Although the importance, both historically and systematically, of the seventeenth century distinction between primary and secondary qualities is commonly recognised, there is no consensus on its exact nature. Apparently, one of the main difficulties in its interpretation is to tell the constitutive from the argumentative elements. In this paper, we focus on the primary-secondary quality distinctions drawn by Boyle and Locke. We criticise, more specifically, MacIntosh’s analysis of them. On the one hand, MacIntosh attributes too many different primary-secondary quality distinctions (...) to Boyle and Locke. On the other hand, he forbears to attribute a particular primary-secondary quality distinction to them, which, at least in the case of Boyle, differs genuinely from his main distinction between the mechanical affections of matter and all of matter’s other qualities. (shrink)

This is a critical review of six books: Peter Carruthers, _Language, Thought, and Consciousness; David Chalmers, _The Conscious Mind; Fred Dretske, _Naturalizing the Mind; Steven Horst, _Symbols, Computation and Intentionality; Jaegwon Kim, _Philosophy of Mind; and Michael Tye, _Ten Problems of Consciousness. The review focuses on what these authors have to say about consciousness.

Whether or not one endorses realism about colour, it is very tempting to regard realism about determinable colours such as green and yellow as standing or falling together with realism about determinate colours such as unique green or green31. Indeed some of the most prominent representatives of both sides of the colour realism debate explicitly endorse the idea that these two kinds of realism are so linked. Against such theorists, the present paper argues that one can be a realist about (...) the determinable colours of objects, and thus hold that most of the colour ascriptions made by competent speakers are literally true, while denying that there are any positive facts of the matter as to the determinate colours of objects. The result is a realistic colour realism that can certify most of our everyday colour ascriptions as literally correct, while acknowledging the data regarding individual variation. (shrink)

Scientists are often bemused by the efforts of philosophers essaying a theory of colour: colour science sports a huge array of facts and theories, and it is unclear to its practitioners what philosophy can or is trying to contribute. Equally, philosophers tend to be puzzled about how they can fit colour science into their investigations without compromising their own disciplinary identity: philosophy is supposed to be an a priori investigation; philosophers do not work in psychophysics labs – not in their (...) professional capacity, anyway.These inter-disciplinary barriers arise out of misunderstanding. Philosophers should not so much attempt to contribute to empirical theories of colour, as to formulate philosophical theories of colour. Philosophy is concerned with appearance and reality, object and property, function and representation, and other such fundamental categories of ontology and epistemology. Philosophical theories attempt to fit colour into these categories; such theories do not compete with colour science. However, fitting colour into philosophical theories means dealing with colour as it really is – and one cannot know what it is without consulting the psychologists. That is why philosophers need an up-to-date understanding of psychological theories of colour. (shrink)

A critical survey of recent work on the ontological status of colors supports the conclusion that, while some accounts of color can plausibly be dismissed, no single account can yet be endorsed. Among the remaining options are certain forms of color realism according which familiar colors are instantiated by objects in our extra-cranial visual environment. Also still an option is color anti-realism, the view that familiar colors are, at best, biologically adaptive fictions, instantiated nowhere.I argue that there is simply no (...) fact of the matter as to which of these remaining options is correct. I blame this indeterminacy on the fact that color vision exhibits several of the hallmarks of a modular input system, as described by Jerry Fodor in The Modularity of Mind. (shrink)

RésuméPaul Boghossian et David Velleman ont soutenu que les théories physicalistes des couleurs — celles qui identifient les propriétés de couleur avec certaines propriétés physiques des objets ou de la lumière—ne peuvent accommoder l'intuition profonde selon laquelle nous ne pouvons pas être dans l'erreur au sujet des contenus représentationnels de nos expériences de couleur. Contre Boghossian et Velleman, je soutiens que cette intuition prétendue que les théories physicalistes ne réussisssent pas à accommoder, nest pas elle-même intuitivement plausible. En fait, c'est (...) clairement un avantage des théories physicalistes que selon elles, les experiences de couleur n'affichent pas avec evidence leurs contenus représentationnels. (shrink)

The words “content” and “character” in my title refer to the representational content and phenomenal character of color experiences. So my topic concerns the nature of our experience of color. But I will, of course, be talking about colors as well as color experience. Let me set the stage by mentioning some things, some more controversial than others, that I will be taking for granted. I assume, to begin with, that objects in the world have colors, and have them independently (...) of being perceived to have them, and independently even of there being creatures capable of perceiving them. I think, and this of course sets me apart from the many color irrealists among philosophers and color scientists, that any reasonable semantics for color terms, and any reasonable account of the reference of color concepts, should yield the result that colors are properties of external things that are realized in certain of their physical properties, namely those responsible for their reflecting or emitting the light whose impact on our retinas is involved in causing our color perceptions. This brings me to a further assumption that I shall be making, namely the truth of physicalism. I take physicalism to be the thesis that all properties of things either are or are realized in basic physical properties, where basic physical properties are the properties that underlie the behavior and causal powers of inanimate things. There are two ways in which the commitment to physicalism will figure in my discussion. First, I assume that colors are physically realized properties. Second, I assume that color experiences are physically realized. These two commitments frame the problem I am discussing – how can colors be properties realized in the microphysical properties of things, and how can color experience be so realized? I don’t think there is any generally accepted account of what it is for a property to be “realized in” other properties. For those who think, as I do, that properties are individuated by their causal features, it should seem plausible to say that property P realizes property Q just in case the forward looking causal features of Q are a subset of the forward looking causal features of P, and the backward looking.... (shrink)

The nature of color is an open philosophical and scientific question. In this work I develop a physicalist relationist theory of color. So far, attempts to identify color as a physical property of objects have not been convincing because no physical property used by scientists seems to be well correlated with color sensations. I define a new physical property which I call transformance and show that transformance is 100% correlated with color sensations. Intuitively, transformance is a very general abstract physical (...) property that describes how a system transforms or modifies light or information that characterizes light. It turns out that transformance is a relational property of objects like velocity and weight. Transformance is related to surface reflectance as weight is related to mass. Transformance is a much better candidate to be color than surface reflectance because it is 100% correlated with color sensations, precisely models surround effects and fully explains all issues that relate to perceptual variation or the lack thereof. Several concrete examples are provided that show how the transformance of different systems should be modeled. After defining transformance, I defend the theory that color is transformance against possible objections while contrasting my theory with the theory that color is surface reflectance. I then discuss the relations between color and color sensation and the more general objections to any physicalist theory of color. The final part of the thesis deals with epistemological issues related to my theory of color including two apparent paradoxes that I believe every theory of color must answer: 1) How is it that human beings get along so well with an erroneous theory of color? 2) How can science, which is based on the common sense theory of color, conclude that the common sense theory is wrong? I show that my theory provides answers to these questions. (shrink)