The discussions which follow rest on a distinction, first expounded by Husserl, between formal logic and formal ontology. The former concerns itself with (formal) meaning-structures; the latter with formal structures amongst objects and their parts. The paper attempts to show how, when formal ontological considerations are brought into play, contemporary extensionalist theories of part and whole, and above all the mereology of Leniewski, can be generalised to embrace not only relations between concrete objects and object-pieces, but also relations between what (...) we shall call dependent parts or moments. A two-dimensional formal language is canvassed for the resultant ontological theory, a language which owes more to the tradition of Euler, Boole and Venn than to the quantifier-centred languages which have predominated amongst analytic philosophers since the time of Frege and Russell. Analytic philosophical arguments against moments, and against the entire project of a formal ontology, are considered and rejected. The paper concludes with a brief account of some applications of the theory presented. (shrink)

endorsed one kind of inverted spectrum hypothesis and rejected another. This paper argues that the kind of inverted spectrum hypothesis that Wittgenstein endorsed is the thin end of the wedge that precludes a Wittgensteinian critique of the kind of inverted spectrum hypothesis he rejected. The danger of the dangerous kind is that it provides an argument for qualia, where qualia are contents of experiential states which cannot be fully captured in natural language. I will pinpoint the difference between the innocuous (...) and dangerous scenarios that matters for the argument for qualia, give arguments in favor of the coherence and possibility of the dangerous scenario, and try to show that some standard arguments against inverted spectra are ineffective against the version of the dangerous scenario I will be advocating. The leading idea of the paper is that an argument for qualia based on spectrum inversion does not require that the inversion be behaviorally indistinguishable. At one crucial point, I will rely on a less controversial version of an argument I gave in Block. Wittgenstein's views provide a convenient starting point for a paper that is much more about qualia than about Wittgenstein. (shrink)

In Basic Color Terms, Berlin and Kay argued for a restricted number of "basic" color words—words they claimed to be culturally universal. This claim about language was buttressed by psychologist Eleanor Rosch's famous work on color prototypes. Together, the works of Berlin and Kay and Rosch are the foundation for a contemporary research tradition investigating the biological foundations of color naming. In this article, the author describes some common objections to the works of Berlin and Kay and Rosch and argues (...) that they are not significant. The claim that explanations of color naming ought to be strictly cultural also is discussed and rejected. (shrink)

Whether or not one endorses realism about colour, it is very tempting to regard realism about determinable colours such as green and yellow as standing or falling together with realism about determinate colours such as unique green or green31. Indeed some of the most prominent representatives of both sides of the colour realism debate explicitly endorse the idea that these two kinds of realism are so linked. Against such theorists, the present paper argues that one can be a realist about (...) the determinable colours of objects, and thus hold that most of the colour ascriptions made by competent speakers are literally true, while denying that there are any positive facts of the matter as to the determinate colours of objects. The result is a realistic colour realism that can certify most of our everyday colour ascriptions as literally correct, while acknowledging the data regarding individual variation. (shrink)

Qualia inversion thought experiments are ubiquitous in contemporary philosophy of mind. The most popular kind is one or another variant of Locke's hypothetical case of.

Western scholars have speculated for centuries about the perceptual capacities of non-western peoples, of children, and of animals; and, more recently, about the representation and communication of perceptual experience in language. Colour is a particularly intriguing domain within which to study the communication of experience because the physical stimulation necessary for the perception of colour, light radiation, can be specified with precision, and creates an aura of rigour and certainty.

One venerable, and supposedly thoroughly discredited, way of thinking about general names is to conceive of them as names of essences. This is not as transparently foolish a conceit as is nowadays generally supposed. Locke used the term ‘essence’ in two related senses; first, as ‘the being of any thing whereby it is what it is’, and second, as a name for any principle or procedure which enables us to rank things under ‘sortal names’. In this latter sense, knowing the (...) essence which corresponds to horse or lead, for example is, according to Locke, knowing ‘what are the alterations may or may not be in a horse or lead, without making either of them to be of another species’. (shrink)

Summary Pluralism and monism are the two current views concerning scientific research and language understanding. Between them there is a third, intermediate, view. We take a procedural methodology of science as exemplified in the work of L. Tondl, and procedural linguistics , as exemplified in the work of B. Harrison, to be representative of this third possibility. Procedures are cognitive, linguistic, and physical processes which, through their hierarchical interconnections can generate fruitful mechanisms . These mechanisms are sensitive to context and (...) operate in heuristic and algorithmic ways. Their similar logical structure points towards a profound unified basis for scientific and linguistic activities, thus providing an interesting bridge between what is achieved by a little child talking to his parents, and a creative scientist struggling to interpret the results of his experiments. (shrink)