mario Gensollen & Marc Jiménez-Rolland - 2021 - Debats 135 (2):11-24.
    [Both this and the Valencian versions are translations of the editor from a paper originally written in English that will appear in the Anual Review 6]. Este artículo explora algunos aspectos del estudio científico de la creatividad centrándose en la creación de humor lingüístico intencionado. Sostenemos que este tipo de creatividad puede explicarse dentro de un enfoque cognitivo influyente, pero que dicho marco no es una receta para producir ejemplos novedosos de humor, e incluso puede excluirlos. Comenzaremos identificando tres grandes (...)
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  • Contextualizing concepts using a mathematical generalization of the quantum formalism.Liane Gabora & Diederik Aerts - 2002 - Journal of Experimental and Theoretical Artificial Intelligence 14 (4):327-358.
    We outline the rationale and preliminary results of using the State Context Property (SCOP) formalism, originally developed as a generalization of quantum mechanics, to describe the contextual manner in which concepts are evoked, used, and combined to generate meaning. The quantum formalism was developed to cope with problems arising in the description of (1) the measurement process, and (2) the generation of new states with new properties when particles become entangled. Similar problems arising with concepts motivated the formal treatment introduced (...)
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  • Creativity, Humour, and Cognition.Mario Gensollen & Marc Jiménez-Rolland - 2021 - Debats (6):107-119.
    This paper explores some aspects of the scientific study of creativity by focusing on intentional attempts to create instances of linguistic humour. We argue that this sort of creativity can be accounted for within an influential cognitive approach but that said framework is not a recipe for producing novel instances of humour and may even preclude them. We start by identifying three great puzzles that arise when trying to pin down the core traits of creativity, and some of the ways (...)
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  • Creativity refined: Bypassing the gatekeepers of appropriateness and value.Alan Dorin & Kevin Korb - unknown
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  • Existential Risk, Creativity & Well-Adapted Science.Adrian Currie - forthcoming - Studies in History and Philosophy of Science.
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  • Metacognition and Reflection by Interdisciplinary Experts: Insights from Cognitive Science and Philosophy.Machiel Keestra - 2017 - Issues in Interdisciplinary Studies 35:121-169.
    Interdisciplinary understanding requires integration of insights from different perspectives, yet it appears questionable whether disciplinary experts are well prepared for this. Indeed, psychological and cognitive scientific studies suggest that expertise can be disadvantageous because experts are often more biased than non-experts, for example, or fixed on certain approaches, and less flexible in novel situations or situations outside their domain of expertise. An explanation is that experts’ conscious and unconscious cognition and behavior depend upon their learning and acquisition of a set (...)
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  • Opportunity, discovery and creativity : a critical realist perspective.Lee Martin & N. R. Wilson - unknown
    In this article, we draw upon the philosophy of critical realism to reflect upon issues concerning discovery processes and opportunity development. First, paradoxes in the relationship between opportunity discovery and creativity are identified and explained. Second, the question of how to investigate opportunities is discussed and a solution informed by critical realism presented whereby three new types of discovery are identified and defined for empirical investigation. Using critical realism to augment entrepreneurial opportunity theory, we propose that discovery processes have significance (...)
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  • Mind, Body and Spirit in Basket Divination: An Integrative Way of Knowing.Silva Sónia - 2014 - Religions 5 (4):1175-1187.
    The statements of researchers on the topic of basket divination and the statements of basket diviners in northwest Zambia, Africa, do not fully agree. While researchers rightly stress the importance of observation, analysis and interpretation in basket divination, going so far as to describe diviners as scientists, they fail to recognize that divination is not an abstract, disembodied undertaking. Truthful knowledge is not flushed out of the diviner’s mind as a set of theoretical propositions; it is instead delivered by an (...)
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  • China's Young Inventors.Min Tang - unknown
    The focus of the current study is the individual and environmental attributes of inventiveness among children and adolescents. Research was conducted on the young inventors who were part of a nation-wide inventive ideation contest for children and adolescents in P. R. China. A total of 621 4th to 12th grade students from 112 schools all over China participated in the study. Among them, 38 reported holding one or more patents. Independent t-test showed, compared to their lower-level counterparts, higher-level young inventors (...)
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  • Darwinism, Memes, and Creativity: A Critique of Darwinian Analogical Reasoning from Nature to Culture.Maria Kronfeldner - 2007 - Dissertation, University of Regensburg
    The dissertation criticizes two analogical applications of Darwinism to the spheres of mind and culture: the Darwinian approach to creativity and memetics. These theories rely on three basic analogies: the ontological analogy states that the basic ontological units of culture are so-called memes, which are replicators like genes; the origination analogy states that novelty in human creativity emerges in a "blind" Darwinian manner; and the explanatory units of selection analogy states that memes are "egoistic" and that they can spread independently (...)
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  • Review of Minds, Causes, and Mechanisms. [REVIEW]Guy Rohrbaugh - 2003 - Philosophical Psychology 16.
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  • Two Notions Contrasted: 'Logical Geography' and 'Logical Topography' Variations on a theme by Gilbert Ryle: The logical topography of 'Logical Geography'.Aaron Sloman - unknown
    This paper distinguishes two versions of Ryle's notion of 'logical geography'. Logical geography: The network of relationships between current uses of a collection of concepts. (Probably what Ryle meant by the term.) Logical topography Features of the portion of reality, or types of portions of reality, related to a given set of concepts, where the reality may be capable of being divided up in different ways using different networks of relationships between concepts. -/- Studying/analysing logical topography includes evaluating the alternative (...)
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  • What are emotion theories about?Aaron Sloman - manuscript
    findings from affective neuroscience research. I shall focus mainly on, but in a manner which, I hope is.
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  • Introduction: Creativity, Conservatism & the Social Epistemology of Science.Adrian Currie - forthcoming - Studies in History and Philosophy of Science A.
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